Studies in Tectonic Culture

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肯尼思·弗兰姆普敦,是哥伦比亚大学的维尔讲席教授(WareProfessor),曾有许多建筑理论历史方面的著作问世。原书由格拉汉姆高等艺术研究基金会(Graham Foundatlon for Advanced Studiesinthe Fine Arts)和麻省理工学院出版社联合出版。

出版者:The MIT Press
作者:Kenneth Frampton
出品人:
页数:446
译者:
出版时间:2001-10-01
价格:USD 42.00
装帧:Paperback
isbn号码:9780262561495
丛书系列:
图书标签:
  • 建筑 
  • 建筑理论 
  • Frampton 
  • Architecture 
  • tectonic 
  • KennethFrampton 
  • 建筑技术 
  • 建筑史 
  •  
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Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture.Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."A copublication of the Graham Foundation for Advanced Studies and The MIT Press.

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建构手段课的笔记 ○本体性:是带引号的“形式” ○什么最重要:“方向”(即价值观)与“细节”——此二端之间的“形态”不重要 ○建构:诗意的建造 ○建构本身具有思想、情感的表现力,不需要另外的形态来表达思想。 ○好的艺术创作是不需要语言文字的解读的,其自身具有自...  

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它是一部建筑学恢弘的巨著。本书以建筑发展中几位大师及其作品为载体,生动的描绘了建筑结构、材料这种构成建筑的本质元素对空间影响,及文化价值。和当今经济经济时代种种浮夸投机的建筑设计形成鲜明的对比。对重拾建构文化及重新认识建筑的价值有积极而又深远的影响!

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开篇 由于一些客观的我本人无法抗拒的原因 我被迫赋闲于宿舍数日 这段时间只有在一书桌、一书架、一电脑前徘徊 遂有一想法 我准备手书一副“养膘斋”纸幅 悬于床板与书架之间 但愿之后每日能于此笔耕不辍 得一部《养膘斋杂记》 聊以解闷 也做这数日赋闲的回报 不得以本人就...  

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1980年,Modern Architecture: A Critical History 第一版 1985年,Modern Architecture: A Critical History 第二版 1988年,《现代建筑:一部批判的历史》第一版(?)中文版 1992年,Modern Architecture: A Critical History 第三版(除了其他增添修正之外,增加最后一章“...  

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开篇 由于一些客观的我本人无法抗拒的原因 我被迫赋闲于宿舍数日 这段时间只有在一书桌、一书架、一电脑前徘徊 遂有一想法 我准备手书一副“养膘斋”纸幅 悬于床板与书架之间 但愿之后每日能于此笔耕不辍 得一部《养膘斋杂记》 聊以解闷 也做这数日赋闲的回报 不得以本人就...  

用户评价

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对比中文版,

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寫得真繞 直着說話不好嗎 還是翻譯的問題?

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d

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翻译得不好。造了一些东西回来看,发现是建筑师小情趣杂文

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建构的传统就是坚持不懈的在创新的同时重新诠释古老的事物

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