具体描述
This book offers a revaluation of Keats' major poetry. It reveals how Keats' work is both an oblique criticism of the dominant attitudes to literature, sexuality, religion and politics in his period, and a powerful critique of the claims of the imagination. For all that he shares the optimistic humanism of progressives like Hazlitt, Leigh Hunt, and Shelley, Keats nevertheless questions the sufficiency of either Art or Beauty. Professor Barnard shows how the notorious attack on Keats as a Cockney poet was motivated by class and political bias. He analyses the problems facing Keats as a second-generation Romantic, his continuing difficulty in finding an appropriate style for 'Poesy', and his uncertain judgement of his own work. The ambiguities and stresses evident in the poetry's treatment of women and sexual love are seen to reflect divisions in Keats and his society. The maturing use of myth from Poems (1817) to The Fall of Hyperion, and the achievement of the major odes are set in relation to Keats' whole career.
作者简介
目录信息
Acknowledgements
1 An early nineteenth-century poet
2 'Energy and Voluptuousness': Poems (1817)
3 Endymion: 'Pretty Paganism' and 'Purgatory Blind'
4 Hyperion: 'Colossal Grandeur'
5 Four 'medieval' love stories
6 The spring odes, 1819
7 Final poems
Conclusion
Appendix: The poems to Fanny Brawne
Notes
Select reading
Index of persons and Keats's poems
· · · · · · (收起)
读后感
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an introductory critical study
评分strangeness of Bright Star，为数不多对亮星花两面笔墨进行评价的一本。
评分an introductory critical study
评分strangeness of Bright Star，为数不多对亮星花两面笔墨进行评价的一本。
评分an introductory critical study
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