One of the most widely studied and performed works in the theatrical repertoire, this dark psychological drama, first produced in Norway in 1890, depicts the evil machinations of a ruthless, nihilistic heroine. Readers will discover in the shocking events Hedda Gabler precipitates a masterly exploration of the nature of evil and the potential for tragedy that lies in human frailty.
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與《玩偶之傢》構成有趣的反題。
评分“I want for once in my life to have power to mould a human destiny.” Well, you can always commit suicide :) 還以為她最後爆炸會槍殺所有人再自殺…… 跟玩偶之傢可以說是一摸一樣的 完全重復套路瞭……
评分物件(手稿、手槍、過時的帽子和拖鞋等等)同角色命運精巧且微妙的關聯,Bill Brown的thing theory還有較大的運用空間。
评分It must be fun to play Hedda Gabler. 現今大部分電影電視裏的女性角色比起一百多年前的“Ibsen’s women”也太單薄瞭
评分又是“on and on and round and round”類型的書 這種永遠不可能得到的pursuit. Ibsen對社會剖析的又準確又殘忍 harsh but fair. Hedda真的是所有舞颱劇女演員的夢想吧…
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