The enchantment of the figure of the "male dan"--female impersonator--remains a residual element in the cultural imagination of many contemporary Chinese societies. To discuss "mistaken identity" and gender issues that relate to cross-dressing on the Chinese operatic stage, this book examines traditional dramatic texts, modern literary writings, critical writings, opera paintings, and contemporary movies.
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没什么耐心看..
评分从性别角度研究戏曲。
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评分2016 autumn - 501 bibliography【以具体的play作主题；general
评分2016 autumn - 501 bibliography【以具体的play作主题；general
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