Hitchcock pdf epub mobi txt 電子書 下載2025
François Roland Truffaut was an award-winning and influential filmmaker, critically acclaimed worldwide. He was also a talented and sought-after film critic in France (most notably, his work for Cahiers du Cinema), and one of the founders of the French New Wave and the auteur theory; he remains an icon of the French film industry. In a film career lasting over a quarter of a century, he was also a screenwriter, producer or occasional actor in over twenty-five films.
- 電影
- Truffaut
- 藝術
- 希區柯剋
- 電影
- 法國
- 影視
- 人物
Any book-length interview with Alfred Hitchcock is valuable, but considering that this volume's interlocutor is François Truffaut, the conversation is remarkable indeed. Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcock was still active, Truffaut later prepared a revised edition that covered the final stages of his career. It's difficult to think of a more informative or entertaining introduction to Hitchcock's art, interests, and peculiar sense of humor. The book is a storehouse of insight and witticism, including the master's impressions of a classic like Rear Window ("I was feeling very creative at the time, the batteries were well charged"), his technical insight into Psycho's shower scene ("the knife never touched the body; it was all done in the [editing]"), and his ruminations on flops such as Under Capricorn ("If I were to make another picture in Australia today, I'd have a policeman hop into the pocket of a kangaroo and yell 'Follow that car!'"). This is one of the most delightful film books in print. --Raphael Shargel
具體描述
讀後感
当“新浪潮”遭遇希区柯克 ——评《希区柯克与特吕弗对话录》 1962年4月8日，已经被世界电影载入史册。这一天，法国新浪潮电影的主将特吕弗来到了纽约。特吕弗这次前行的目的除了把他导演的新片《夏日之恋》介绍给纽约的制片商外，就是与一向负责新浪潮电影在美国的推广工作的...
評分 評分希区柯克先生在哪里 ——《希区柯克与特吕弗对话录》读后感 “希区柯克属于另一个家族，也即卓别林（Charles Chaplin）、斯特劳亨（Erich von Stroheim）、刘别谦（Ernst Lubitsch）的家族，他像他们一样，不满足于实施一种艺术，而是殚精竭虑地深化它，从中抽取出比...
評分希区柯克的所有影片都可以用最简单的一个词来概括，那就是“好看”，＂好看”意味着已臻化境的功力。 1980年4月29日，希区柯克在睡梦中离世，他一共为我们留下了53部电影作品，而正是这53部作品陪伴了、也将继续陪伴着所有不甘寂寞的影迷。我们将和这个永不枯燥的胖老头一道，...
評分1、希区柯克二十三岁时（即1922年）首次参与创作由格雷厄姆-卡茨执导的影片《女人对女人》，故事由希区柯克的一位女同事创作（该名女同事曾与卓别林共事，当时英国人以为凡与卓别林合作过的人一准儿都是天才）。希区柯克担任改编者、对话作者、副导演和布景师（原来的布景师临...
用戶評價
啃完。希胖講戲好清楚，類比多多
评分啃完。希胖講戲好清楚，類比多多
评分經典的對話錄，每一頁都叫人獲益良多。Hitch強調電影語言的重要性，一定要以鏡頭講故事。他看似是個商業驚悚片導演，實則對人性洞察頗深。誠如introduction裏麵就提到的，Hitch這樣的導演，並不是教我們如何生活，而是傳達他們的焦慮，以使我們更好地理解自己，而這“正是任何藝術形式的基本目的。”
评分啃完。希胖講戲好清楚，類比多多
评分無意中找到這書的時候是一個踉蹌摔過去的 而裏麵夾瞭一張我以為的04年槍火的電影票根 what else can i say
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 book.quotespace.org All Rights Reserved. 小美書屋 版权所有