INCLUDED ON MORE THAN TEN BEST OF THE YEAR LISTS, INCLUDING THE GUARDIAN, PUBLISHERS WEEKLY, SALON, AMAZON, AND THE WASHINGTON POST!
"Modan delights in bringing the subtlest emotional shadings to vivid and often comical life on the page...[The Property is a] wryly funny and ultimately wrenching graphic novel." -NPR
The award-winning author of Exit Wounds returns with a story about secrets, money, and the bonds of love
The Property is a work that will inspire, fascinate, and delight readers and critics alike. Savvy and insightful, elegant and subtle, Rutu Modan's second full-length graphic novel is a triumph of storytelling and fine lines.
After the death of her son, Regina Segal takes her granddaughter Mica to Warsaw, hoping to reclaim a family property lost during the Second World War. As they get to know modern Warsaw, Regina is forced to recall difficult things about her past, and Mica begins to wonder if maybe their reasons for coming aren't a little different than what her grandmother led her to believe.
Modan offers up a world populated by prickly seniors, smart-alecky public servants, and stubborn women-a world whose realism is expressed alternately in the absurdity of people's behavior and in the complex consequences of their sacrifices. Modan's ever-present wit is articulated perfectly in her clear-line style, while a subtle, almost muted color palette complements the true-to-life nuances of her characterization. Exit Wounds made a huge splash for this signature combination of wit, style, and realism, and The Property will cement Modan's status as one of the foremost cartoonists working today.
Born in Tel Aviv in 1966, Rutu Modan is an illustrator and cartoonist. She cofounded an independent publishing house for alternative comic artists, Actus Tragicus, and has received much recognition for her work, both within Israel and abroad, including nominations for Eisner, Ignatz, and Angoulême awards. Modan has taught comics and illustration at the Bezalel Academy of Art and Design in Jerusalem, and currently lives in England with her family.
关于波兰,你想起了什么 关于华沙我想的全是你,时间改变了很多又什么都没有,最美的你我在瑞典夏天最美的风里。——莱吉娜 关于华沙我知道的不多,祖母故居曾经就在这里,一份遗产让我们开始了旅行,我在这里邂逅了爱情。——米卡 我对华沙没有太多的感情,为了争夺遗产我曾来...
评分 评分关于二战时犹太人悲惨遭遇的电影和书籍看过一些,那段黑暗惨绝人寰,拿起《遗产》这本漫画书时,让我不禁又想起了那段历史。《遗产》可以说是二战的后遗症。用“后遗症”这个词,是因为读了这本书,会让人忍不住又去翻看二战那段历史,还有犹太这个民族的发展历史,我甚至想起...
评分从小到大噩梦只有两种,一种是幽暗的楼道、逼仄的学习环境的重复折磨;一种是自己化身犹太人四处躲避屠杀。拿到这本书可以说偶合了我第二个噩梦的内容。 其实这个故事看似简单,一位犹太老太太带着孙女回到华沙,想要要回过去的房产,而房产现在的所有者恰恰是自己过去的恋人—...
评分最近听了书单的推荐,买了好几本漫画书,《伦敦一家人》、《切尔诺贝利之春》,还有之前看过的《我在伊朗长大》、《养家之人》都很不错。但是今天打开了《遗产》,清新轻快的画风、简单朴素的情节却让我在寒冷冬季也感觉到了一丝春风温暖。 这是一部包裹在深刻历史之下的故事,...
The first graphic novel I read, taking 2.5h. And the book is definitely worth the time!
评分难得一口气读完一本书
评分「In winter there’s no sun at all in Sweden.」 「But they say in summer Sweden is the most beautiful place in the world.」 其實在熟悉Holocaust的歷史之後重讀完全是不一樣的感受,深沈又濃烈的情感源源不斷的從書頁中湧出,傷感卻絕無刻意煽情。
评分“They say Sweden in summertime is the most beautiful place in the world.”
评分我不是小瞧奶油浓汤,毕竟这个世界上仍有一些作家并不能如读者所愿提供一份顺滑的阅读,但是,这根本不重要,至少这里不重要。他畏惧了——也许本人并无自觉——在用手撮起这份粗粝,撒入菜肴,点石成金时,他畏惧了,他保留了,因为他清楚这份粗粝的重量。这里没有谁应当被责怪,但是为了成就柔顺口感中那完美的底味,必须,有所牺牲。
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