图书标签: 电影 Truffaut 艺术 希区柯克 電影 法国 影视 人物
发表于2024-08-02
Hitchcock pdf epub mobi txt 电子书 下载 2024
Any book-length interview with Alfred Hitchcock is valuable, but considering that this volume's interlocutor is François Truffaut, the conversation is remarkable indeed. Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcock was still active, Truffaut later prepared a revised edition that covered the final stages of his career. It's difficult to think of a more informative or entertaining introduction to Hitchcock's art, interests, and peculiar sense of humor. The book is a storehouse of insight and witticism, including the master's impressions of a classic like Rear Window ("I was feeling very creative at the time, the batteries were well charged"), his technical insight into Psycho's shower scene ("the knife never touched the body; it was all done in the [editing]"), and his ruminations on flops such as Under Capricorn ("If I were to make another picture in Australia today, I'd have a policeman hop into the pocket of a kangaroo and yell 'Follow that car!'"). This is one of the most delightful film books in print. --Raphael Shargel
François Roland Truffaut was an award-winning and influential filmmaker, critically acclaimed worldwide. He was also a talented and sought-after film critic in France (most notably, his work for Cahiers du Cinema), and one of the founders of the French New Wave and the auteur theory; he remains an icon of the French film industry. In a film career lasting over a quarter of a century, he was also a screenwriter, producer or occasional actor in over twenty-five films.
无意中找到这书的时候是一个踉跄摔过去的 而里面夹了一张我以为的04年枪火的电影票根 what else can i say
评分终于啃完原版,特吕弗还真是很推崇希区柯克…要发奋图强学习做一个visualized的剪辑
评分12年 图书馆
评分经典的对话录,每一页都叫人获益良多。Hitch强调电影语言的重要性,一定要以镜头讲故事。他看似是个商业惊悚片导演,实则对人性洞察颇深。诚如introduction里面就提到的,Hitch这样的导演,并不是教我们如何生活,而是传达他们的焦虑,以使我们更好地理解自己,而这“正是任何艺术形式的基本目的。”
评分终于啃完原版,特吕弗还真是很推崇希区柯克…要发奋图强学习做一个visualized的剪辑
大一下的时候,参加电影协会每周末的电影放映。在那之前,并不知道这个世界上有“希区柯克”。 依然清晰记得海报上面用黑白拼贴出来的字样: 电影大师希区柯克《惊魂记》《蝴蝶梦》 全寝室一起坐在教室的后面观看。 小小的放映室,秋天的风吹...
评分1、希区柯克二十三岁时(即1922年)首次参与创作由格雷厄姆-卡茨执导的影片《女人对女人》,故事由希区柯克的一位女同事创作(该名女同事曾与卓别林共事,当时英国人以为凡与卓别林合作过的人一准儿都是天才)。希区柯克担任改编者、对话作者、副导演和布景师(原来的布景师临...
评分1、希区柯克二十三岁时(即1922年)首次参与创作由格雷厄姆-卡茨执导的影片《女人对女人》,故事由希区柯克的一位女同事创作(该名女同事曾与卓别林共事,当时英国人以为凡与卓别林合作过的人一准儿都是天才)。希区柯克担任改编者、对话作者、副导演和布景师(原来的布景师临...
评分大一下的时候,参加电影协会每周末的电影放映。在那之前,并不知道这个世界上有“希区柯克”。 依然清晰记得海报上面用黑白拼贴出来的字样: 电影大师希区柯克《惊魂记》《蝴蝶梦》 全寝室一起坐在教室的后面观看。 小小的放映室,秋天的风吹...
Hitchcock pdf epub mobi txt 电子书 下载 2024