A barbarian fantasy from the man who defined Robert E. Howard's Conan in the comics.
The Freebooters is a lively, character-driven graphic narrative set in a fantastic, ancient milieu that superficially bears resemblance to a world that will be familiar to longtime Windsor-Smith fans who remember his work on another famous warrior. The infamously bizarre city of Shahariza may seem an unlikely venue from which to save the world from the ruin of ultimate evil, but it is home to Axus the Great—the legendary Freebooter and hero to the known world. Thus it is that young Aran Ana-Kashan, poet and seer, has traveled 100 days, seeking help to avert the apocalyptic future revealed to him in his visions. But though Axus's legend has grown far and wide, Axus himself has grown merely older (and wider), and Aran finds disappointment in the blustering, overweight adventurer, now retired to the sanctuary of his colorful inn and tavern, The Ram and the Peacock, and living off his reputation, unwilling to take Aran's prophecies seriously (Axus does hire Aran as his jester, however).
Central to Axus' renown is the story of the fire-demon, Ammon-Gra. According to legend, it was Axus who destroyed the creature, thirty years gone, in a fantastic battle that saved Shahariza and the entire world from annihilation. But the legendary exploits of Axus the Great have been gaudily spun for so long that Sharariza's history has become sinuated with folklore and myth, and the aging yet emotionally immature ex-warrior exists at odds with his own reputation.
When Aran's visions are revealed to fortell of the second-coming of Ammon-Gra, Axus remains blissfully ignorant of the gathering threat of catastrophe, preferring to indulge his mid-life crisis (this is not your father's barbarian) rather than act like a hero. By the end, destinies of hero and villain cross in unexpected ways.
While similarities with Robert E. Howard's Conan the Barbarian are obvious given Windsor-Smith's history with the character (he made Conan a household name for Marvel Comics in the early 1970s and his visual style inspired the Arnold Schwarzenegger film as much as Howard's original novels), The Freebooters is a riotous, unexpected and postmodern take on the genre. Axus ages into a gluttonous manchild, too busy trying to prove he can still compete with younger prettyboys to face real adversity, a path that rings more true than the heroic king Conan became in later stories. The Freebooters is a politically incorrect farce worthy of its hedonistic milieu.
This volume collects the entirety of Windsor-Smith's "The Freebooter" stories from the acclaimed BWS: Storyteller comic book series from the early 1990s, including a full-length chapter from the unpublished tenth issue, plus more than 50 pages of new story. The Freebooters is amongst the most raucous and literate comics of Windsor-Smith's career, the culmination of a lifetime of experience and knowledge, approaching his comics with a seriousness of purpose while never losing his unmistakable sense of humor. A ripping good yarn!
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这本书带来的情感体验是极其丰富的,它成功地在希望与绝望之间找到了一个极富张力的平衡点。书中塑造的一些小人物,虽然戏份不多,却令人过目难忘,他们身上的韧性和微弱的光芒,在最黑暗的时刻提供了必要的慰藉。我感觉作者对“人性中的脆弱”这一主题进行了极其温柔却又不失真实的刻画,没有美化苦难,但却肯定了人类在困境中相互扶持的可能性。有那么一瞬间,我几乎能闻到空气中弥漫的尘土和汗水的味道,感受到角色内心深处的煎熬与释然。这是一种非常罕见的、能够直击灵魂深处的共情体验。读完后,我没有感到虚假的圆满,而是一种带着伤痕但又充满力量的平静,仿佛自己也经历了一场漫长而艰苦的洗礼。这本书的力量,不在于它讲述了什么惊天动地的大事,而在于它如何处理那些看似微不足道却决定一切的瞬间。
评分坦白说,我对这类题材向来抱持着审慎的态度,总担心会落入俗套,充斥着肤浅的冲突和符号化的角色。然而,这部作品着实给了我一个惊喜。它的深度远超我的预期。它没有停留在表面的冒险或者冲突上,而是深入探讨了关于选择、牺牲以及记忆的本质。哲学思辨被巧妙地编织进了日常的对话和关键的行动之中,不生硬,不说教,而是自然而然地流淌出来,逼迫着读者去思考:“如果是我,我会怎么做?” 尤其是在角色A与角色B的那场关于“正义的代价”的激烈辩论中,我反复停下来,感到那种撕裂感。作者的语言风格带着一种古典的厚重感,但又不失现代的锐利,使得那些宏大的主题得以被清晰而有力地表达出来。它需要的不仅仅是快速翻阅,更需要沉下心来,细细咀嚼那些富有深意的段落。它是一部值得被反复阅读和标记的书,每次重读想必都会有新的感悟。
评分对于那些追求新颖叙事角度的读者,这本书提供了一种近乎先锋派的阅读体验。它打破了许多既定的文学框架,尤其是在处理“真实”与“虚构”的边界时,手法极为大胆。我欣赏作者敢于挑战读者的阅读习惯,挑战那些约定俗成的叙事逻辑。有时候,你读起来会有一种轻微的不适感,仿佛故事的逻辑在你的掌控之外摇摆不定,但这恰恰是它最迷人之处——它拒绝被轻易定义和归类。这种模糊性,反而营造出一种独特的、迷幻的氛围,让人沉浸其中,无法自拔。它不迎合市场,只忠于自己的艺术追求。对于那些渴望在阅读中获得智力挑战和审美愉悦的双重满足的读者来说,这部作品绝对不容错过。它就像一块打磨得极其复杂的宝石,不同的光线照射下,会折射出完全不同的色彩和纹理,每一面都值得我们驻足观赏。
评分从技术层面上讲,这本书的结构设计简直是鬼斧神工。它采用了多线叙事,但不同时间线、不同视角之间的切换处理得无比流畅自然,让人完全不会感到迷失。作者似乎深谙“留白”的艺术,很多关键信息并非直接告知,而是通过人物微妙的表情、环境的突变,甚至是缺失的对话来暗示。这种做法极大地调动了读者的参与感和想象力,我们不是被动接受信息,而是在主动建构故事的完整图景。我特别喜欢其中一段描述日落的场景,仅仅用了几行字,却勾勒出一种近乎末日来临前的壮美与萧瑟,那种色彩的饱和度和情感的浓烈度,是许多长篇大论也难以企及的。这种对文字密度和信息量的精准控制,显示出作者炉火纯青的叙事功力。对于那些厌倦了平铺直叙的读者来说,这本书无疑是一剂强心针,它奖励那些愿意投入时间和精力的探索者。
评分这部作品的叙事节奏把握得极为精妙,初读之下,便被卷入一个光怪陆离的世界。作者似乎对人性的幽微之处有着深刻的洞察,笔下的人物并非扁平的符号,而是充满了矛盾与成长的轨迹。我尤其欣赏作者对于环境细致入微的描摹,无论是熙熙攘攘的市井街巷,还是那寂静无声的古老遗迹,都仿佛触手可及。文字的运用如同高超的音乐指挥,时而激昂澎湃,如同骤雨洗涤大地,时而又轻柔得如同耳畔的私语,引导着读者在字里行间缓缓探索。情节的铺陈并非一蹴而就,而是层层递进,每一次转折都出人意料却又在情理之中。读到中期时,我甚至开始猜测接下来的走向,但随即又被作者高明的布局所折服,它总能巧妙地避开所有显而易见的套路。那种阅读时紧紧抓住书页,生怕错过任何一个细节的投入感,已经很久没有体验过了。这不仅仅是一个故事,更像是一场精心编排的沉浸式体验,让人读罢后仍久久不能平息心中的波澜,回味无穷。
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