This introductory volume offers an elegant analysis of the enduring appeal of the cinematic vampire. From Georges Melies' early cinematic experiments to Twilight and Let the Right One In, the history of vampires in cinema can be organized by a handful of governing principles that help make sense of this movie monster's remarkable fecundity. Among these principles are that the cinematic vampire is invariably about sex and the vexed human relationship with technology, and that the vampire is always an overdetermined body condensing what a culture considers other. This volume includes in-depth studies of films including Powell's A Fool There Was, Franco's Vampyros Lesbos, Cronenberg's Rabid, Kumel's Daughters of Darkness, and Merhige's Shadow of the Vampire.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
基本上是derived from Jeffrey Cohen's Monster Culture: Seven These", 比較有意思的argument也是從那裏來的，除此之外的argument就有點牽強瞭，特彆是作者總是用“Vampire cinema is always about blabla"這種句式。當然優點就是，找結論特彆好找，作者不賣關子不兜著藏著。
评分基本上是derived from Jeffrey Cohen's Monster Culture: Seven These", 比較有意思的argument也是從那裏來的，除此之外的argument就有點牽強瞭，特彆是作者總是用“Vampire cinema is always about blabla"這種句式。當然優點就是，找結論特彆好找，作者不賣關子不兜著藏著。
评分基本上是derived from Jeffrey Cohen's Monster Culture: Seven These", 比較有意思的argument也是從那裏來的，除此之外的argument就有點牽強瞭，特彆是作者總是用“Vampire cinema is always about blabla"這種句式。當然優點就是，找結論特彆好找，作者不賣關子不兜著藏著。
评分基本上是derived from Jeffrey Cohen's Monster Culture: Seven These", 比較有意思的argument也是從那裏來的，除此之外的argument就有點牽強瞭，特彆是作者總是用“Vampire cinema is always about blabla"這種句式。當然優點就是，找結論特彆好找，作者不賣關子不兜著藏著。
评分基本上是derived from Jeffrey Cohen's Monster Culture: Seven These", 比較有意思的argument也是從那裏來的，除此之外的argument就有點牽強瞭，特彆是作者總是用“Vampire cinema is always about blabla"這種句式。當然優點就是，找結論特彆好找，作者不賣關子不兜著藏著。
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