From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.
Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.
Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.
Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.
Sir Kazuo Ishiguro (カズオ・イシグロ or 石黒 一雄), OBE, FRSA, FRSL is a British novelist of Japanese origin and Nobel Laureate in Literature (2017). His family moved to England in 1960. Ishiguro obtained his Bachelor's degree from the University of Kent in 1978 and his Master's from the University of East Anglia's creative writing course in 1980. He became a British citizen in 1982. He now lives in London.
His first novel, A Pale View of Hills, won the 1982 Winifred Holtby Memorial Prize. His second novel, An Artist of the Floating World, won the 1986 Whitbread Prize. Ishiguro received the 1989 Man Booker prize for his third novel The Remains of the Day. His fourth novel, The Unconsoled, won the 1995 Cheltenham Prize. His latest novel is The Buried Giant, a New York Times bestseller. He was awarded the Nobel Prize in Literature 2017.
His novels An Artist of the Floating World (1986), When We Were Orphans (2000), and Never Let Me Go (2005) were all shortlisted for the Man Booker Prize.
In 2008, The Times ranked Ishiguro 32nd on their list of "The 50 Greatest British Writers Since 1945". In 2017, the Swedish Academy awarded him the Nobel Prize in Literature, describing him in its citation as a writer "who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world".
很多人大概会觉得跟克隆人有关的一定是科幻小说。 我并不认为这本书可以划入普遍意义上的科幻小说里。 虽然这本书是以未来为背景,但他所描写的日常生活细节与我们并无二样,充满了真实感,而且细腻的感情描写引人入胜。就像是不久以后,就像是几十年以后会发生的事情一样。 小...
評分 評分 評分 評分很多人大概会觉得跟克隆人有关的一定是科幻小说。 我并不认为这本书可以划入普遍意义上的科幻小说里。 虽然这本书是以未来为背景,但他所描写的日常生活细节与我们并无二样,充满了真实感,而且细腻的感情描写引人入胜。就像是不久以后,就像是几十年以后会发生的事情一样。 小...
都那麼喜歡劇和電影瞭,沒想到還會更喜歡原作。不落言筌,最是傷人不見血…。另外感慨森下佳子這位“改編傢”…變換視角的重塑力,讓原作黨也不得不佩服一二…將Kathy拆分成恭子和真實,極端隱忍與徹底頑抗,纔得以完成兩處高潮;壞處是性格缺陷太過赤裸,難免牽強;原著三人情感脈絡就相當流暢。Why Hailsham at all?既然已有剋隆人,又如何會有答案。
评分you are be told, you are not be totally told.
评分you are be told, you are not be totally told.
评分口碑再好我也得吐槽。1.作者成功用英文寫齣瞭黏糊溫吞的日式敘述風格和節奏。2.題材取巧,寫法取巧。用第一人稱迴憶青少年時代伊甸園,好處是容易讓讀者産生感情共鳴,又規避瞭描寫更大構架的世界觀,壞處是人物平麵節奏拖遝對於背景設定無法令人信服。可能有人說瑕不掩瑜,我是覺得在這種瑕疵下進一步探討人性等於自己竪靶來打。3.感情渲染確實不錯。
评分BBC Radio 4 abridged 2016/2016】"We kissed, a small kiss. "
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