Milton Rogovin

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出版者:University of Washington Press
作者:Melanie Anne Herzog
出品人:
页数:176
译者:
出版时间:2006-9-1
价格:USD 30.00
装帧:Paperback
isbn号码:9780295986340
丛书系列:
图书标签:
  • 摄影
  • 人像
  • 社会
  • 纪录
  • 美国
  • 工人阶级
  • 贫困
  • 黑白摄影
  • 20世纪
  • 肖像摄影
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具体描述

'Milton Rogovin celebrates the non-celebrated, the ones who make the world go round'. These words, spoken by prize-winning author Studs Terkel, are a fitting lens through which to view the work of Milton Rogovin, optometrist, political activist, and photographer. "Milton Rogovin: The Making of a Social Documentary Photographer" chronicles the story behind that life, and the man behind the acclaimed photographs that invite us to see for the first time, or to see anew, the tenacity, profound dignity, and resilience of people living in extremely difficult circumstances. Born in New York in 1909 to a Russian Jewish immigrant family, Rogovin was radicalized by the widespread deprivations he witnessed and experienced during the Depression, and he dedicated himself to working for social and economic justice. After military service in World War II, he began an optometry practice in Buffalo, and he and his wife became active politically, engaging in union organizing and voter registration in Buffalo's African-American community. His activism led him to be called before the House Committee on Un-American Activities, and after refusing to testify, he was dubbed 'Buffalo's Number One Communist'. Much of his optometry clientele vanished, but, as he would realize, 'there was also a positive result' to the attacks. His political voice silenced, he turned to photography as a way to speak about social inequities. In the years that have followed, Rogovin has devoted himself to chronicling the lives of people in New York, Appalachia, Scotland, Cuba, Zimbabwe, Mexico, France, Czechoslovakia, Spain, Germany, and China. Scholar Melanie Herzog locates Rogovin within a tradition of social documentary photography that began when nineteenth- and early-twentieth-century sociologists took up the camera, or, more often, enlisted the service of photographers to advocate for social reform through visual representations of the plight of the poor. But while Rogovin's work is undoubtedly political, he does not romanticize his subjects or seek to portray them as victims or heroes; he seeks simply to convey the effects of material reality on people and their agency, to show how people live in relation to social conditions. This richly illustrated retrospective features Rogovin's own narrative of his development and life as a documentary photographer, amplified by an account of the historical events and circumstances that shaped his politics and social consciousness. Milton Rogovin has dedicated his life's work - as an optometrist, an activist, and a photographer - to enabling people to see more clearly. His photographs demand witness, and to witness is to see.

Milton Rogovin:捕捉时代灵魂的街头影像 Milton Rogovin,这位来自布法罗(Buffalo)的摄影师,以其近六十年的职业生涯,深刻地记录了二十世纪中后期美国普通民众的生活图景。他的作品并非聚焦于宏大叙事或历史事件,而是选择深入城市的肌理,用镜头捕捉那些被遗忘的角落里,鲜活而真实的人性瞬间。 从工人阶级到边缘群体:Rogovin的镜头语言 Rogovin的摄影生涯始于对布法罗工人阶级生活的关注。他深入工厂、矿井、码头,用朴实而充满力量的肖像,展现了劳动者的辛勤与尊严。这些照片,无论是矿工们被煤灰覆盖的面庞,还是工厂女工们略带疲惫却眼神坚毅的脸庞,都传递着一种不屈的精神。他没有刻意美化或丑化,而是以一种近乎纪录片式的客观,让观者直接面对劳动者的真实生活。 随着时间的推移,Rogovin的关注点逐渐扩展到更广泛的社会群体。他开始将镜头对准布法罗的贫困社区、移民家庭、街头艺人、以及那些在社会边缘挣扎的人们。在他的作品中,我们看到了无家可归者的孤独背影,看到了单亲母亲的坚韧眼神,看到了街头儿童们在贫瘠环境中顽强的生命力。Rogovin用一种充满同情与尊重的态度,为这些“被忽视的”群体发声,让他们在镜头下拥有了自己的声音和故事。 “一对照”的视觉叙事:同一人物,不同时空 Rogovin最独特和最具影响力的创作手法之一,是他坚持进行的“一对照”(“Pairs”)系列。他会反复拍摄同一批人物,间隔数年甚至数十年,将不同时期的肖像并置。这种手法极大地增强了作品的叙事性和情感冲击力。 当我们看到年轻时的面孔与年老时的面孔在同一页面上出现,时间流逝的痕迹在照片中清晰可见。皱纹的加深,鬓角的斑白,眼神的变化,无不诉说着人生的轨迹。Rogovin通过这种方式,不仅记录了个体的生命周期,更折射出社会变迁对个体命运的影响。例如,他拍摄的同一批矿工,年轻时充满活力,多年后却可能因为时代的变迁和矿业的衰落而面临失业和生活困顿。这种强烈的对比,引发观者对人生无常、时代洪流以及个体在大环境中的生存状态的深刻思考。 深入的对话与信任:Rogovin的拍摄之道 Rogovin的成功并非偶然。他的摄影风格以深入、细致和充满人性关怀而著称。他并非简单地按下快门,而是花大量的时间与拍摄对象进行交流,建立信任。他会走入他们的生活,倾听他们的故事,了解他们的喜怒哀乐。这种深厚的连接,使得他的照片能够超越表象,触及人物内心深处的情感。 他的拍摄往往没有华丽的布景或夸张的姿态。在Rogovin的照片中,人物通常以自然的状态出现在熟悉的场景中。他们可能坐在自家简陋的厨房里,可能站在街角的屋檐下,可能在工作间隙短暂休憩。这种真实感,正是Rogovin作品的魅力所在。他相信,最动人的故事,就隐藏在最平凡的生活之中。 布法罗的城市史诗:一个时代的缩影 Rogovin的作品,可以说是一部未被写就的布法罗城市史诗。他用镜头忠实地记录了这座城市的变迁,从工业时代的辉煌到后工业时代的挑战,从社区的兴盛到衰落。他的照片不仅是个人的肖像,更是特定历史时期和社会背景的鲜活写照。 通过Rogovin的眼睛,我们看到了一个时代的集体记忆。我们看到了美国梦的实现与幻灭,看到了社会变革的阵痛,也看到了普通人在时代洪流中的坚韧与希望。他的作品,以一种不动声色的力量,唤醒了我们对历史的记忆,对社会的认知,以及对人性的深刻理解。 持久的影响力:沉默的证言 Milton Rogovin的作品,以其真诚、深刻和持久的艺术价值,在摄影界留下了浓墨重彩的一笔。他用他的镜头,为那些无声的生命提供了发声的平台,为我们窥视了一个时代的灵魂。他的照片,如同沉默的证言,跨越时空,继续与观者进行着无声的对话,引发着永恒的思考。他的贡献,在于他从未停止用镜头去探索和记录,去理解和呈现,去爱和尊重,那些构成我们社会肌理的每一个普通而又不平凡的个体。

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