The creation of the Frankfurt School of critical theory in the 1920s saw the birth of some of the most exciting and challenging writings of the twentieth century. It is out of this background that the great critic Theodor Adorno emerged. His finest essays are collected here, offering the reader unparalleled insights into Adorno's thoughts on culture. He argued that the culture industry commodified and standardized all art. In turn this suffocated individuality and destroyed critical thinking. At the time, Adorno was accused of everything from overreaction to deranged hysteria by his many detractors. In today's world, where even the least cynical of consumers is aware of the influence of the media, Adorno's work takes on a more immediate significance. The Culture Industry is an unrivalled indictment of the banality of mass culture.
法蘭克福學派對資本主義社會的批判向來毫不留情,其中又以阿多諾(Theodor Adorno)和霍克海默(Max Horkheimer)最不遺餘力,兩人合著《啟蒙的辯證》(Dialectic of Enlightenment),批判啟蒙精神的哲學思維與框架及當代文化現狀,之後還一起修改書中論文成《再論文化工業》(Cultur...
评分法蘭克福學派對資本主義社會的批判向來毫不留情,其中又以阿多諾(Theodor Adorno)和霍克海默(Max Horkheimer)最不遺餘力,兩人合著《啟蒙的辯證》(Dialectic of Enlightenment),批判啟蒙精神的哲學思維與框架及當代文化現狀,之後還一起修改書中論文成《再論文化工業》(Cultur...
评分法蘭克福學派對資本主義社會的批判向來毫不留情,其中又以阿多諾(Theodor Adorno)和霍克海默(Max Horkheimer)最不遺餘力,兩人合著《啟蒙的辯證》(Dialectic of Enlightenment),批判啟蒙精神的哲學思維與框架及當代文化現狀,之後還一起修改書中論文成《再論文化工業》(Cultur...
评分法蘭克福學派對資本主義社會的批判向來毫不留情,其中又以阿多諾(Theodor Adorno)和霍克海默(Max Horkheimer)最不遺餘力,兩人合著《啟蒙的辯證》(Dialectic of Enlightenment),批判啟蒙精神的哲學思維與框架及當代文化現狀,之後還一起修改書中論文成《再論文化工業》(Cultur...
评分法蘭克福學派對資本主義社會的批判向來毫不留情,其中又以阿多諾(Theodor Adorno)和霍克海默(Max Horkheimer)最不遺餘力,兩人合著《啟蒙的辯證》(Dialectic of Enlightenment),批判啟蒙精神的哲學思維與框架及當代文化現狀,之後還一起修改書中論文成《再論文化工業》(Cultur...
读了前一半 文化工业不是文化 不具有transcendental dimension 不自由的消费者以为自己有选择权 但不自由而不自知比公然的tyranny更危险
评分标上好了,读了前一半。。很有启发,什么是文化工业以及真正的艺术。
评分好难读((٩(//̀Д/́/)۶))/但还是要给五星!
评分请,说,人,话
评分Adorno辩证法:文化是启蒙的对立面,启蒙要解放生产力,把人性束缚起来,那么文化就阻碍这种解放。文化产业是对现状的稳固,对人类已经实现的技术或者成就的再生产与重复,根据这个社会所需要的标准而再生产所需要的人(人消费者,也是消耗品),思想必须摆脱这种惰性,去伪存真。愈发想知道他Negative Dialectics会是怎样的
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