圖書標籤: 曆史 女性研究 海外中國研究 中國 DorothyKo 女性 文化研究 纏足
发表于2024-11-21
Cinderella's Sisters pdf epub mobi txt 電子書 下載 2024
The history of footbinding is full of contradictions and unexpected turns. The practice originated in the dance culture of China's medieval court and spread to gentry families, brothels, maid's quarters, and peasant households. Conventional views of footbinding as patriarchal oppression often neglect its complex history and the incentives of the women involved. This revisionist history, elegantly written and meticulously researched, presents a fascinating new picture of the practice from its beginnings in the tenth century to its demise in the twentieth century. Neither condemning nor defending foot-binding, Dorothy Ko debunks many myths and misconceptions about its origins, development, and eventual end, exploring in the process the entanglements of male power and female desires during the practice's thousand-year history. "Cinderella's Sisters" argues that rather than stemming from sexual perversion, men's desire for bound feet was connected to larger concerns such as cultural nostalgia, regional rivalries, and claims of male privilege. Nor were women hapless victims, the author contends. Ko describes how women - those who could afford it - bound their own and their daughters' feet to signal their high status and self-respect. Femininity, like the binding of feet, was associated with bodily labor and domestic work, and properly bound feet and beautifully made shoes both required exquisite skills and technical knowledge passed from generation to generation. Throughout her narrative, Ko deftly wields methods of social history, literary criticism, material culture studies, and the history of the body and fashion to illustrate how a practice that began as embodied lyricism - as a way to live as the poets imagined - ended up being an exercise in excess and folly.
高彥頤,(Dorothy Ko) 美國斯坦福大學國際關係學學士、東亞曆史係博士,專攻明清社會史及比較婦女史。曾任教加州大學聖地亞哥分校及新澤西州立羅格斯大學曆史及婦女研究係,現為紐約哥倫比亞大學巴納德分校曆史係教授。近作有《步步生蓮:綉鞋與纏足文物》(Every Step a Lotus:Shoes for BoundFeet)及《閨塾師:明末清初江南的纔女文化》(TeaeheFS of the Inner Chambers:Women andCulture in Seventeenth—Century China)等書。
牛B之處在於全世界的gender studies people都會讀她,無論是研究伊斯蘭還是印度。
評分之前讀的補標,很喜歡這本書。看瞭其他一些書評說作者過度否定反對纏足的正麵意義,但是我覺得作者並沒有這樣做。因為反對纏足、鼓勵放足這樣的運動已經得到瞭大部分史學傢的關注和肯定,而作者僅僅是想去填補這其中對於纏足甚至主動纏足的女性的探討和研究。發展纏足文化的是男性,發起女性解放運動的仍然是男性,而故事裏的女性在曆史裏被遮蔽瞭。難道我們不該去聽聽故事裏女性的聲音嗎(就算是一味妥協)?作者的書無疑為纏足和放足史增添瞭許多層次和復雜性
評分在關於纏足和不纏足的爭論中,又或者是纏足的曆史中,女性在哪裏?她們的感受,疼痛又或是自豪究竟是從何而來?把女人的事情還給女人,整篇文章在我看來就是對於那個男性臆想的諷刺,HEAR THE UNHEARD VOICES,真好看。
評分得晚期福柯真傳,哈哈
評分誰在替誰發聲~
提起缠足,你会想到什么?“老太太的裹脚布——又臭又长”或者“小脚一双,眼泪一缸”?的确,缠足对我们来说已是一个不远不近的历史存在:说它不近,是因为它已不是我们这代人需要面对的习俗进而不再是我们熟悉的领域;说它不远,是因为也许我们的祖辈女性之中还有,或者...
評分关于缠足的文字之前也零散的在一些社会性别研究的刊物中读到过,但并没有什么深刻的记忆,老生常谈的批评总是难以让人有所关注。 读高老师的关于《缠足——<金莲崇拜>盛极而衰的演变》的读后感缘起于复旦的邂逅,那场关于何震的圆桌会议让我被这位谦和睿智,坦率爽...
評分在所有中国传统习俗中,缠足也许是最难以为现代人所接受和理解的:它被普遍视为一项令国人难以启齿的尴尬遗产,即使是传统文化的坚定拥护者,也不会为之辩护,更不用说倡导延续这一旧俗了。人们对缠足有着鲜明的道德判断——它无论如何不能算是一项“好”的传统,最好不要去提...
評分金莲足与高跟鞋 Ⅰ“金莲”神话 缠足,作为一项为古代华夏民族中所独有的奇异习俗,如今似乎早已在现代国人的生活中销声匿迹,但作为一种文化现象却依然存在诸多未解的迷思。而高跟鞋作为一种风靡全球的时尚鞋制,也早已成为现代都市中摩登女郎们的足下必备之物,但其本质...
Cinderella's Sisters pdf epub mobi txt 電子書 下載 2024