Alexandra Monroe is director of the Japan Society Gallery, New York. Richard Barnhart is John M. Schiff Professor Emeritus of the History of Art, Yale University. Jonathan Hay is associate professor of art history, Institute of Fine Arts, New York University. Wu Hung is Distinguished Service Professor of Art History, University of Chicago. Toming Jun Liu is associate professor, English Department, California State University, Los Angeles.
Mu Xin (b. 1927) is one of the leading artist-intellectuals of the Chinese diaspora. Now living in New York City, he is known for his complex writings and paintings. A formidable figure in the cultural and intellectual history of Chinese modernism, Mu Xin is admired for his unique synthesis of Chinese and Western aesthetic sensibilities and intellectual traditions. This beautifully illustrated catalogue focuses on a group of thirty-three landscape paintings that Mu Xin painted between 1977 and 1979, in the immediate aftermath of the Cultural Revolution. Many of these works have never been exhibited or published in the West. In addition, the book features Mu Xin's Prison Notes, sixty-six sheets that were written when the artist was in solitary confinement in China in 1971-72. This catalogue will accompany an exhibition on view at the Yale University Art Gallery from October 2 to December 9, 2001. The exhibition will then travel to the David and Alfred Smart Museum of Art at the University of Chicago from January 24 through March 31, 2002, at the Honolulu Academy of Art from October 2 to December 1, 2002 and at the Asia Society in New York City. Other venues to be announced.
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SOAS
评分都是小画却气势惊人,惊讶在国内完全没接触到过木心的画;纹理是语言,色调寄情
评分不過我一直很好奇木心所用的材料,有些像銅版
评分装帧不用说,单说内容。是木心七十年代的风景画,壮观!从目录上看跟国内版本完全不同,我是在淘宝买的,唯一的缺点是后面收录的木心狱中笔记是缩印的图(也就是说什么都看不清)。
评分SOAS.苍苍茫茫,安安静静。
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