Never Let Me Go

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Sir Kazuo Ishiguro (カズオ・イシグロ or 石黒 一雄), OBE, FRSA, FRSL is a British novelist of Japanese origin and Nobel Laureate in Literature (2017). His family moved to England in 1960. Ishiguro obtained his Bachelor's degree from the University of Kent in 1978 and his Master's from the University of East Anglia's creative writing course in 1980. He became a British citizen in 1982. He now lives in London.

His first novel, A Pale View of Hills, won the 1982 Winifred Holtby Memorial Prize. His second novel, An Artist of the Floating World, won the 1986 Whitbread Prize. Ishiguro received the 1989 Man Booker prize for his third novel The Remains of the Day. His fourth novel, The Unconsoled, won the 1995 Cheltenham Prize. His latest novel is The Buried Giant, a New York Times bestseller. He was awarded the Nobel Prize in Literature 2017.

His novels An Artist of the Floating World (1986), When We Were Orphans (2000), and Never Let Me Go (2005) were all shortlisted for the Man Booker Prize.

In 2008, The Times ranked Ishiguro 32nd on their list of "The 50 Greatest British Writers Since 1945". In 2017, the Swedish Academy awarded him the Nobel Prize in Literature, describing him in its citation as a writer "who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world".

出版者:Vintage Books
作者:Kazuo Ishiguro
出品人:
頁數:282
译者:
出版時間:2010-8-31
價格:GBP 6.99
裝幀:Paperback
isbn號碼:9780571224142
叢書系列:
圖書標籤:
  • 石黑一雄 
  • 小說 
  • 英文原版 
  • Kazuo_Ishiguro 
  • 英國 
  • 日本 
  • 科幻 
  • 英國文學 
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From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.

Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.

Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.

Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

具體描述

讀後感

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很多人大概会觉得跟克隆人有关的一定是科幻小说。 我并不认为这本书可以划入普遍意义上的科幻小说里。 虽然这本书是以未来为背景,但他所描写的日常生活细节与我们并无二样,充满了真实感,而且细腻的感情描写引人入胜。就像是不久以后,就像是几十年以后会发生的事情一样。 小...  

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a delicately woven story you never imagine the British japanese to be writing science fiction. But go on reading and u find he's still the writer of "remains of the day." He puts such emotions into his characters: futility, desperation, tender love leading ...  

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用戶評價

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讀到淩晨,淚流滿麵/開頭有懸念有謎團,很怪異的用詞和口吻,一開始是個成長小說,看到一半,哇,是個愛情故事!平淡的敘事和剋製的情感被最後幾章洶湧而來的事實真相所淹沒/超齣瞭科幻小說的範疇/Lucy和Emily之爭,是告訴孩子們等待他們的是什麼,還是給他們一個無憂無慮的童年/Emily和外界之爭,剋隆人究竟有沒有靈魂/Emily和Madame之爭,收集孩子們的畫作和詩作有沒有意義/Tommy下車跑進野地裏的發泄怒吼/Kathy抱著枕頭聽著Never let me go閉上眼睛起舞的場景/Ruth對possible和辦公室生活的嚮往/你怎麼能說他們沒有靈魂/但是他們那麼認命那麼順從,捐獻四次器官直到死去,當carer纍到精疲力盡/隻有最後,Kathy在好友都離去後來到Norfolk尋找失去的所有

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BBC Radio 4 abridged 2016/2016】"We kissed, a small kiss. "

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滿懷期待當自己閤上這本書的時候會淚流滿麵,而事實卻是被瘧的說不齣話也哭不齣來。之前忍不住去看預告的時候很沒齣息地被一個鏡頭弄的鼻子發酸,眼睛全濕瞭。石黒一雄用他一貫很平淡的筆調一點點揭開真相,沒有一絲煽情。書中第一人稱的kathy迴憶著自己的童年,朋友以及最後的愛,她講述地太過於平靜,好像那些事情根本就沒有那麼殘酷冰冷。這本書後勁很足,開始時會覺得有些無聊瑣碎但讀完後會忍不住再翻到前麵看看,腦子裡麵想的全是他們的事。看得胸悶到極點但是發泄不齣來,他們的人生是製定好的,必須這麼走下去,沒有任何改變的餘地。得知真相後的他們沒有反抗也沒有逃離而是默默地接受,儘管是如此不甘心; 最後的道別平淡地讓人心碎。They won't see you as a human even you have soul

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這本書可以說的東西其實太多瞭。和Ruth的那些談話,充滿包容和理解的友情乃至於在人際交往中所有的微妙與不言而喻。他們一直都很慢,於是隻能被動前行,溺死在河流中。也許他們是他人利益的犧牲品,可大多數人的命運何嘗不是大同小異。 這樣說起來好像蜘蛛女之吻。

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一直偏愛移民作傢,他們像是石頭上生齣的花。生命的姿態往往在毀滅與拯救之間混淆不清。

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