Six Walks in the Fictional Woods

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安伯托·艾柯(Umberto Eco)是一位享誉世界的哲学家、符号学家、历史学家、文学批评家和小说家。艾柯极为博学多才,他的作品有140多种,横跨多个领域,并在这些领域中都有经典性的建树。艾柯还是位积极的公共知识分子,为多家报纸撰写专栏,透过日常小事进行社会批评。艾柯在欧洲已成为知识和教养的象征,许多家庭都会收藏他的作品,无论读懂或读不懂。

出版者:Harvard University Press
作者:[意] 翁贝托·埃科
出品人:
页数:160
译者:
出版时间:1994-1-1
价格:USD 19.95
装帧:Hardcover
isbn号码:9780674810501
丛书系列:
图书标签:
  • 纸质生活 
  • 文学类nonfiction 
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"Come stroll with me through the leafy glades of narrative..." With Umberto Eco as companion and guide, who could resist such an invitation? In this exhilarating book, we accompany him as he explores the intricacies of fictional form and method. Eco draws us in by means of a novelist's techniques, making us his collaborators in the creation of his text and in the investigation of some of fiction's most basic mechanisms. How does a text signal the type of reader it wants, and how does it "stage" for us, through its style and voice, a certain version of the author? What is the relation between this "model reader" and "model author"? How does narrative lead us on, persuade us to lose ourselves in its depths? The range of Eco's examples is astonishing - from fairy tales, through Flaubert, Poe, and Manzoni, to Ian Fleming, Mickey Spillane, and Casablanca. In a detailed analysis of one of his favorite texts, Gerard de Nerval's Sylvie, Eco examines the uses of temporal ambiguity, demystifying the "mists" in the literary forest. In another chapter, he takes detective fiction and pornography as a basis for discussing narrative pace - strategic speeding up and slowing down - and the relationship between real time and narrative time. And in yet another chapter, we follow Eco as he shadows the musketeer D'Artagnan through the streets of seventeenth-century Paris, a trail that leads us to the uncertain boundary between story and history. Fiction is parasitically dependent on reality; but reality, too, feeds on fiction. Here, the book reveals its serious side. What are the implications for society when the line between reality and fiction becomes blurred? How are stories ("plots" in the mostinsidious sense of the word) constructed over the course of time? In order to be responsible citizens of the world, Eco shows, we must be skilled and incisive readers. Getting lost in the blurry region where the real and the fictional merge can be a disturbing experience. But Eco's unerr

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这本书(俞冰夏译的简体版,三联书店2005年)很适合W君,因为我发现,书作者Umberto Eco与W君一样也是一位在“业余”热爱西方文化中心地带19世纪以来的小说的人士。当然,Eco作为一名哲学家(叫他“符号学家”的话,感觉怪怪的),他对现代小说有着非凡的看法。《悠游小说林》...  

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我是抱着随便翻几页的心态打开这部艾柯在哈佛的演讲稿的,也就是说,刚进入[悠游小说林]时,我根本就不是老人家所说的“模范读者”。但是越看越爽,以至于我花了整整一个星期来阅读这本小书,而且还没有读完。 在艾柯分析了模范读者和接受美学的隐含读者的微妙区别后,我认识到...  

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粗略的读了这本书,跳过很多过于西方背景和概念性的内容,浓缩下来,大概就是不太认真的听了一场演讲。 整个演讲给我的感觉就像一个充满智慧的老守林人在带人游览森林,这座森林之中除了有前人栽下的千年古树,守林人自己本身也种树。 白天匆匆游览完森林中他比较熟悉的部...  

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这本书是由安贝托·艾柯在美国哈佛诺顿所作讲座的六篇演讲稿汇集而成,该讲座自从1925年开讲以来,每年都会邀请当今世界上著名的作家和学者,给他们六次演讲的时间,分享自己的创作心得。我们熟知的卡尔维诺的《未来千年文学备忘录》、博尔赫斯的《论诗艺》等等,全都出自诺顿...  

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这本书是由安贝托·艾柯在美国哈佛诺顿所作讲座的六篇演讲稿汇集而成,该讲座自从1925年开讲以来,每年都会邀请当今世界上著名的作家和学者,给他们六次演讲的时间,分享自己的创作心得。我们熟知的卡尔维诺的《未来千年文学备忘录》、博尔赫斯的《论诗艺》等等,全都出自诺顿...  

用户评价

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写论文过程中的偶遇 原来竟然是老朋友

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2009.10-2010.08

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写论文过程中的偶遇 原来竟然是老朋友

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2009.10-2010.08

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2009.10-2010.08

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