This volume collects some of the author's most famous writings, including plays, short stories, and essays.
Harold Pinter CH CBE (/ˈpɪntər/; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works.
Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980.
Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as "comedy of menace". Later plays such as No Man's Land (1975) and Betrayal (1978) became known as "memory plays". He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007.
Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008.
[lecture on Harlod Pinter] the abuse of authority now this is quite interesting because none of his plays are overtly political but they can be read as political metaphors therefore Pintas language suggests that real-life conversations do not proceed smooth...
评分[lecture on Harlod Pinter] the abuse of authority now this is quite interesting because none of his plays are overtly political but they can be read as political metaphors therefore Pintas language suggests that real-life conversations do not proceed smooth...
评分[lecture on Harlod Pinter] the abuse of authority now this is quite interesting because none of his plays are overtly political but they can be read as political metaphors therefore Pintas language suggests that real-life conversations do not proceed smooth...
评分[lecture on Harlod Pinter] the abuse of authority now this is quite interesting because none of his plays are overtly political but they can be read as political metaphors therefore Pintas language suggests that real-life conversations do not proceed smooth...
评分[lecture on Harlod Pinter] the abuse of authority now this is quite interesting because none of his plays are overtly political but they can be read as political metaphors therefore Pintas language suggests that real-life conversations do not proceed smooth...
我必须说,《Complete Works, Vol. 1》这本书,绝对是一场意想不到的阅读盛宴。我本以为它会是那种需要“磨”的书,结果却是越读越想读,根本停不下来。作者的写作功力,真的不是盖的。 书中人物的刻画,简直是入木三分。每一个角色,无论大小,都有着自己独特的生命轨迹和内心情感。我有时候会觉得,我好像真的认识这些人一样,他们的悲欢离合,都牢牢地牵动着我的心。尤其是那些在命运洪流中挣扎的小人物,他们的坚韧与无奈,让我感触良多。 而作者对环境和氛围的营造,也做得非常出色。他能用寥寥几笔,就勾勒出一个活生生的场景,让你仿佛能闻到空气中的味道,听到远处的声响。我常常因为这些细节描写而感到惊叹,仿佛自己也置身于那个故事之中,成为其中的一部分。 这本书最吸引我的地方,还在于它并非是简单的线性叙事。作者非常巧妙地在故事中穿插了各种各样的信息,可能是历史的背景,也可能是文化的渊源,这些都让整个故事更加丰富和立体。我感觉自己不光是在读故事,更是在学习,在了解一个更广阔的世界。 而且,作者在语言的运用上,也非常有技巧。他能用最朴实的词语,表达出最深刻的情感;也能用最华丽的辞藻,描绘出最震撼的场景。这种语言的张力,让阅读过程充满了乐趣,也让人对作者的才华佩服不已。 所以,如果你还在犹豫,我只想告诉你:别犹豫了!这本书绝对值得你花时间去细细品味。它会带给你惊喜,也会带给你思考。
评分我必须承认,最初拿到这本《Complete Works, Vol. 1》时,我对它的期待并没有那么高。也许是“全集”这个名字太宏大,总让人觉得内容会庞杂而难以消化。然而,当我真正沉浸其中,才发现它是一本意料之外的宝藏。作者以一种极其生动且富有感染力的方式,构建了一个令人屏息的文学世界。 书中的人物塑造尤为出色,每一个角色都仿佛拥有独立的生命,他们的喜怒哀乐,他们的挣扎与抉择,都写得那么真实,那么触动人心。我常常会为他们的命运而牵挂,为他们的每一次成功而欣喜,也为他们的每一次挫折而感到惋惜。这种强烈的代入感,是很多作品难以企及的。 更让我印象深刻的是作者对细节的把握。无论是环境的描写,还是人物的动作、神态,都被描绘得细致入微,仿佛一幅幅鲜活的画面呈现在眼前。这种精雕细琢的笔触,让整个故事更加饱满,也让读者更容易进入到那个特定的时代和情境之中。 我尤其喜欢作者在叙事节奏上的掌控。他知道何时该放慢脚步,让读者充分感受情感的酝酿;也知道何时该加快节奏,将情节推向高潮,让读者欲罢不能。这种跌宕起伏的叙事,让阅读过程充满了惊喜和期待,我总是迫不及待地想要知道接下来会发生什么。 这本书不仅仅是故事的讲述,它还蕴含着作者对人生、对社会深刻的洞察。在阅读的过程中,我不止一次地停下来,思考作者所提出的观点,反思自己的人生经历。它像一面镜子,照出了我的优点与不足,也让我对生活有了更深刻的理解。
评分我一向对那些看似“大部头”的作品心存敬畏,总觉得要花费大量时间和精力才能啃下来。然而,《Complete Works, Vol. 1》彻底改变了我的看法。它以一种令人惊喜的流畅度和吸引力,彻底征服了我。 作者的叙事方式非常独特,他能够巧妙地将各种元素融合在一起,既有史诗般的宏大叙事,又不失生活化的细腻笔触。我常常会在其中感受到一种磅礴的气势,仿佛置身于一个波澜壮阔的历史画卷之中。 这本书的角色刻画也堪称一绝。每一个人物都有着鲜明的个性和复杂的内心世界,他们不再是简单的符号,而是活生生的人,有着自己的梦想、恐惧和爱恨。我经常会因为某个角色的遭遇而感到愤懑不平,或是因为他们的坚持而备受鼓舞。 最让我着迷的是作者构建的那个世界。无论是地理环境的描绘,还是社会文化的细节,都显得那么真实可信,仿佛我真的穿越到了那个时代,亲身经历了这一切。这种身临其境的感觉,是我在其他作品中很少体验到的。 而且,这本书的语言风格也是我非常欣赏的。它既有诗意的韵律,又不失力量感,很多句子都充满了哲理和智慧,让人回味无穷。我常常会把一些令我印象深刻的句子抄下来,反复品读,从中汲取养分。 总而言之,这是一本让我爱不释手的作品。它不仅仅是一本书,更是一次心灵的洗礼。我强烈推荐给那些渴望在文字中寻找力量和智慧的读者。
评分很少有一本书能让我如此沉浸其中,废寝忘食,《Complete Works, Vol. 1》就是这样一本。我之前对“全集”类的作品总有一种畏难情绪,担心内容太多,难以消化,但这本书完全打破了我的固有印象。 作者的叙事风格有一种独特的魅力,他能够将宏大的历史背景与个体命运巧妙地交织在一起,让人在阅读中既能感受到时代的变迁,又能体会到人物的挣扎与成长。我常常被书中那种史诗般的气势所震撼,仿佛亲历了一个时代的风云变幻。 书中的人物塑造是这本书的一大亮点。每一个角色都饱满而立体,他们不再是脸谱化的符号,而是有血有肉、有情感、有思想的个体。我为他们的命运所牵动,为他们的选择而思考,甚至会因为某个角色的悲惨遭遇而久久不能平静。 我尤其欣赏作者对细节的精准把握。无论是场景的描绘,还是人物的心理刻画,都显得那么细腻而真实。这些细节如同繁星点点,共同构筑了一个生动鲜活的文学世界,让我身临其境,无法自拔。 此外,这本书的结构也非常引人入胜。作者在讲述故事的同时,巧妙地融入了各种知识点,让我在享受阅读乐趣的同时,也能够获得新的启发和认识。这不仅仅是一次阅读,更是一次知识的探索之旅。 总而言之,《Complete Works, Vol. 1》是一本不可多得的佳作。它用文字搭建了一座连接过去与现在、现实与想象的桥梁,让我得以在其中遨游,收获良多。我真心推荐这本书给每一个热爱阅读的你。
评分这本书就像是一把藏宝图,每一页都隐藏着等待被发现的惊喜。我一开始是被它的封面所吸引,那种古朴而又充满神秘感的设计,让我忍不住想要一探究竟。翻开之后,我才意识到这不仅仅是一本简单的读物,它更像是一个浩瀚的宇宙,里面充满了各种奇思妙想和深刻的哲理。 作者的文字功底令人赞叹,他能够用最简洁的语言描绘出最复杂的场景,让读者仿佛身临其境。无论是壮丽的自然风光,还是细腻的人物情感,都被他刻画得淋漓尽致。我常常会在阅读的过程中停下来,反复咀嚼那些优美的句子,感受文字的力量。 这本书不仅仅是情节的吸引,更重要的是它所带来的思考。它让我开始审视自己的生活,思考生命的意义。有时候,我会因为书中的某个观点而陷入沉思,有时候,我会因为书中的某个情节而热泪盈眶。这本书让我看到了一个更广阔的世界,也让我对自己有了更深的认识。 最让我惊喜的是,这本书的结构非常巧妙。作者在叙述故事的同时,还穿插了许多引人入胜的背景知识,让读者在享受阅读乐趣的同时,也能增长见识。我常常会因为书中提到的某个历史事件或者某个科学原理而感到好奇,然后去查找相关的资料,进一步拓展自己的知识面。 总而言之,这本书是一次令人难忘的阅读体验。它不仅仅是一本书,更是一次精神的旅程。我强烈推荐给所有热爱阅读、渴望探索的读者。我相信,这本书一定会给你带来意想不到的收获。
评分就在英美文学鉴赏一书中读过《The Black and White》—Harold Pinter
评分The birthday party:两个陌生人来到家里,给Stanley搞了一个生日会,把Stanley逼疯。人真的回那么容易被逼疯么? The room讲了在一个房间里,Rose和 Bert同住,Rose和Mr Kidd扯房间怎么样,Rose一直絮絮叨叨,Rose和Mr Sands,Mrs Sands谈是否有房间出租。后来来了个盲人,Rose就忽然也变成了盲人了。?? The dumb waiter两个人在房间里等杀人指示,等候时候两个人不同表现反应两个人不同性格。不时莫名其妙order来点菜,他们把所有能吃的都通过篮子送上去。Ben把枪对准了Gus。为啥Gus最终是要被杀的人?? A slight ache一对夫妻住在乡下小屋,门外长年累月站着一个卖火柴人,夫妻分别和他奇怪的对话
评分The birthday party:两个陌生人来到家里,给Stanley搞了一个生日会,把Stanley逼疯。人真的回那么容易被逼疯么? The room讲了在一个房间里,Rose和 Bert同住,Rose和Mr Kidd扯房间怎么样,Rose一直絮絮叨叨,Rose和Mr Sands,Mrs Sands谈是否有房间出租。后来来了个盲人,Rose就忽然也变成了盲人了。?? The dumb waiter两个人在房间里等杀人指示,等候时候两个人不同表现反应两个人不同性格。不时莫名其妙order来点菜,他们把所有能吃的都通过篮子送上去。Ben把枪对准了Gus。为啥Gus最终是要被杀的人?? A slight ache一对夫妻住在乡下小屋,门外长年累月站着一个卖火柴人,夫妻分别和他奇怪的对话
评分就在英美文学鉴赏一书中读过《The Black and White》—Harold Pinter
评分The birthday party:两个陌生人来到家里,给Stanley搞了一个生日会,把Stanley逼疯。人真的回那么容易被逼疯么? The room讲了在一个房间里,Rose和 Bert同住,Rose和Mr Kidd扯房间怎么样,Rose一直絮絮叨叨,Rose和Mr Sands,Mrs Sands谈是否有房间出租。后来来了个盲人,Rose就忽然也变成了盲人了。?? The dumb waiter两个人在房间里等杀人指示,等候时候两个人不同表现反应两个人不同性格。不时莫名其妙order来点菜,他们把所有能吃的都通过篮子送上去。Ben把枪对准了Gus。为啥Gus最终是要被杀的人?? A slight ache一对夫妻住在乡下小屋,门外长年累月站着一个卖火柴人,夫妻分别和他奇怪的对话
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