具体描述
读后感
I think the great man of tomorrow in the way of art cannot be seen, should not be seen, and should go underground. He may be recognized after his death if he has any luck, but he may not be recognized at all. Going underground means not having to deal in mo...
评分I think the great man of tomorrow in the way of art cannot be seen, should not be seen, and should go underground. He may be recognized after his death if he has any luck, but he may not be recognized at all. Going underground means not having to deal in mo...
评分I think the great man of tomorrow in the way of art cannot be seen, should not be seen, and should go underground. He may be recognized after his death if he has any luck, but he may not be recognized at all. Going underground means not having to deal in mo...
评分I think the great man of tomorrow in the way of art cannot be seen, should not be seen, and should go underground. He may be recognized after his death if he has any luck, but he may not be recognized at all. Going underground means not having to deal in mo...
评分I think the great man of tomorrow in the way of art cannot be seen, should not be seen, and should go underground. He may be recognized after his death if he has any luck, but he may not be recognized at all. Going underground means not having to deal in mo...
用户评价
访谈的一般，感觉作者并没有理解杜尚一些话的意思。但是杜尚本人还是挺有趣的，言谈里有禅宗的影子，当然也可能如他所言是懒惰而已。
评分在被王瑞云在大陆神化之后，所有的现代艺术爱好者都应该读这本新的原版访谈录去还原一个真是的杜尚--在书中，杜尚直言不讳自己慵懒，随性而为的个性；而且不止一次地表达了对艺术商业化的不屑；同时杜尚直接说出了自己是笛卡尔主义者与某种程度上的宿命论者，坚定不移的怀疑一切，所以他对于评价或是价值判断，不去做而且也毫无兴趣。书里杜尚经常会强调对传统绘画的厌恶，传统会让杜尚觉得一辈子在学校里。这本书里杜尚的表达非常真实，杜尚不屑权威，更不认为自己是权威与先知。
评分杜尚 智者 洞见
评分杜尚 智者 洞见
评分to be entirely free from influences "i don't believe in art. i believe in the artist."
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