The Art of Mu Xin

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Alexandra Monroe is director of the Japan Society Gallery, New York. Richard Barnhart is John M. Schiff Professor Emeritus of the History of Art, Yale University. Jonathan Hay is associate professor of art history, Institute of Fine Arts, New York University. Wu Hung is Distinguished Service Professor of Art History, University of Chicago. Toming Jun Liu is associate professor, English Department, California State University, Los Angeles.

出版者:Yale University Art Gallery
作者:Alexandra Munroe
出品人:
页数:192
译者:
出版时间:2001-10-1
价格:USD 65.00
装帧:Hardcover
isbn号码:9780300090758
丛书系列:
图书标签:
  • 木心 
  • 艺术 
  • 画册 
  • 绘画 
  • 英文 
  • Art 
  • 文化 
  • 畫冊 
  •  
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Mu Xin (b. 1927) is one of the leading artist-intellectuals of the Chinese diaspora. Now living in New York City, he is known for his complex writings and paintings. A formidable figure in the cultural and intellectual history of Chinese modernism, Mu Xin is admired for his unique synthesis of Chinese and Western aesthetic sensibilities and intellectual traditions. This beautifully illustrated catalogue focuses on a group of thirty-three landscape paintings that Mu Xin painted between 1977 and 1979, in the immediate aftermath of the Cultural Revolution. Many of these works have never been exhibited or published in the West. In addition, the book features Mu Xin's Prison Notes, sixty-six sheets that were written when the artist was in solitary confinement in China in 1971-72. This catalogue will accompany an exhibition on view at the Yale University Art Gallery from October 2 to December 9, 2001. The exhibition will then travel to the David and Alfred Smart Museum of Art at the University of Chicago from January 24 through March 31, 2002, at the Honolulu Academy of Art from October 2 to December 1, 2002 and at the Asia Society in New York City. Other venues to be announced.

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這幾篇文章讀得累死了,俺的英文閲讀能力與之不在一個檔次><

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太外行了没法打分,但在UCLA艺术图书馆(就在上性别与电影课的PA楼里)的地下室抱出这本大厚书的时候心情真是复杂激动。大英博物馆藏过的、耶鲁大学和芝加哥美术馆的教授赞美不绝的画,国内却无人问津,而且说实话先生的文章和画都非常中国,并不见得比许多已经成名的二十世纪华语作家更西方

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装帧很赞。看画,觉得木心先生很孤独(我个人的一个感受)

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不過我一直很好奇木心所用的材料,有些像銅版

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看到达芬奇,修拉,恩斯特,how?

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