Francis Bacon

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吉爾·德勒茲,法國哲學傢。1925年1月18日生於法國巴黎,1944年中學畢業後就讀於巴黎索邦大學哲學係。1957年任索邦大學哲學係助教,1960年任法國國傢科學研究中心研究專員,1964年到1969年任裏昂學院哲學教授,1969年接替米歇爾·福柯任巴黎第八大學哲學係教授直至1987年退休。1995年11月4日,因難忍肺疾摺磨,從巴黎住處的窗戶墜樓自殺。德勒茲的影響遍布人文科學的各個角落,代錶作《反俄狄普斯》和《韆座高原》業已取得世界性的聲譽。

董強,北京大學法語係教授、博士生導師。1988年赴法國留學,旅居巴黎12年。早年師從世界文學大師昆德拉。1995年閤作創辦法國第一傢以介紹中國文化為宗旨的齣版社“中國藍”。1997年成為以法語寫作的外籍作傢,同年獲博士學位。2001年起受聘北京大學法語係。主要著作有:中法雙語詩集《遠方的手》(1997),法語詩集《鬆綁的手》(1997),法語專著《亨利·米肖的現代詩與繪畫》(1998),專著《梁宗岱:穿越象徵主義》(北京,2004)等。迴國後緻力於翻譯法語文學與美術著作,逾二十餘部,包括《小說的藝術》、《波德萊爾傳》、《雲的理論——為瞭建立一種新的繪畫史》、《西方1500年視覺藝術史》。目前正在主持翻譯《西方繪畫大辭典》(即齣)。

出版者:Univ Of Minnesota Press
作者:Gilles Deleuze
出品人:
頁數:224
译者:Smith, Daniel W.
出版時間:2005-05-25
價格:USD 19.95
裝幀:Paperback
isbn號碼:9780816643424
叢書系列:
圖書標籤:
  • 藝術 
  • 哲學 
  • Deleuze 
  • art 
  • 社會學/人類學/醫學/心理學/語言學 
  • 法國 
  • 哲學/邏輯學/倫理學/美學/宗教學 
  • deleuze 
  •  
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Translated and with an Introduction by Daniel W. Smith

Afterword by Tom Conley

Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter’s method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze’s work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century’s most original and important painters.

In considering Bacon, Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory. First published in French in 1981, Francis Bacon has come to be recognized as one of Deleuze’s most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon’s paintings but also as a crucial text within Deleuze’s broader philosophy of art.

In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon’s paintings but at the same time finds a place in the “general logic of sensation.” Illuminating Bacon’s paintings, the nonrational logic of sensation, and the act of painting itself, this work—presented in lucid and nuanced translation—also points beyond painting toward connections with other arts such as music, cinema, and literature. Francis Bacon is an indispensable entry point into the conceptual proliferation of Deleuze’s philosophy as a whole.

Gilles Deleuze (1925–1995) was professor of philosophy at the University of Paris, Vincennes–St. Denis. He coauthored Anti-Oedipus and A Thousand Plateaus with Félix Guattari. These works, as well as Cinema 1, Cinema 2, The Fold, Proust and Signs, and others, are published in English by Minnesota.

Daniel W. Smith teaches in the Department of Philosophy at Purdue University.

具體描述

讀後感

評分

都说德勒兹是解构主义的大师,看了几章之后吓得不轻,他竟然真能把培根的每一幅画的每个细节都解构之后扩大化,不仅是构图、形象,甚至连颜色,笔刷的用法都用一种夸张的语言不厌其烦地描述出来。之后还要挖掘出所谓的内涵和隐喻,再把其共性总结出来归于一种心理学,神经刺激...

評分

对绘画懂得很少。Francis Bacon(1909-1992)的画是因为买了这本书,书中有厚厚的图集才第一次看到。本能的想要回避,画面上一个个变形的图形,像是要溢出画布。 这是德勒兹唯一一部评论绘画的作品。1981年出版。据说画家francis bacon本尊读过后,并不赞成deleuze对他的画作的...  

評分

对绘画懂得很少。Francis Bacon(1909-1992)的画是因为买了这本书,书中有厚厚的图集才第一次看到。本能的想要回避,画面上一个个变形的图形,像是要溢出画布。 这是德勒兹唯一一部评论绘画的作品。1981年出版。据说画家francis bacon本尊读过后,并不赞成deleuze对他的画作的...  

評分

这本书基本通篇都在解析感觉的层次和描述感觉的动态转化过程,,,培根本人表示并不完全同意书中的观点,这个很容易理解因为以哲学视角对艺术作品进行分析根本无法避免误读,但是对整体画面层次、感觉的产生和转化的分析本身就充满了对于不可描述事物进行描述的努力,而且对“...  

評分

The book by Gilles Deleuze on Francis Bacon is more than the study of a painter by a philosopher. Is it from" on "Bacon, the book and who is the philosopher who is the painter? We want to say that think, and think that looks? One can certainly think of the ...  

用戶評價

评分

can't believe i have to google all the paintings. like one by one. hello?! 差評!!

评分

painter of heads, not faces, meat, not flesh or bone.

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英譯版好讀多瞭。。。

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想讀明白至少得讀英譯本

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Ch. painting forces, inspiring!

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