肯尼思·弗兰姆普敦,是哥伦比亚大学的维尔讲席教授(WareProfessor),曾有许多建筑理论历史方面的著作问世。原书由格拉汉姆高等艺术研究基金会(Graham Foundatlon for Advanced Studiesinthe Fine Arts)和麻省理工学院出版社联合出版。
Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture.Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."A copublication of the Graham Foundation for Advanced Studies and The MIT Press.
不推荐大一的同学读! 老夫憋着一口气含着一腔血流着一脸泪读了二十页。 心中的那个呐喊声越来越大: “这一切还不是时候!” 但是老夫已经看见史诗的开头了。 神马叫评论太短了太短了现在够长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长...
评分很多老师都推荐呢,王老师自己还问问买书的销售情况呢~~呵呵 慢慢读,读不懂是积累不够~~~慢慢积累~~ 希望那一天自己会彻悟 呵呵
评分不推荐大一的同学读! 老夫憋着一口气含着一腔血流着一脸泪读了二十页。 心中的那个呐喊声越来越大: “这一切还不是时候!” 但是老夫已经看见史诗的开头了。 神马叫评论太短了太短了现在够长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长长...
评分很多老师都推荐呢,王老师自己还问问买书的销售情况呢~~呵呵 慢慢读,读不懂是积累不够~~~慢慢积累~~ 希望那一天自己会彻悟 呵呵
评分很多老师都推荐呢,王老师自己还问问买书的销售情况呢~~呵呵 慢慢读,读不懂是积累不够~~~慢慢积累~~ 希望那一天自己会彻悟 呵呵
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评分建构的传统就是坚持不懈的在创新的同时重新诠释古老的事物
评分becoming a classic, if anyone refers to the subject of how culture embodies in architectural design
评分寫得真繞 直着說話不好嗎 還是翻譯的問題?
评分有种下学期历史课教材的预感。。。啊好期待frampton的lecture!!
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