Wilde was both a glittering wordsmith and a social outsider. His drama emerges out of these two perhaps contradictory identities, combining epigrammatic brilliance and shrewd social observation. This book includes "Lady Windermere's Fan", "Salome", "A Woman of No Importance", "An Ideal Husband", "A Florentine Tragedy" and "The Importance of Being Earnest", which appears in full with the 'Grigsby' scene which originally made up the fourth act.
Oscar Fingal O'Flahertie Wills Wilde was an Irish playwright, poet, and author of numerous short stories, and one novel. Known for his biting wit, and a plentitude of aphorisms, he became one of the most successful playwrights of the late Victorian era in London, and one of the greatest celebrities of his day. Several of his plays continue to be widely performed, especially The Importance of Being Earnest.
As the result of a widely covered series of trials, Wilde suffered a dramatic downfall and was imprisoned for two years hard labour after being convicted of "gross indecency" with other men. After Wilde was released from prison he set sail for Dieppe by the night ferry. He never returned to Ireland or Britain, and died in poverty.
As a treasure in literature, this play has enduring attraction. It’s a topic of interest among critics. As far as this play is concerned, sociological perspective is efficient, for there are many coincidences between the author’s life and the characters’...
评分The balance of the piece is astounding. Characters developing, setting construction and plot unfolding, all of which present the perfect juxtapositions of two ends of everything: affluence and scarcity, wittiness and dullness, embrace and hostility, and of ...
评分The balance of the piece is astounding. Characters developing, setting construction and plot unfolding, all of which present the perfect juxtapositions of two ends of everything: affluence and scarcity, wittiness and dullness, embrace and hostility, and of ...
评分As a treasure in literature, this play has enduring attraction. It’s a topic of interest among critics. As far as this play is concerned, sociological perspective is efficient, for there are many coincidences between the author’s life and the characters’...
评分王尔德算不上一个好的剧作家,恩。比如这部the importance of being earnest,无论男女、老少、主仆,十来号人说起话来都是一个调调,我晕~~ 一样伶牙俐齿,玩世不恭,每个人的嘴里都时不时冒出几句王氏招牌悖论,害得我老觉得是王尔德一人分饰多角自言自语了三幕!自负机智诙...
这部剧本简直是文字游戏的殿堂,每一句对话都像精心打磨过的珠宝,闪烁着机智和讽刺的光芒。我花了很长时间才真正捕捉到那些潜藏在表面浮夸言辞下的深刻含义。奥斯卡·王尔德的笔力非凡,他用一种近乎残忍的优雅,将维多利亚时代上流社会的虚伪与肤浅扒得一干二净。那些关于身份、婚姻和道德的讨论,表面上轻飘得像下午茶桌上的蕾丝花边,实际上却像一把锋利的手术刀,直指人性的弱点。我尤其欣赏作者如何巧妙地运用“双重生活”这一主题,让两位主角在“厄内斯特”这个假身份的掩护下,尽情释放他们被社会规范压抑的真实欲望。这种对“表象”与“实质”的探讨,放在今天依然具有强烈的共鸣感。阅读(或者说,品味)它,更像是在参加一场由语言构筑的、充满魅力的智力游戏,每当你以为自己看穿了某个笑点时,作者总能抛出一个更精妙的反转。那种阅读后的满足感,不是来自情节的跌宕起伏,而是来自对文字本身结构美学的纯粹欣赏。如果你对语言的魔力有足够的敬畏,这本书绝对不容错过。
评分说实话,初读的时候我感到一阵强烈的困惑,仿佛被扔进了一个充满英式冷幽默的迷宫。这剧本的节奏感非常独特,它不像是传统戏剧那样步步紧逼,而是像一场精心安排的社交舞会,每个人都在用最完美的礼仪说着最不着边际的话。我不得不反复回味那些关于“手提包”和“乡下表亲”的争论,起初觉得荒谬至极,但随着剧情推进,我意识到这些看似无关紧要的道具和角色,却是串联起整个滑稽闹剧的核心支点。作者对逻辑的解构是如此彻底,以至于荒谬本身成为了新的逻辑。这让人不禁思考,我们所坚守的那些“常识”和“体面”,究竟有多少是建立在同样脆弱不堪的谎言之上?我特别喜欢那种文本中弥漫着的慵懒、漫不经心的高级感,仿佛所有角色都喝了过量的香槟,行为举止都带上了一种迷人的、不负责任的轻盈。它不是一个让你潸然泪下的故事,而是一个让你在字里行间忍不住嘴角上扬,并思考“我刚才到底读到了什么精妙的东西”的文本。
评分从纯粹的文本结构来看,这部作品简直是一场关于“名字”和“身份”的哲学思辨。阅读过程中,我一直在追踪“阿尔杰农”和“杰克”如何利用他们虚构的“厄内斯特”形象来逃避现实责任,这是一种多么具有时代特征的逃避行为啊!它展示了十九世纪末期,在巨大社会压力下,人们如何将自我分裂成两个部分——一个用于公众展示的完美面具,另一个用于私人放纵的阴影。这种“伪装”本身,成为了维系他们上流社会生活的核心“真实”。我喜欢它那种不动声色的批判力度,它没有激烈的口号,没有情绪化的控诉,只是平静地将这些精英阶层的荒谬行为摆在你的面前,让你自己得出结论。这种冷静的叙事风格,反而比任何激烈的批判都更具穿透力,它像冰冷的空气一样,让你不自觉地收紧脖子,警惕自己是否也在不经意间成为了某种荒谬的附庸。
评分我花了几天时间,才真正沉浸到那种特有的英式讽世角度中去。这部作品的精妙之处在于,它用最尖锐的讽刺,包裹了一层最甜美的、近乎童话般的外壳。那些关于爱情的宣言,听起来无比真诚,但当你把它们放在剧本设定的荒诞背景下审视时,你会发现它们不过是精心编排的爱情陈词滥调的自我嘲弄。我常常想象舞台上那些贵族们一板一眼地念出那些台词时的情景,那种强烈的反差感——服饰的华丽与思想的空虚——构成了最强烈的戏剧张力。特别是对婚姻制度的探讨,它几乎是将整个婚姻契约当作一场精心策划的骗局来展示。作者对社会阶层的洞察力简直令人不寒而栗,他似乎知道每个贵族私下里最不可告人的小秘密,然后不动声色地把它们摆在光天化日之下,用“幽默”这个过滤器来处理,让观众在发笑的同时感到一丝不适。
评分对于一个追求极致的文学体验的读者来说,这部剧的价值在于它对“风格”本身的极致推崇。它更像是一部关于“如何说话”而非“说了什么”的教科书。我尤其欣赏那些冗长、繁复,但又充满了音乐般韵律感的句子,它们几乎不需要任何动作辅助,仅仅依靠纯粹的词语排列组合,就能在读者的脑海中构建出那个光怪陆离、精致到令人窒息的上流社会场景。每一次阅读,我都能发现一些前次忽略的文字游戏,可能是双关语,可能是对古典文学的巧妙戏仿,也可能只是一个完美的语序颠倒。它挑战了我们对叙事完整性的传统期待,它将情节的推进降到了次要地位,而将语言的精妙排列提升到了至高无上的位置。读完之后,我的感觉不是“故事讲完了”,而是“一场精彩的对话刚刚落下帷幕”,让人意犹未尽,只想立刻找人一起,用那种夸张的、充满讽刺意味的腔调,复述上几段最精彩的对白。
评分這是個很簡單的皆大歡喜的閙喜劇,Oscar wilde 和莎翁齊名,又有錢又靚仔,又有才華,畢業于oxford,又是同性戀者,這個世界就是這麽不公平,造化喜歡集寵愛與一人。我不喜歡讀太深刻的東西,我覺得深刻的東西未必深刻,簡單的東西未必簡單,我爲什麽不能讀一讀幾個有錢男女一場皆大歡喜的膚淺的鬧劇,只要那語言和文字讓我歡喜的
评分这本书里也太多巧合了吧。。。无巧不成书(>_<)
评分这本书里也太多巧合了吧。。。无巧不成书(>_<)
评分才子就是牙尖嘴利~~
评分BBC radio. Coincidences and love stories between two men fond of bunburying between town and country and two women both girlishly wanting to marry someone whose name was Earnest. The number of engagement and christening seemed to be above average. Hahahahaha????.
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