The acclaimed director of Mishima, American Gigolo, Hard Core, Blue Collar, Cat People also the screenwriter for Taxi Driver , Paul Schrader here analyzes the film style of three great directors—Yasajiro Ozu, Robert Bresson, Carl Dreyer—and posits a common dramatic language by these artists from divergent cultures. Unlike the style of psychological realism, which dominates film, the transcendental style expresses a spiritual state with austere camerawork, acting devoid of self-consciousness, and editing that avoids editorial comment. This important book is an original contribution to film analysis and a key work by one of our most searching directors and writers.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
隻讀瞭小津部分反正他在唬人就是瞭
评分seriously flawed
评分seriously flawed
评分第一個5000字寫完萬歲！！！！！
评分難以評價。三位導演的電影都沒看全，但是小津的風格和美學相對更容易理解和接受，所以前一半都還比較看得進去，後麵一半已經是一個句子看到尾巴忘記頭瞭。就小津部分來說，硬往超驗上靠，生套侘寂和物哀等概念，不得不說有點尬。
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有