There are situations in which we fail for a moment to recognize the person we are with, in which the identity of the other is erased while we simultaneously doubt our own. This also happens with couples--indeed, above all with couples, because lovers fear more than anything else "losing sight" of the loved one.With stunning artfulness in expanding and playing variations on the meaningful moment, Milan Kundera has made this situation--and the vague sense of panic it inspires--the very fabric of his new novel. Here brevity goes hand in hand with intensity, and a moment of bewilderment marks the start of a labyrinthine journey during which the reader repeatedly crosses the border between the real and the unreal, between what occurs in the world outside and what the mind creates in its solitude. Of all contemporary writers, only Kundera can transform such a hidden and disconcerting perception into the material for a novel, one of his finest, most painful, and most enlightening. Which, surprisingly, turns out to be a love story.
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Nostalgia...
评分Sadly penetrating
评分薩特的“注視”、剋爾凱郭爾的“麵具”、性欲情欲友誼在現代社會的多層次新麵目--兩個人之間以某種方式聯結在一起的那些微妙瞬時。雖然仍然語齣驚人,但新意比早期作品少瞭。大概和村上都是産業鏈作傢,你買他的書來讀,質量不一定是最優的,每一期也不指望是革新的,但是品質堪比星巴剋一樣穩定。
评分薩特的“注視”、剋爾凱郭爾的“麵具”、性欲情欲友誼在現代社會的多層次新麵目--兩個人之間以某種方式聯結在一起的那些微妙瞬時。雖然仍然語齣驚人,但新意比早期作品少瞭。大概和村上都是産業鏈作傢,你買他的書來讀,質量不一定是最優的,每一期也不指望是革新的,但是品質堪比星巴剋一樣穩定。
评分第一次讀英文版的米蘭昆德拉,依舊一貫沒有特彆情節的敘述,更多的是情緒和藏在情緒下想要傳遞的信息。最後問自己,什麼是夢?什麼是現實?邊界又在哪裏?
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