Hitchcock pdf epub mobi txt 电子书 下载 2024


Hitchcock

简体网页||繁体网页
Francois Truffaut
Simon & Schuster
1985-10-2
368
USD 25.00
Paperback
9780671604295

图书标签: 电影  Truffaut  艺术  希区柯克  電影  法国  影视  人物   


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发表于2024-11-24

Hitchcock epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

Hitchcock epub 下载 mobi 下载 pdf 下载 txt 电子书 下载 2024

Hitchcock pdf epub mobi txt 电子书 下载 2024



图书描述

Any book-length interview with Alfred Hitchcock is valuable, but considering that this volume's interlocutor is François Truffaut, the conversation is remarkable indeed. Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcock was still active, Truffaut later prepared a revised edition that covered the final stages of his career. It's difficult to think of a more informative or entertaining introduction to Hitchcock's art, interests, and peculiar sense of humor. The book is a storehouse of insight and witticism, including the master's impressions of a classic like Rear Window ("I was feeling very creative at the time, the batteries were well charged"), his technical insight into Psycho's shower scene ("the knife never touched the body; it was all done in the [editing]"), and his ruminations on flops such as Under Capricorn ("If I were to make another picture in Australia today, I'd have a policeman hop into the pocket of a kangaroo and yell 'Follow that car!'"). This is one of the most delightful film books in print. --Raphael Shargel

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著者简介

François Roland Truffaut was an award-winning and influential filmmaker, critically acclaimed worldwide. He was also a talented and sought-after film critic in France (most notably, his work for Cahiers du Cinema), and one of the founders of the French New Wave and the auteur theory; he remains an icon of the French film industry. In a film career lasting over a quarter of a century, he was also a screenwriter, producer or occasional actor in over twenty-five films.


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用户评价

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经典的对话录,每一页都叫人获益良多。Hitch强调电影语言的重要性,一定要以镜头讲故事。他看似是个商业惊悚片导演,实则对人性洞察颇深。诚如introduction里面就提到的,Hitch这样的导演,并不是教我们如何生活,而是传达他们的焦虑,以使我们更好地理解自己,而这“正是任何艺术形式的基本目的。”

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终于啃完原版,特吕弗还真是很推崇希区柯克…要发奋图强学习做一个visualized的剪辑

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12年 图书馆

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啃完。希胖讲戏好清楚,类比多多

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12年 图书馆

读后感

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1、希区柯克二十三岁时(即1922年)首次参与创作由格雷厄姆-卡茨执导的影片《女人对女人》,故事由希区柯克的一位女同事创作(该名女同事曾与卓别林共事,当时英国人以为凡与卓别林合作过的人一准儿都是天才)。希区柯克担任改编者、对话作者、副导演和布景师(原来的布景师临...

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读者大约在开头就会挠头,因为我的标题用了一个很诡异的词汇“漫读”,什么叫漫读呢?原因有两点,第一点是我很少读这种纯粹采访和书信体且厚实如城墙的书,会觉得很枯燥读不下去,但是希区柯克是我最感兴趣的导演,于是终究还是下定决心买下了这本书,但是读起来依旧断断续续...  

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大一下的时候,参加电影协会每周末的电影放映。在那之前,并不知道这个世界上有“希区柯克”。 依然清晰记得海报上面用黑白拼贴出来的字样: 电影大师希区柯克《惊魂记》《蝴蝶梦》 全寝室一起坐在教室的后面观看。 小小的放映室,秋天的风吹...  

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