Junichiro Tanizaki was a major writer of modern Japanese literature who wrote numerous books, including The Makioka Sisters and Naomi: A Novel.
This is an essay on aesthetics by one of the greatest Japanese novelists. The text ranges over architecture, jade, food, toilets, and combines an acute sense of the use of space in buildings, as well as perfect descriptions of lacquerware under candlelight and women in the darkness of the house of pleasure. The essay forms a classic description of the collision between the shadows of traditional Japanese interiors and the dazzling light of the modern age.
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当年去日本观看了能乐《松风》,两位戴面具海女先后从桥廊走来,真的感觉到是从暗处浮出,也能感觉到幽远的海。我喜欢文中写黑齿的那一段。
评分当年去日本观看了能乐《松风》,两位戴面具海女先后从桥廊走来,真的感觉到是从暗处浮出,也能感觉到幽远的海。我喜欢文中写黑齿的那一段。
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评分广义的阴影,东西方美学价值观的差异。但作者的自我陶醉是否更多?
评分从漆器物件到建筑文化再到人与社会,充满了作者对那个不被电光打扰的年代的追思,也不免有些过于理想主义或个人主义的论断,让人不敢苟同。
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