Never Let Me Go

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Sir Kazuo Ishiguro (カズオ・イシグロ or 石黒 一雄), OBE, FRSA, FRSL is a British novelist of Japanese origin and Nobel Laureate in Literature (2017). His family moved to England in 1960. Ishiguro obtained his Bachelor's degree from the University of Kent in 1978 and his Master's from the University of East Anglia's creative writing course in 1980. He became a British citizen in 1982. He now lives in London.

His first novel, A Pale View of Hills, won the 1982 Winifred Holtby Memorial Prize. His second novel, An Artist of the Floating World, won the 1986 Whitbread Prize. Ishiguro received the 1989 Man Booker prize for his third novel The Remains of the Day. His fourth novel, The Unconsoled, won the 1995 Cheltenham Prize. His latest novel is The Buried Giant, a New York Times bestseller. He was awarded the Nobel Prize in Literature 2017.

His novels An Artist of the Floating World (1986), When We Were Orphans (2000), and Never Let Me Go (2005) were all shortlisted for the Man Booker Prize.

In 2008, The Times ranked Ishiguro 32nd on their list of "The 50 Greatest British Writers Since 1945". In 2017, the Swedish Academy awarded him the Nobel Prize in Literature, describing him in its citation as a writer "who, in novels of great emotional force, has uncovered the abyss beneath our illusory sense of connection with the world".

出版者:Vintage Books
作者:Kazuo Ishiguro
出品人:
页数:282
译者:
出版时间:2010-8-31
价格:GBP 6.99
装帧:Paperback
isbn号码:9780571224142
丛书系列:
图书标签:
  • 石黑一雄 
  • 小说 
  • 英文原版 
  • Kazuo_Ishiguro 
  • 英国 
  • 日本 
  • 科幻 
  • 英国文学 
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From the Booker Prize-winning author of The Remains of the Day and When We Were Orphans, comes an unforgettable edge-of-your-seat mystery that is at once heartbreakingly tender and morally courageous about what it means to be human.

Hailsham seems like a pleasant English boarding school, far from the influences of the city. Its students are well tended and supported, trained in art and literature, and become just the sort of people the world wants them to be. But, curiously, they are taught nothing of the outside world and are allowed little contact with it.

Within the grounds of Hailsham, Kathy grows from schoolgirl to young woman, but it’s only when she and her friends Ruth and Tommy leave the safe grounds of the school (as they always knew they would) that they realize the full truth of what Hailsham is.

Never Let Me Go breaks through the boundaries of the literary novel. It is a gripping mystery, a beautiful love story, and also a scathing critique of human arrogance and a moral examination of how we treat the vulnerable and different in our society. In exploring the themes of memory and the impact of the past, Ishiguro takes on the idea of a possible future to create his most moving and powerful book to date.

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石黑一雄笔调典雅平淡,剥洋葱喝凉白开一样慢慢地叙述这个不怎么离奇不怎么科幻不怎么让人激动的故事。对于我们这种看完以后被感伤得说不出话来的人,写在这里的东西也不能透露太多,一透露,半本书就索然无味了。 以他这个调调,你只消看两三章就会明白,不会有I...  

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1.感觉本书内敛的笔调并不很适合克隆人这么一种激进的伦理题材。 2.虽然也是五星之选,但相比于《疾病解说者》还是有所差距。 3.编辑的功课不够到位。纵然不是推理小说,封面封底简介译序中无处不在的泄底依然十分可恨。和《捕蜂机》可谓难兄难弟。 4.装祯好难看。尤其封底介绍...  

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石黑一雄确实是一个英国作家,这一点在字里行间我感受到他没有具备其余日本作家的什么共性。硬要说有的话,这是一部悲伤的书,和大多日本小说的基调相似。看到很多人在评论这部书的逻辑,我觉得有些搞笑。这本书的定位应该就是“科幻小说”,就像你去抗议《哈利波特》的逻辑漏...  

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很多人大概会觉得跟克隆人有关的一定是科幻小说。 我并不认为这本书可以划入普遍意义上的科幻小说里。 虽然这本书是以未来为背景,但他所描写的日常生活细节与我们并无二样,充满了真实感,而且细腻的感情描写引人入胜。就像是不久以后,就像是几十年以后会发生的事情一样。 小...  

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一直偏爱移民作家,他们像是石头上生出的花。生命的姿态往往在毁灭与拯救之间混淆不清。

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慕名来读。一开始很虚幻,一头雾水。越往后越清晰。Ishiguro似乎总是在一段的最后铺垫出下文,但好多重磅情节却轻描淡写地一笔带过。哥特式的文风,值得思考的主题。

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