Shanghai Love

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葉凱蒂,美國波士頓大學現代語言與比較文學係教授。研究興趣主要在十九與二十世紀中國文學、媒體與視覺文化,並著重探索文學、文化、藝術觀念的跨國流動。

出版者:University of Washington Press
作者:Catherine Yeh
出品人:
頁數:440
译者:
出版時間:2006-1-17
價格:USD 65.00
裝幀:Hardcover
isbn號碼:9780295985671
叢書系列:
圖書標籤:
  • 海外中國研究 
  • 上海 
  • Shanghai 
  • modernity 
  • 社會文化史 
  • 近現代史 
  • 社會史 
  • 海外漢學 
  •  
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In this fascinating book, Catherine Yeh explores the Shanghai entertainment world at the close of the Qing dynasty. Established in the 1850s outside the old walled city, the Shanghai Foreign Settlements were administered by Westerners and so were not subject to the strict authority of the Chinese government. At the centre of this dynamic new culture that emerged was the courtesan, whose flamboyant public lifestyle and conspicuous consumption of modern goods set a style that was emulated by other women as they emerged from the 'inner quarters' of traditional Chinese society. Many Chinese visitors and sojourners were drawn to the Foreign Settlements. Men of letters seeking a living outside of the government bureaucracy found work in the Settlements' burgeoning print industry and formed the new class of urban intellectuals.Courtesans fled from oppressive treatment and the turmoil of uprisings elsewhere in China and found unprecedented freedom in Shanghai to redefine themselves and their profession. As the entertainment industry developed, publications sprang up to report on and promote it. Journalists and courtesans found that their interests increasingly coincided, and the Settlements became a cosmopolitan playground. Ritualized role-play based on novels such as "Dream of the Red Chamber" elevated the status of courtesan entertainment and led to culturally rich interactions between courtesans and their clients. As participants acted out the stories in public, they introduced modern notions of love and romance that were radically at odds with the traditional roles of men and women.Yet because social change arrived in the form of entertainment, it met with little resistance. Yeh shows how this fortuitous combination of people and circumstances, rather than official decisions or acts, created the first multicultural modern city in China. With illustrations from newspapers, novels, travel guides, and postcards, as well as contemporary written descriptions of life in foreign-driven, fast-paced, cutting-edge Shanghai, this study traces the mutual influences among courtesans, intellectuals, and the city itself in creating a modern, market-oriented leisure culture in China. Historians, literary specialists, art critics, and social scientists will welcome this captivating foray into the world of late nineteenth-century popular culture.

具體描述

讀後感

評分

相比于隔江相望的浦东,上海租界如今的符号性意义远远大于其功能性意义,这一片曾经歌舞升平的十里洋场早已褪去了艳丽四射的光芒,它像个垂垂老矣的博物馆,只是作为中国现代性萌芽和成长的试验场,被历史永久记忆。如果没有它的孕育和发酵,上海这座号称“魔都”的城市还会如...  

評分

叶凯蒂研究的一支。为我打开了看城市谨小慎微的一扇窗口——透过一类具体的人看一个不一样的世界,这样的世界在这个城市重存在的越多,这个城市的包容性就越大。 印象深刻的一点是,“公共领域”的概念由名妓代入了中国。这个现在被无数文人学士随处引用的词汇当初是指名妓们...  

評分

此書第366頁注99,論及「校書」雅號由來,略謂古人校讎,慣行誦讀,而娼家侍宴,必發清歌,故依聲推求,可堪比擬。此說新奇有趣,醒人腦筋。卻不知密雪寒潮人家,將做何感想。又此書引文,頗多誤字,非皆譯者之疏,或疑長三本誤。羈旅無聊,我也來當一回校書,以破寒夜岑寂吧...  

評分

近代上海常被称为“魔都”(这一日本人发明的称呼近年来再度复活),这形象地表明了人们对这座城市的复杂心态——十里洋场,五光十色,令人目眩神迷,地狱天堂皆在其中。人们抱有这种印象并非偶然,晚清时引领着上海时尚风潮的名妓本身就集诱惑与危险于一身,这也是现代娱乐业...  

評分

此書第366頁注99,論及「校書」雅號由來,略謂古人校讎,慣行誦讀,而娼家侍宴,必發清歌,故依聲推求,可堪比擬。此說新奇有趣,醒人腦筋。卻不知密雪寒潮人家,將做何感想。又此書引文,頗多誤字,非皆譯者之疏,或疑長三本誤。羈旅無聊,我也來當一回校書,以破寒夜岑寂吧...  

用戶評價

评分

應該嚮女人學習,畢竟人看透瞭,時間也就開始瞭,所有光天化日的空間都要在時間內運行

评分

應該嚮女人學習,畢竟人看透瞭,時間也就開始瞭,所有光天化日的空間都要在時間內運行

评分

應該嚮女人學習,畢竟人看透瞭,時間也就開始瞭,所有光天化日的空間都要在時間內運行

评分

將妓女視作entertainment以及上海modernity的載體,這種角度不還是男性為中心嘛?雖然我的這種不喜歡partly是道德考慮,並不是學術的立場。不知道為何此書的評分這麼高。

评分

將妓女視作entertainment以及上海modernity的載體,這種角度不還是男性為中心嘛?雖然我的這種不喜歡partly是道德考慮,並不是學術的立場。不知道為何此書的評分這麼高。

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