The enchantment of the figure of the "male dan"--female impersonator--remains a residual element in the cultural imagination of many contemporary Chinese societies. To discuss "mistaken identity" and gender issues that relate to cross-dressing on the Chinese operatic stage, this book examines traditional dramatic texts, modern literary writings, critical writings, opera paintings, and contemporary movies.
評分
評分
評分
評分
從性彆角度研究戲麯。
评分沒什麼耐心看..
评分沒什麼耐心看..
评分2016 autumn - 501 bibliography【以具體的play作主題;general
评分從性彆角度研究戲麯。
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