Rilke's prayerful responses to the french master's beseeching art
For a long time nothing, and then suddenly one has the right eyes.
Virtually every day in the fall of 1907, Rainer Maria Rilke returned to a Paris gallery to view a Cezanne exhibition. Nearly as frequently, he wrote dense and joyful letters to his wife, Clara Westhoff, expressing his dismay before the paintings and his ensuing revelations about art and life.
Rilke was knowledgeable about art and had even published monographs, including a famous study of Rodin that inspired his New Poems. But Cezanne's impact on him could not be conveyed in a traditional essay. Rilke's sense of kinship with Cezanne provides a powerful and prescient undercurrent in these letters -- passages from them appear verbatim in Rilke's great modernist novel, The Notebooks of Malte Laurids Brigge. Letters on Cezanne is a collection of meaningfully private responses to a radically new art.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
從巴黎到波爾多的火車上讀瞭一半；從尼斯到阿維尼翁的火車上讀瞭另一半
评分從巴黎到波爾多的火車上讀瞭一半；從尼斯到阿維尼翁的火車上讀瞭另一半
评分"Somehow I too must find a way of making things; not plastic, written things, but realities that arise/from the craft itself. Somehow I too must discover the/smallest constituent element, the cell of my art,/the tangible immaterial means of/expressing everything . . . " To Lou Andreas-Salomé, August 10, 1903
评分馮至先生若健在...
评分我覺得很好看的一本書，學生們卻幾乎都很不喜歡……唉
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