Never Let Me Go pdf epub mobi txt 电子书 下载 2025
Sir Kazuo Ishiguro (カズオ・イシグロ or 石黒 一雄), OBE, FRSA, FRSL is a British novelist of Japanese origin and Nobel Laureate in Literature (2017). His family moved to England in 1960. Ishiguro obtained his Bachelor's degree from the University of Kent in 1978 and his Master's from the University of East Anglia's creative writing course in 1980. He became a British citizen in 1982. He now lives in London.
His first novel, A Pale View of Hills, won the 1982 Winifred Holtby Memorial Prize. His second novel, An Artist of the Floating World, won the 1986 Whitbread Prize. Ishiguro received the 1989 Man Booker prize for his third novel The Remains of the Day. His fourth novel, The Unconsoled, won the 1995 Cheltenham Prize. His latest novel is The Buried Giant, a New York Times bestseller. He was awarded the Nobel Prize in Literature 2017.
His novels An Artist of the Floating World (1986), When We Were Orphans (2000), and Never Let Me Go (2005) were all shortlisted for the Man Booker Prize.
In 2008, The Times ranked Ishiguro 32nd on their list of "The 50 Greatest British Writers Since 1945". In 2017, the Swedish Academy awarded him the Nobel Prize in Literature, describing him in its citation as a writer "who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world".
- 石黑一雄
- 小说
- 英文原版
- Kazuo_Ishiguro
- 英国
- 日本
- 科幻
- 英国文学
From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.
Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.
Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.
Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.
具体描述
读后感
a delicately woven story you never imagine the British japanese to be writing science fiction. But go on reading and u find he's still the writer of "remains of the day." He puts such emotions into his characters: futility, desperation, tender love leading ...
评分这本书的前4/5不像科幻小说，更像青春小说。青春期的困惑与自我的认识伴随着他们长大。连最后那个结局，都更像青春小说的结局，每一段刻骨铭心的成长都包藏着一个秘密。 never let me go，中文译作《千万别丢下我》，似乎英文原意并未如中文的呼天抢地，但也没想到合适的说法...
评分第一次读到石黑一雄是他那本处女作《远山淡影》，他在小说里不厌其烦地描述一个日本女人的内心幻象，结局令人难以忘怀。今天早上花了两个小时读完了他的名作《别让我走》，村上春树曾经把这本书形容为“半个世纪以来读到的最好的小说”。 和川端康成一样，石黑一雄喜欢描述人...
评分这只是一个故事，但我相信大多数人都感同身受。 被亲人、朋友、事业、爱好、理想... ...丢下。其实，再这样一个环境中，我早已被这样那样的东西丢下了，不去谈论有谁是故意的，还有谁是恋恋不舍的。同样，我也丢下了很多。 用不着郑重其事的承诺什么，这样在被丢下时会更加伤...
评分第一次读到石黑一雄是他那本处女作《远山淡影》，他在小说里不厌其烦地描述一个日本女人的内心幻象，结局令人难以忘怀。今天早上花了两个小时读完了他的名作《别让我走》，村上春树曾经把这本书形容为“半个世纪以来读到的最好的小说”。 和川端康成一样，石黑一雄喜欢描述人...
用户评价
慕名来读。一开始很虚幻，一头雾水。越往后越清晰。Ishiguro似乎总是在一段的最后铺垫出下文，但好多重磅情节却轻描淡写地一笔带过。哥特式的文风，值得思考的主题。
评分"I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us."
评分口碑再好我也得吐槽。1.作者成功用英文写出了黏糊温吞的日式叙述风格和节奏。2.题材取巧，写法取巧。用第一人称回忆青少年时代伊甸园，好处是容易让读者产生感情共鸣，又规避了描写更大构架的世界观，坏处是人物平面节奏拖沓对于背景设定无法令人信服。可能有人说瑕不掩瑜，我是觉得在这种瑕疵下进一步探讨人性等于自己竖靶来打。3.感情渲染确实不错。
评分口碑再好我也得吐槽。1.作者成功用英文写出了黏糊温吞的日式叙述风格和节奏。2.题材取巧，写法取巧。用第一人称回忆青少年时代伊甸园，好处是容易让读者产生感情共鸣，又规避了描写更大构架的世界观，坏处是人物平面节奏拖沓对于背景设定无法令人信服。可能有人说瑕不掩瑜，我是觉得在这种瑕疵下进一步探讨人性等于自己竖靶来打。3.感情渲染确实不错。
评分His stories always seem warm, yet inside it you could feel the cruelty penetrating slowly, as if an everlasting chronic suicide. I dreamt of
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