"Information is endlessly available to us; where shall wisdom be found?" is the crucial question with which renowned literary critic Harold Bloom commences this impassioned book on the pleasures and benefits of reading well. For more than forty years, Bloom has transformed college students into lifelong readers with his unrivaled love for literature. Now, at a time when faster and easier electronic media threaten to eclipse the practice of reading, Bloom draws on his experience as critic, teacher, and prolific reader to plumb the great books for their sustaining wisdom.
Shedding all polemic, Bloom addresses the solitary reader, who, he urges, should read for the purest of all reasons: to discover and augment the self. Always dazzling in his ability to draw connections between texts across continents and centuries, Bloom instructs readers in how to immerse themselves in the different literary forms.
Probing discussions of the works of beloved writers such as William Shakespeare, Ernest Hemingway, Jane Austen, Walt Whitman, Emily Dickinson, Charles Dickens, and William Faulkner highlight the varied challenges and delights found in short stories, poems, novels, and plays. Bloom not only provides illuminating guidance on how to read a text but also illustrates what such reading can bring -- aesthetic pleasure, increased individuality and selfknowledge, and the lifetime companionship of the most engaging and complex literary characters.
Bloom's engaging prose and brilliant insights will send you hurrying back to old favorites and entice you to discover new ones. His ultimate faith in the restorative power of literature resonates on every page of this infinitely rewarding and important book.
哈罗德·布鲁姆(1930— ),当代美国著名文学教授、“耶鲁学派”批评家、文学理论家。曾执教于耶鲁大学、纽约大学和哈佛大学等知名高校。主要研究领域包括诗歌批评、理论批评和宗教批评三大方面,代表作有《影响的焦虑》(1973)、《误读之图》(1975)、《西方正典》(1994)、《莎士比亚:人的发明》(1998)等,以其独特的理论建构和批评实践被誉为“西方传统中最有天赋、最有原创性和最有煽动性的一位文学批评家”。
读一本书,陪着书中人走过一段又一段漫长的旅途,到最后,无论是身心俱疲还是得到了治愈,终究都会无可避免的老去。一个真正的读者总会不知不觉间将书中人的人生经验植入自己的记忆之中,再去观照、思考和反思,最终比书中人老的更快。直至掩卷那一刻,不胜唏嘘恍如已经活完了...
评分记得五年前刚刚读完《西方正典》,我在扉页上写:此书可缩减为现有篇幅的四分之一。五年后《如何读,为什么读》中译本问世,我要恭喜布鲁姆和他的读者们——他做到了。 如果说《西方正典》是布鲁姆的专题研讨课,那么《如何读,为什么读》就是他的西方文学专题欣赏课。当你读...
评分文学是善的一种形式 顾文豪 刊于2011年6月18日《文汇报》 电影《国王的演讲》中有个颇有意味的段落,罗格医生拿《费加罗婚礼序曲》堵住伯蒂的耳朵,请他大声诵读莎翁名段“To be, or not to be—that is the question”。伯蒂满心疑虑战战兢兢,浑然不觉自己其实读得酣畅雄浑...
评分“坏作品永远是一样的,伟大的作品却千差万别。” 哈罗德·布鲁姆的《如何读,为什么读》一书中可以抽离出很多铿锵有力掷地有声的“金句”,以上这句话还算是很平易的,但这句看似普通戏仿而来的句子却已经很好地说明了“为什么读”的问题。当然,“如何读”和“为什么读”永...
评分记得五年前刚刚读完《西方正典》,我在扉页上写:此书可缩减为现有篇幅的四分之一。五年后《如何读,为什么读》中译本问世,我要恭喜布鲁姆和他的读者们——他做到了。 如果说《西方正典》是布鲁姆的专题研讨课,那么《如何读,为什么读》就是他的西方文学专题欣赏课。当你读...
做个好读者真不容易。
评分布鲁姆一定是个基督徒。。
评分布鲁姆一定是个基督徒。。
评分布鲁姆一定是个基督徒。。
评分做个好读者真不容易。
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