Hitchcock pdf epub mobi txt 电子书 下载 2025
François Roland Truffaut was an award-winning and influential filmmaker, critically acclaimed worldwide. He was also a talented and sought-after film critic in France (most notably, his work for Cahiers du Cinema), and one of the founders of the French New Wave and the auteur theory; he remains an icon of the French film industry. In a film career lasting over a quarter of a century, he was also a screenwriter, producer or occasional actor in over twenty-five films.
- 电影
- Truffaut
- 艺术
- 希区柯克
- 電影
- 法国
- 影视
- 人物
Any book-length interview with Alfred Hitchcock is valuable, but considering that this volume's interlocutor is François Truffaut, the conversation is remarkable indeed. Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcock was still active, Truffaut later prepared a revised edition that covered the final stages of his career. It's difficult to think of a more informative or entertaining introduction to Hitchcock's art, interests, and peculiar sense of humor. The book is a storehouse of insight and witticism, including the master's impressions of a classic like Rear Window ("I was feeling very creative at the time, the batteries were well charged"), his technical insight into Psycho's shower scene ("the knife never touched the body; it was all done in the [editing]"), and his ruminations on flops such as Under Capricorn ("If I were to make another picture in Australia today, I'd have a policeman hop into the pocket of a kangaroo and yell 'Follow that car!'"). This is one of the most delightful film books in print. --Raphael Shargel
具体描述
读后感
这在某种意义上来说是希区柯克的自传，当然仅仅是电影方面的自传。不过对于一个电影导演来说，或者对于艺术家来说，他的艺术作品不就是他的自传吗？应该不会有太多的人对真正的日常生活感兴趣的。 作品以谈话的形式，特吕弗问希区柯克回忆，但对于一般读者来说就存在两个问题，...
评分 评分读者大约在开头就会挠头，因为我的标题用了一个很诡异的词汇“漫读”，什么叫漫读呢？原因有两点，第一点是我很少读这种纯粹采访和书信体且厚实如城墙的书，会觉得很枯燥读不下去，但是希区柯克是我最感兴趣的导演，于是终究还是下定决心买下了这本书，但是读起来依旧断断续续...
评分希区柯克的所有影片都可以用最简单的一个词来概括，那就是“好看”，＂好看”意味着已臻化境的功力。 1980年4月29日，希区柯克在睡梦中离世，他一共为我们留下了53部电影作品，而正是这53部作品陪伴了、也将继续陪伴着所有不甘寂寞的影迷。我们将和这个永不枯燥的胖老头一道，...
评分1、希区柯克二十三岁时（即1922年）首次参与创作由格雷厄姆-卡茨执导的影片《女人对女人》，故事由希区柯克的一位女同事创作（该名女同事曾与卓别林共事，当时英国人以为凡与卓别林合作过的人一准儿都是天才）。希区柯克担任改编者、对话作者、副导演和布景师（原来的布景师临...
用户评价
12年 图书馆
评分经典的对话录，每一页都叫人获益良多。Hitch强调电影语言的重要性，一定要以镜头讲故事。他看似是个商业惊悚片导演，实则对人性洞察颇深。诚如introduction里面就提到的，Hitch这样的导演，并不是教我们如何生活，而是传达他们的焦虑，以使我们更好地理解自己，而这“正是任何艺术形式的基本目的。”
评分12年 图书馆
评分无意中找到这书的时候是一个踉跄摔过去的 而里面夹了一张我以为的04年枪火的电影票根 what else can i say
评分经典的对话录，每一页都叫人获益良多。Hitch强调电影语言的重要性，一定要以镜头讲故事。他看似是个商业惊悚片导演，实则对人性洞察颇深。诚如introduction里面就提到的，Hitch这样的导演，并不是教我们如何生活，而是传达他们的焦虑，以使我们更好地理解自己，而这“正是任何艺术形式的基本目的。”
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美书屋 版权所有