A Portrait of the Artist as a Young Man

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出版者:Knopf Doubleday Publishing Group
作者:James Joyce
出品人:
页数:318
译者:
出版时间:1991-10-28
价格:173.00元
装帧:Hardcover
isbn号码:9780679405757
丛书系列:
图书标签:
  • 小说
  • 小說
  • (English)
  • 意识流
  • 成长小说
  • 爱尔兰文学
  • 现代主义
  • 自传体小说
  • 詹姆斯·乔伊斯
  • 文学经典
  • 心理描写
  • 艺术
  • 宗教
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具体描述

In his first and still most widely read novel, James Joyce makes a strange peace with the traditional narrative of a young man’s self-discovery by respecting its substance while exploding its form, thereby inaugurating a literary revolution.

Published in 1916 when Joyce was alfiready at work on Ulysses, A Portrait of the Artist as a Young Man is exactly what its title says and much more. In an exuberantly infiventive masterpiece of subjectivity, Joyce portrays his alter ego, Stephen Dedalus, growing up in Dublin and struggling through religious and sexual guilt toward an aesthetic awakening. In part a vivid picture of Joyce’s own youthful evolution into one of the twentieth century’s greatest writers, it is also a moment in the intellectual history of an age.

Joyce's semi-autobiographical chronicle of Stephen Dedalus' passage from university student to "independent" artist is at once a richly detailed, amusing, and moving coming-of-age story, a tour de force of style and technique, and a profound examination of the Irish psyche and society.

《一个青年艺术家的肖像》:灵魂的探寻与艺术的觉醒 这并非一本寻常意义上的小说,它更像是一场漫长而细腻的内心独白,一次对成长的深刻剖析,一次对艺术生命萌芽的详尽记录。詹姆斯·乔伊斯以他独有的、如同手术刀般精准的笔触,为我们呈现了一个名叫斯蒂芬·迪达勒斯(Stephen Dedalus)的男孩,如何一步步挣脱童年的懵懂,摆脱家庭与宗教的束缚,最终在内心的孤寂与对艺术的执着中,塑造出一个独立而强大的灵魂。 故事的开端,我们看到的是一个年幼的斯蒂芬。他沉浸在童年纯真而略带朦胧的感知中。世界在他眼中是五彩斑斓的,声音是丰富多样的,情感也是直白而强烈的。然而,在这片宁静的表象之下,一股不安的暗流已经悄然涌动。乔伊斯并未直接将外部世界的冲突呈现出来,而是通过斯蒂芬幼小心灵的解读,将这一切过滤,以一种近乎原始、纯粹的视角展现在读者面前。 随着斯蒂芬年龄的增长,童年的色彩逐渐褪去,取而代之的是更为复杂和矛盾的情感。家庭的变故,政治的分裂,宗教的教诲,如同一张无形的大网,试图将他束缚。他的父亲,一个有着共和主义理想却沉溺于酒精和辩论的男人,他的母亲,虔诚而压抑,他们之间的争吵与疏离,像利刃般刺痛着年幼的斯蒂芬。而爱尔兰那弥漫着民族主义与宗教狂热的气息,更是让他感到窒息。他尝试去理解,去融入,却发现自己与周遭格格不入。 教育,作为塑造个体的重要一环,在斯蒂芬的成长过程中扮演了双重角色。一方面,学校提供了知识的启蒙,但也加剧了他内心的挣扎。在耶稣会士的教育下,他学习着拉丁文,钻研着神学,却也对那些教条式的说教产生了深深的怀疑。特别是他接触到宗教的教义,并被严厉地教导原罪与地狱的恐惧时,他的心灵受到了巨大的冲击。每一次宗教的仪式,每一次神职人员的布道,都像是对他内心深处的拷问,让他一次次地在罪恶感与救赎的幻想中徘徊。 然而,即使在最深的黑暗中,斯蒂芬的内心深处始终燃烧着一丝不灭的火苗——那是对美的感知,对艺术的向往。他开始在语言中寻找慰藉,在文字中发现力量。诗歌、音乐、绘画,这些抽象而富有生命力的艺术形式,成为了他逃离现实、探索自我的途径。他不再仅仅是被动地接受外部世界的信息,而是开始主动地去观察,去思考,去解读。他会在雨中漫步,感受雨滴拍打在脸上的冰凉;他会在夜深人静时,倾听远处传来的钟声;他会在人群中观察着形形色色的人,捕捉他们细微的情感流露。 随着他对自身情感和周围世界的理解日益加深,斯蒂芬逐渐意识到,他与周围的世界存在着一道难以逾越的鸿沟。他的思想是自由的,他的灵魂是渴望超越的,而他所处的爱尔兰社会,却沉浸在保守、陈腐的传统之中。他无法在这样的环境中找到自己的位置,无法与那些满足于现状的人们产生真正的共鸣。他开始感到孤独,一种深入骨髓的、与生俱来的孤独。 这种孤独,并没有将他压垮,反而激发了他更加强烈的自我认知。他开始反思自己的身份,反思自己与家庭、与民族、与宗教的关系。他逐渐认识到,他并非属于任何人,他属于他自己。他开始审视那些曾试图定义他的力量,并最终选择与它们决裂。这种决裂,并非是激烈的反抗,而是一种内在的、悄无声息的疏离。他不再为迎合他人而改变自己,不再为遵守规则而压抑自我。 小说的高潮,在于斯蒂芬对艺术的最终觉醒。他明白,艺术是他唯一的出路,是他实现自我价值,实现灵魂解放的终极手段。他将自己比作不死鸟,在烈火中涅槃重生,挣脱一切束缚,飞向属于自己的天空。他渴望成为一个真正的艺术家,一个能够用自己的语言,用自己的视角,去描绘世界的艺术家。他开始模仿他所崇拜的作家,他开始尝试用文字表达自己内心的情感和思想。 然而,成为艺术家的道路并非一帆风顺。斯蒂芬面临的不仅仅是创作上的挑战,更有生存的压力和内心的挣扎。他选择离开故土,前往欧洲大陆,去寻找更广阔的天地,去汲取更多的艺术养分。在他踏上旅程的那一刻,他已经不再是那个懵懂的男孩,而是一个即将展翅高飞的青年艺术家。他知道,未来的道路充满未知,但他已经做好了准备,用他的全部生命去拥抱艺术,去追寻他心中那永恒的美。 《一个青年艺术家的肖像》并非一个拥有戏剧性情节的故事,它更像是一次对灵魂的解剖,一次对成长的细致描摹。乔伊斯以他精妙的语言,流畅的叙事,将斯蒂芬内心世界的每一个角落都展现在我们眼前。我们看到了他的困惑,他的挣扎,他的痛苦,但他身上那种对真理的追求,对美的执着,对独立的渴望,却一次次地让我们动容。 这部小说之所以能打动人心,在于它触及了人类普遍的成长困境。我们每个人在成长的过程中,都曾有过类似的迷茫和挣扎,都曾试图寻找自己的身份,都曾渴望摆脱束缚,去成为真正的自己。斯蒂芬的故事,正是我们内心深处那份对自我实现的呼唤的回响。 乔伊斯在描绘斯蒂芬的成长历程时,并没有回避那些令人不适的细节,他直面人性的复杂和现实的残酷。然而,他始终保持着一种克制而深刻的观察,他没有去评判,而是试图去理解。他用一种近乎神性的视角,审视着一个灵魂的诞生与蜕变。 最终,《一个青年艺术家的肖像》留给读者的,是一种复杂而深刻的触动。它让我们反思自身的成长,反思我们与世界的关系,更让我们思考艺术的意义,生命的价值。它并非一本书读完便束之高阁的作品,它会像一粒种子,在你的心中生根发芽,让你在未来的日子里,不断地去回味,去品读,去从中汲取力量。它是一次关于个体独立精神的颂歌,一次关于艺术生命觉醒的壮丽史诗。

作者简介

James Joyce, the twentieth century’s most influential novelist, was born in Dublin on February 2, 1882. The oldest of ten children, he grew up in a family that went from prosperity to penury because of his father’s wastrel behavior. After receiving a rigorous Jesuit education, twenty-year-old Joyce renounced his Catholicism and left Dublin in 1902 to spend most of his life as a writer in exile in Paris, Trieste, Rome, and Zurich. On one trip back to Ireland, he fell in love with the now famous Nora Barnacle on June 16, the day he later chose as “Bloomsday” in his novel Ulysses. Nara was an uneducated Galway girl who became his lifelong companion an the mother of his two children. In debt and drinking heavily, Joyce lived for thirty-six years on the Continent, supporting himself first by teaching jobs, then trough the patronage of Mrs. Harold McCormick (Edith Rockerfeller) and the English feminist and editor Harriet Shaw Weaver. His writings include Chamber music (1907), Dubliners (1914), A Portrait of the Artist as a Young Man (1916), Exiles (1918), Ulysses (1922), Poems Penyeach (1927), Finnegans Wake (1939), and an early draft of A Portrait of a Young Man, Stephan Hero (1944). Ulysses required seven years to complete, and his masterpiece, Finnegans Wake, took seventeen. Both works revolutionized the form, structure, and content of the novel. Joyce died in Zurich in 1941.

Biography

James Joyce was born in Dublin on February 2, 1882. He was the oldest of ten children in a family which, after brief prosperity, collapsed into poverty. Nonetheless, he was educated at the best Jesuit schools and then at University College, Dublin, where he gave proof of his extraordinary talent.

In 1902, following his graduation, he went to Paris, thinking he might attend medical school there, but he soon gave up attending lectures and devoted himself to writing poems and prose sketches, and formulating an "aesthetic system'." Recalled to Dublin in April 1903 because of the fatal illness of his mother, he circled slowly towards his literary career. During the summer of 1904 he met a young woman from Galway, Nora Barnacle, and persuaded her to go with him to the Continent, where he planned to teach English.The young couple spent a few months in Pola (now in Yugoslavia), then in 1905 moved to Trieste, where, except for seven months in Rome and three trips to Dublin, they lived until June 1915. They had two children, a son and a daughter. His first book, the poems of Chamber Music, was published in London in 1907, and Dubliners, a book of stories, in 1914. Italy's entrance into the First World War obliged Joyce to move to Zürich, where he remained until 1919. During this period he published A Portrait of the Artist as a Young Man (1916) and Exiles, a play (1918).

After a brief return to Trieste following the armistice, Joyce determined to move to Paris so as to arrange more easily for the publication of Ulysses, a book which he had been working on since 1914. It was, in fact, published on his birthday in Paris, in 1922, and brought him international fame. The same year he began work on Finnegan's Wake, and though much harassed by eye troubles, and deeply affected by his daughter's mental illness, he completed and published that book in 1939. After the outbreak of the Second World War, he went to live in Unoccupied France, then managed to secure permission in December 1940 to return to Zürich. Joyce died there six weeks later, on 13 January 1941, and was buried in the Fluntern Cemetery.

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