瓦爾特・本雅明
瓦爾特・本雅明(Walter Benjamin,1892-1940)
德國現代卓有影響的思想傢和文體傢,其重要作品,如《發達資本主義時代的抒情詩人》、《單嚮街》等均為中國作傢、人文學者所重視。
Begun in Poveromo, Italy, in 1932, and extensively revised in 1938, "Berlin Childhood around 1900" remained unpublished during Walter Benjamin's lifetime, one of his 'large-scale defeats'. Now translated into English for the first time in book form, on the basis of the recently discovered 'final version' that contains the author's own arrangement of a suite of luminous vignettes, it can be more widely appreciated as one of the masterpieces of 20th Century prose writing. Not an autobiography in the customary sense, Benjamin's recollection of his childhood in an upper-middle-class Jewish home in Berlin's West End at the turn of the century becomes an occasion for unified 'expeditions into the depths of memory'. In this diagram of his life, Benjamin focuses not on persons or events but on places and things, all seen from the perspective of a child - a collector, flaneur, and allegorist in one. This book is also one of Benjamin's great city texts, bringing to life the cocoon of his childhood - the parks, streets, schoolrooms, and interiors of an emerging metropolis. It reads the city as palimpsest and labyrinth, revealing unexpected lyricism in the heart of the familiar. As an added gem, a preface by Howard Eiland discusses the genesis and structure of the work, which marks the culmination of Benjamin's attempt to do philosophy concretely.
我想回到小时候,那时心中悄然静谧。 脚印遍地。 雨后路边的小水潭倒映着我的未来;树丛中神秘的灯光点点,我的城堡啊,那里面可有在弹三角钢琴的白马王子? “我永远忘不了的,是那段岁月的味道。”每一种似曾相识的味道都会轻易吸引我推开童年的回忆之门。透明的天空,荒荒的...
評分一个孤独而又敏感的小男孩回忆着童年的种种有趣的事或物,这个小男孩一定可以跟《追忆似水年华》那个小男孩交上朋友吧。一个把自己编织进书中,一个很努力地向母亲索吻。我只想轻轻地,轻轻地捧着这本小书,他像晒久了的树叶,好脆好脆。想在一旁远远地观望那个小男孩,看着他...
評分本雅明的《驼背小人》一书,是我在医院人头攒动的候诊大厅座椅上读完的,候诊大厅里的喧嚣并没有影响我的阅读,倒是那里白色的裙裾、摇曳的人影、鼎沸的人声,给我的阅读制造了一种梦幻的背景,我就坐在这样一个如梦似幻的背景里,闯进本雅明的一九零零年前后柏林的童年。 ...
評分本雅明在他生命最后几年(1932-38)中完成的《一九零零年前后柏林的童年》一书中,以一种非常独特的文体和风格,整理了自己关于童年的记忆。从居家的内阳台、电话机、儿童读物、针线盒,到城市的胜利纪念碑、农贸市场、公园溜冰场……一个大学者再次透过童年的目光,那...
評分在中国的知识分子中,本雅明是一个很重要的名字。 我一直记得上个世纪九十年代初三联出版社刚刚出版《发达资本主义时代的抒情诗人》时,周围的一些朋友热烈阅读和讨论的盛况。可以说,《发达资本主义时代的抒情诗人》、《单向街》和《机械复制时代的艺术》这些美妙的著作,在知...
lyrical, poetic,but sorrowful overall
评分A melancholy love story to the old, west Berlin.
评分關於記憶 nostalgia 怎麼構建故事 天纔
评分童年的本雅明對著三十年代的本雅明說:你怎麼現在纔來呀。
评分想起瞭在薩拉熱窩的war childhood museum。我們保留著物件,作為創傷記憶的見證者,以為能夠以此緊握住在過去失去的人。我們總是懷念著那時真真切切發生的一些尋常小事,亦或是對於當下轉摺點般的瞬間。但我們深知什麼也無法被改變,隻不過太恐懼遺忘,遂拼命去喚醒憂鬱,懊悔,悲傷,甚至自我欺騙式的快樂。現在太痛苦,未來不可知,如海浪一波一波襲岸,我們心甘情願充當曆史的囚犯。
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