Gunther Schuller is one of America's leading contemporary composers, conductors, and musicologists. He has become increasingly dismayed about the way contemporary orchestra leaders have been ignoring the composer's intentions in playing the basic concert repertory from the mid-nineteenth century to the present. In this controversial new book, Schuller puts forth his own principles of conducting, and then analyses in detail several classical masterpieces, comparing the composers' original notation to the way conductors interpret them. Showing ways in which current orchestra and conducting standards can be radically improved, this book is an indictment of contemporary musical trends and an incisive study of the dialogue between composition and performance.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
頗具啓發。另，在這裏作者最推崇的似乎是被我國廣大五綫譜都認不全的版本比較帝們認為"平淡"、“無趣”、“死氣沉沉”、“毫無個性”、“錄音錄得多有個屌用”的Bernard Haitink老師。
评分頗具啓發。另，在這裏作者最推崇的似乎是被我國廣大五綫譜都認不全的版本比較帝們認為"平淡"、“無趣”、“死氣沉沉”、“毫無個性”、“錄音錄得多有個屌用”的Bernard Haitink老師。
评分同意他的所有關於指揮的看法
评分頗具啓發。另，在這裏作者最推崇的似乎是被我國廣大五綫譜都認不全的版本比較帝們認為"平淡"、“無趣”、“死氣沉沉”、“毫無個性”、“錄音錄得多有個屌用”的Bernard Haitink老師。
评分同意他的所有關於指揮的看法
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