Krapp's Last Tape was first performed by Patrick Magee at the Royal Court Theatre in October 1958, and has since been played by a host of distinguished actors including Albert Finney and Max Wall.
Embers was specially written for radio and first performed in 1959.
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Krapp这辈子始终重复着三件事：写作、吃香蕉、做白日梦
评分I think Krappa may be a story-teller rather than a recorder of his live. The beautiful girl was his mother,and he was the child in that black hooded perameter, the "I" is someone who seduced his mother or it's Krapp in his imagination.The off and on of the record give us more possibility to analyse the story.Pespective effect of time and narrator.
评分“He raises his head, broods, bends over machine, switches on and assumes listening posture, i.e. leaning foreward, elbows on table, hand cupping ear towards machine, face front.”（“倾听的姿势成了剧中最主要的视觉形象”）
评分这种剧本说明了语言与意义是如何惊人地寄生于彼此，翻译只能在夹缝中走上另一条路径，终将成为一种截然不同的改写（不论译者是否怀有某种不可亵渎的虔诚）。写作者直接地存在在他的语言中，只有在这些混乱、难懂的单词以英语语法顺联起来的时候，才真的能感觉到这些字符背后通向的是一颗多么破碎、飘零，对生活无能为力的心。
评分和《等待戈多》类似，对话重复枯燥，毫无意义，支离破碎。反映焦虑迷惘的状态。
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