具體描述
This book offers a revaluation of Keats' major poetry. It reveals how Keats' work is both an oblique criticism of the dominant attitudes to literature, sexuality, religion and politics in his period, and a powerful critique of the claims of the imagination. For all that he shares the optimistic humanism of progressives like Hazlitt, Leigh Hunt, and Shelley, Keats nevertheless questions the sufficiency of either Art or Beauty. Professor Barnard shows how the notorious attack on Keats as a Cockney poet was motivated by class and political bias. He analyses the problems facing Keats as a second-generation Romantic, his continuing difficulty in finding an appropriate style for 'Poesy', and his uncertain judgement of his own work. The ambiguities and stresses evident in the poetry's treatment of women and sexual love are seen to reflect divisions in Keats and his society. The maturing use of myth from Poems (1817) to The Fall of Hyperion, and the achievement of the major odes are set in relation to Keats' whole career.
著者簡介
圖書目錄
Acknowledgements
1 An early nineteenth-century poet
2 'Energy and Voluptuousness': Poems (1817)
3 Endymion: 'Pretty Paganism' and 'Purgatory Blind'
4 Hyperion: 'Colossal Grandeur'
5 Four 'medieval' love stories
6 The spring odes, 1819
7 Final poems
Conclusion
Appendix: The poems to Fanny Brawne
Notes
Select reading
Index of persons and Keats's poems
· · · · · · (收起)
讀後感
評分
評分
評分
評分
用戶評價
an introductory critical study
评分an introductory critical study
评分an introductory critical study
评分an introductory critical study
评分strangeness of Bright Star，為數不多對亮星花兩麵筆墨進行評價的一本。
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有