"If you've been wondering what's new in Adobe Photoshop CS3, why not get your information from the best? ... Evenings Adobe Photoshop for Photographers titles have become classic reference sources, written to deal directly with the needs of photographers and filled with a wealth of practical advice, hints and tips to help you achieve professional results." Professional Photographer
"Investing in this 665-page book, diligent intermediates and advanced Photoshop users will feel reassured they've bought the definitive troubleshooting text." Photography Monthly (August 2007)
Reviews of the CS2 edition:
"One of the best and most comprehensive guides available...Each section includes examples with before and after images; we found some of the ideas really inspiring...If you are a photographer using CS2, this book is a must buy." - Which Digital Camera
"This one book excellently covers all aspects of Photoshop CS2 and presents them clearly from the photographer's point of view." - Advanced Photoshop
"Still very much the daddy of all Photoshop books...the quality of illustration and production are top rate...if this book is impressive then the accompanying CD-ROM is a delight." - British Journal of Photography
"Adobe Photoshop CS2 for Photographers by Martin Evening is like the bible...it contains everything you would want to know about the creative use of Photoshop for a Macintosh or PC...a must-have guide." - Amateur Photographer
"The book is organized in a very clear and helpful color coding scheme...I thoroughly enjoyed this excellent volume. Evening covers a lot of ground and I want more from this expert and author... Highly recommended for anyone interested in real-world imaging processes and techniques." www.kickstartnews.com
"Clearly, this book will satisfy the most demanding Photoshop junkie... Martin Evening is a professional photographer who really understands his audience. It's amazingly comprehensive, and pitched to be suitable for all levels of users, from experienced pros to people with a more basic grasp of the software... There is an excellent mix of images that add relevance and credibility to the overall professional level of this book... This book could prove to be one of the most useful books you'll ever buy." - Digital Photographer
"Covering both Mac and PC, this is a great buy for the photographer who wants to get to grips with the latest features." - Digital Creative Arts
"The book does a great job of introducing all the features that are new to CS2. The tips on colour correction and setting up Photoshop for photographic work are invaluable. Even the most hardened Photoshop pro will find useful insights and tips here. The section on colour workflow is particularly good and one of the most lucid insights into the confounding world of reproducing accurate colour... Martin Evening's book is probably the best Photoshop manual available. Well priced and thoroughly informative." - MacFormat
"Richly illustrated with photos and screen grabs, this is an invaluable guide for anyone serious about Photoshop at a very reasonable price." - What Digital Camera
"The best just got better... For those who have the first CS version of the book, the decision to upgrade will depend on how much emphasis you place on the new features, however for others who are contemplating which book to buy, look no further - this book has it all... a must buy for every aspiring digital photographer and Photoshop user." - Timeless Digital Imaging
"Martin Evening has produced an indispensable guide to all of the new features and tricks... This is an easy to follow and well written guide." - Computer Arts
"...like the best software manual that you might expect with expensive computer programs, but actually rarely receive... (it is) beautifully illustrated. Evening's book - with its tutorial CD - manages that rare achievement, of hand-holding the fast-learning novice and old pro alike through some pretty involved procedures." - Stills Audio Motion
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说实话,我是一个对色彩极其敏感的人,但对技术参数又有点望而生畏的矛盾体。拿到这本针对CS3的指南,我最初的期望是能找到一套稳妥的“色彩校准流程”。市面上很多教程要么只谈色相环,要么就是简单粗暴地调白平衡。这本书给我的惊喜在于,它把“打印”这个环节也考虑进去了。在那个年代(CS3时期),显示器和打印机的色彩差异是摄影师的一大痛点。书中关于“色彩管理”的那几章,没有用那些晦涩难懂的ICC Profile术语来吓唬人,而是用非常具象的例子,比如“你的显示器看起来很暖,但打印出来为什么发蓝?”来引导读者去理解色彩空间转换的必要性。我记得有一个章节专门讲了如何利用“可选颜色”来微调特定颜色范围的色偏,比如只是想让照片里的红色(比如人物衣物)更鲜艳一点,而又不影响皮肤的色调。我用书中的方法试着调整了几张日落照,那种对特定颜色进行“靶向治疗”的能力,让我彻底告别了过去那种“全局调整,整体牺牲”的低效方法。这本书的价值,就在于它能帮助你实现从“数码文件”到“实体作品”的无缝衔接,这在现在这个充斥着屏幕浏览的时代,反而显得更加经典和难能可贵。
评分这本厚厚的册子,与其说是一本工具书,不如说更像是一本老法师的私房秘籍,它最棒的地方在于,它从一开始就没把我当成一个只会按快门的新手来敷衍。我之前买过一本号称是“最快入门”的PS教程,结果就是一堆快捷键的罗列,根本没解释“为什么”。而这本书,它花了大量的篇幅去探讨“选择”这个概念。在CS3那个版本里,谈“选择”似乎有点过时了,但作者的观点是,所有后期编辑的本质,都是精确地控制“在哪里”修改,以及“修改多少”。他对于“调整边缘”这个功能(虽然是CS3的旧版功能,但原理是相通的)的讲解,简直是教科书级别的。他不仅演示了如何用传统的套索工具勾勒边缘,还深入剖析了如何利用色彩的饱和度差异和亮度对比度来辅助创建高质量的选区,尤其是在处理头发丝这种复杂边缘时,那种耐心和细致,让我感觉作者本人就是个有洁癖的后期大师。我当时正为一个活动拍摄的合影头疼,背景是一片密集的灌木丛,想要把某几个人的面部提亮但又不影响背景的曝光,按照以前的经验,光是抠图就能搞半天,还容易出现白边。但按照书中的“通道抠图进阶法”,我用不到十分钟就得到了一个干净到可以媲美的蒙版。这种效率的提升,远比学会几个新的滤镜效果要来得实在和宝贵得多。
评分当我翻到关于“图层混合模式”的部分时,我差点笑出声来,因为我之前一直把这些模式当作一种“随机尝试”的玩具,哪里会知道它们背后的数学原理。这本书的作者显然不满足于让读者停留在“试试看哪个好看”的层面。他把“叠加”、“柔光”、“变亮”这些模式,像解剖青蛙一样,一层层剥开它们的计算方式,并且结合具体的摄影场景来阐述其应用价值。比如,他解释了“滤色”模式是如何通过“1 - (1 - A) * (1 - B)”的逻辑来模拟光线叠加的效果,这在后期合成多个光源或者柔化对比度时极为有效。我曾经为了模拟胶片的反光效果,尝试了各种蒙版和调整图层,效果都不理想。后来我按照书中讲解的,将一个低对比度的灰度图层设置为“柔光”模式,并配合降低不透明度,瞬间就营造出了一种自然、微妙的“老照片”质感,那种光线打在照片上的那种空气感,一下子就出来了。这种从“是什么”到“为什么是这样”的深入讲解,极大地提升了我对图层这一核心概念的理解深度。它不再是一个堆叠图层的动作,而是一种对光线和色彩进行数学建模的过程,这种底层逻辑的构建,比任何新的功能更新都要稳定和持久。
评分这本书,说实话,刚拿到手的时候,我心里是有点打鼓的。毕竟“Adobe Photoshop CS3 for Photographers”这个名字听起来就挺“官方”的,感觉像是那种教科书式的、密密麻麻的文字堆砌,生怕我这个业余摄影爱好者消化不良。我当时最头疼的是人像后期里那个“磨皮”的问题,总觉得怎么弄都不自然,要么像塑料人,要么皮肤纹理全无。翻开目录,果不其然,前面几章全是关于工作区设置、文件格式这些基础到让人犯困的内容。我差点就想把它束之高阁了。但是,耐着性子看下去,尤其是在讲到“曲线”和“通道”的章节时,我发现作者的处理方式非常细腻。他没有直接告诉你“把这个滑块拉到多少”,而是深入解释了这些工具背后的光学原理和色彩理论,比如RGB通道在模拟不同光线环境下的作用。那种感觉就像是,你以前只是在开车,而这本书让你明白了发动机的工作原理。我试着跟着书上的步骤处理了一张户外逆光的照片,以往总会觉得天空死白而前景一片死黑,但通过书中讲解的“高光提取与恢复”技巧,我竟然成功地找回了云层的细节,同时阴影部分也不至于糊成一团黑影。这让我对这本书的“摄影师”定位有了更深的理解,它不是教你做设计,而是教你如何用PS这个工具来“拯救”或“提升”你的摄影作品,尤其是在处理那些光线不尽如人意的场景时,确实给了我不少“黑科技”一般的思路。那种从茫然到豁然开朗的体验,是其他几本我买的“快速上手指南”里完全没有给我的。
评分坦白说,CS3那个版本的PS,在处理RAW文件方面,功能远不如现在的Lightroom或ACR插件强大和直观。这也是我一度怀疑这本书时效性的主要原因。然而,作者的处理方式非常聪明,他没有强行把CS3的局限性美化成优点,而是直接承认了这一点,并提供了一套“曲线救国”的工作流程。他详细讲解了如何利用CS3中的“滤镜库”以及一些第三方插件(当然,书里没有强推哪个商业插件,只是提到了概念)来弥补原生RAW处理能力的不足。最让我印象深刻的是关于“锐化”的讨论。在那个时代,智能锐化还没有普及,一不小心就会产生大量的噪点和光晕。这本书里关于“高反差保留”(High Pass)锐化技巧的论述,简直是黄金标准。他不仅教你怎么用,还非常细致地解释了“半径”参数对细节捕捉的影响范围,以及如何配合“阈值”来避免锐化不必要的噪点。我按照这个方法处理了一组微距昆虫照片,那些原本模糊的触须和复眼细节,清晰得仿佛可以触摸到,而且边缘平滑得令人难以置信。这本书真正做到了,即便在技术迭代如此飞快的软件领域,它所传授的底层审美和处理逻辑,依然是摄影后期艺术的核心基石,它教的是“看世界的方式”,而非“点按钮的方法”。
评分需要比较好的英文水平.
评分是本好书 现在才借到 其实应该是两年前就该读的
评分需要比较好的英文水平.
评分是本好书 现在才借到 其实应该是两年前就该读的
评分需要比较好的英文水平.
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