Studies in Tectonic Culture

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肯尼思·弗兰姆普敦,是哥伦比亚大学的维尔讲席教授(WareProfessor),曾有许多建筑理论历史方面的著作问世。原书由格拉汉姆高等艺术研究基金会(Graham Foundatlon for Advanced Studiesinthe Fine Arts)和麻省理工学院出版社联合出版。

出版者:The MIT Press
作者:Kenneth Frampton
出品人:
页数:446
译者:
出版时间:2001-10-01
价格:USD 42.00
装帧:Paperback
isbn号码:9780262561495
丛书系列:
图书标签:
  • 建筑 
  • 建筑理论 
  • Frampton 
  • Architecture 
  • tectonic 
  • KennethFrampton 
  • 建筑技术 
  • 建筑史 
  •  
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Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture.Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton -- the focus on architecture as a constructional craft -- constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form.Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past.Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde."A copublication of the Graham Foundation for Advanced Studies and The MIT Press.

具体描述

读后感

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看的时候还算兴奋,看完后也似乎有所感悟,给朋友一说,朋友回:“你平立剖面还没画清楚呢,看他干吗,毕竟建筑是老年人的行业,急不的。” 乱了不是?  

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作业,直接复制过来了 1不得不说于我而言读这本书的体验就像是一次被一头脱缰的野马拽着在建筑理论的茫茫原野上的狂奔。硬啃下来虽然开始对各种形而上的建筑名词开始稍微有了一点概念,但正如叔本华所说的相对健康的学习状态是从直接经验经过抽象形成概念的自然过程而不是概念...  

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看的时候还算兴奋,看完后也似乎有所感悟,给朋友一说,朋友回:“你平立剖面还没画清楚呢,看他干吗,毕竟建筑是老年人的行业,急不的。” 乱了不是?  

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开篇 由于一些客观的我本人无法抗拒的原因 我被迫赋闲于宿舍数日 这段时间只有在一书桌、一书架、一电脑前徘徊 遂有一想法 我准备手书一副“养膘斋”纸幅 悬于床板与书架之间 但愿之后每日能于此笔耕不辍 得一部《养膘斋杂记》 聊以解闷 也做这数日赋闲的回报 不得以本人就...  

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在我所读过的西方建筑理论的中译本当中,最精彩的两本:1.王贵祥译的《建筑理论史》,2.王群译的《建构文化研究》。信、达之外,有些章节还很雅致,这是非常难做到的,尤其对于建筑理论而言,涉及的领域多且深,国内多数译本求一“信”字而不可得,而少数翻译空占一“雅”字而...  

用户评价

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重读Carlo Scarpa这一部分,果然亲历之后再读文字才有所领会啊。

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建构文化研究的英文版,和中文版对照读,终于读完了。将建筑回归到建造的实质的研究。蛮好看。已有中文版的翻译,看来算是很不错了~~

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翻译得不好。造了一些东西回来看,发现是建筑师小情趣杂文

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寫得真繞 直着說話不好嗎 還是翻譯的問題?

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重读Carlo Scarpa这一部分,果然亲历之后再读文字才有所领会啊。

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