"I always compare filmmaking to cooking. Shooting is like buying the groceries. You buy all kinds of ingredients and the better ingredients you get, the better chance you have of making the movie you want."--Ang Lee, from Speaking in Images Speaking in Images offers an engaging and rare collection of interviews with the directors who have changed the face of Chinese and international cinema. Michael Berry's discussions with such directors as Ang Lee ( Crouching Tiger, Hidden Dragon), Zhang Yimou ( Hero), Chen Kaige ( Farewell My Concubine), Stanley Kwan ( Lan Yu), Tsai Ming-Liang ( Vive l'Amour), Edward Yang ( Yi Yi), and Hou Hsiao-hsien ( Flowers of Shanghai) offer an eclectic and comprehensive portrait of contemporary Chinese cinema. In interviews that capture each filmmaker's unique vision, the subjects discuss their formative years, the ideas and influences that shaped their work, film aesthetics, battles with censors and studios, the mingling of commercial and art film, and the future of Chinese cinema in a transnational context. Berry's introduction to the collection provides an overview of Chinese cinema in the second half of the twentieth century, placing the directors and their work in a wider historical and cultural context.
白睿文(Michael Berry),1974年出生于美国芝加哥,哥伦比亚大学现代中国文学与电影博士,现职加州大学圣巴巴拉分校东亚系副教授。主要研究领域为当代华语文学、电影、流行文化和翻译学。
著作包括Speaking in Images:Interviews with Contemporary Chinese Filmmakers(2005),《痛史:现代中国文学与电影的历史创伤》(A HistoryofPain:Trauma in Modem Chinese Fiction and Film,2008)与《贾樟柯的故乡三部曲》XJiaZhangke’SHometown Trilogy.2009)。
中英译作包括王安忆《长恨歌》(The Song of Everlasting Sorrow,2007)、余华《活着》(To Live,2004)、叶兆言《一九三七年的爱情》(Nanjing 1937:A Love Story,2003)、张大春《我妹妹》与《野孩子》(Wild Kids:Two Novels About Growing Up,2000)。
他山的石头记 历史人物的口述实录近年在国内渐成热点,不过在中国电影的研究圈子里,似乎仍未成气候。较之内地,香港影评人在这方面的工作似乎做得比较好。就我所知,他们访谈过一批中国影史上的知名人物,如黎莉莉、谈瑛、孙瑜等,而对《小城之春》的主演韦伟及费穆女儿...
评分中国大陆电影、香港电影与台湾电影,对这三大电影区域的研究所承载的当然不仅仅是电影本身。而是复杂的历史认同与文化解读。事实上,华语电影本身的形态更多的脱胎于中国历史之现代性的整个历程,来自于中国第三世界身份的认同与间离,来自于中国传统文化中散留的符码与记忆。...
评分有几篇很真诚。张艺谋说的很好,贾樟柯依然很聪明有口才并且知道自己要什么怎么要。台湾几个说的不错,香港几个么都比较自以为是了。但个人觉得本书不太好之处即over-interpretations的地方比较多,当然执笔者一个巴掌拍不响,要有被访者的“配合”才可以。并且我也觉得通过阅...
评分他山的石头记 历史人物的口述实录近年在国内渐成热点,不过在中国电影的研究圈子里,似乎仍未成气候。较之内地,香港影评人在这方面的工作似乎做得比较好。就我所知,他们访谈过一批中国影史上的知名人物,如黎莉莉、谈瑛、孙瑜等,而对《小城之春》的主演韦伟及费穆...
评分《光影言語》,是哥倫比亞中國現代文學和電影的博士生白睿文(Michael Barry)的著作。他以兩岸三地的導演為核心,分別訪談並記錄。其中有大名鼎鼎的陳凱歌、張藝謀、田壯壯、許鞍華,關錦鵬、侯孝賢、楊德昌、以及李安等。此書的序是由紐約大導馬丁史柯西(Martin Scors...
Ang Lee once remarked that ‘if you take a close look at Peter Pau’s work, you would find his work quite impressive for showing the representative Hollywood style’.
评分A good resource for research in modern Chinese films, including the fifth generation, the Hong Kong New Wave and the Taiwan New Wave.
评分Ang Lee once remarked that ‘if you take a close look at Peter Pau’s work, you would find his work quite impressive for showing the representative Hollywood style’.
评分很好的REFERENCE
评分A good resource for research in modern Chinese films, including the fifth generation, the Hong Kong New Wave and the Taiwan New Wave.
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