"Twenty years ago, it was as if someone turned on a light. The future blazed into existence with each deliberate word that William Gibson laid down. Neuromancer didn't just explode onto the science fiction scene. It permeated into our consciousness, our culture, our science, and our technology. The winner of the Hugo, Nebula, and Philip K. Dick Awards, Neuromancer showed us what we were capable of creating and what we were capable of destroying - and illuminated the dark corners of the path we were headed down." Today, we have this science fiction masterpiece to thank for the term "cyberpunk," for easing our way into the information age and Internet society. Neuromancer's virtual reality has become our own. And yet, William Gibson's vision still manages to inspire the minds that will take us ever further into the future.
William Gibson is the author of Neuromancer, Count Zero, Mona Lisa Overdrive, Burning Chrome, Virtual Light, Idoru, All Tomorrow's Parties, and Pattern Recognition.
Biography
Science fiction owes an enormous debt to William Gibson, the cyberpunk pioneer who revolutionized the genre with his startling stories of tough, alienated loners adrift in a world of sinister high technology.
Gibson was born in Conway, South Carolina, and spent much of his youth in Virginia with his widowed mother. He grew up shy and bookish, discovering science fiction and the literature of the beats at a precociously early age. When he was 15, he was sent away to private school in Arizona, but he left without graduating when his mother died suddenly. He fled to Canada to avoid the draft and immersed himself in '60s counterculture. He married, moved to British Columbia, and enrolled in college, graduating in 1977 with a degree in English. Around this time he began to write in earnest, combining his lifelong love of science fiction and his newfound passion for the punk music evolving in New York and London.
In the early 1980s, Gibson met writer and punk musician John Shirley and sci-fi authors Lewis Shiner and Bruce Sterling. All three were blown away by the power and originality of Gibson's stories, and together the four men went on to forge a radical new literary movement called cyberpunk. In 1984, Gibson's groundbreaking first novel, Neuromancer, was published. Daring and revolutionary, it envisioned such techno-marvels as AI, virtual reality, genetic engineering, and multinational capitalism years before they became realities. Although it was not an immediate sensation, Neuromancer struck a chord with hardcore sci-fi fans who turned it into a word-of-mouth hit. Then it won the Hugo, Nebula, and Philip K. Dick Awards (the Triple Crown of Science Fiction), catapulting Gibson into superstardom overnight.
Even if he had never written another word, Gibson's impact would be clearly seen in the works of such cutting-edge contemporary authors as Neal Stephenson, Pat Cadigan, and Paul DiFilippo. But, as it is, Neuromancer was just the beginning -- the first book in an inspired trilogy that has come to be considered a benchmark in the history of the genre; and since then, Gibson has gone on to create even more visionary science fiction, including The Difference Engine, a steampunk classic co-authored with Bruce Sterling, and such imaginative post-9/11 cyber thrillers as Pattern Recognition and Spook Country .
按照出场顺序排列—— 我叫凯斯,我曾经是一个网络黑客,以偷取数据为生。实不相瞒,我二十二岁的时候就已经闻名遐迩了。我享受在网络空间中“意识”与“肉体”分离的极乐快感,那感觉比磕了药都要爽上一千倍。但我怎么也想不到,今天竟会落得这步田地。我被逮住了,他们...
评分这个小说不好介绍,先从一个系列电影说起吧。这个系列电影就是《The Matrix》三部曲。 又叫《黑客帝国》,又叫《廿二世纪杀人网络》,顾名思义,就是和网络有关。在未来,有一种虚拟的网络,人类可以通过线路把思想接入其中。接进去和现实有什么区别?那是虚拟的世界,只要创造...
评分中译本: 她把手移到他的双腿之间,算是回答。黑暗中,她的另一只手摸着他的脖子。皮牛仔裤随着她的动作发出轻响。 他扭动了一下脑袋,脖子不硬了。他一只手撑起身子,转身仰卧着,把她拉下来。 “没事,”她说,“我看得见。”她一条腿搭在他身上。 他摸到了她的脸,意外地碰...
评分1984在文学语境下是个寓意深刻的年份。那一年,“老大哥”无所不能的“电幕”还不见踪迹,但是一个世界范围内的互联网络正在崛起,一部横空出世的《神经漫游者》告诉人们“老大哥”的另一个可能性。 作者威廉•吉布森坦言,《神经漫游者》是创作“危机”时被逼出来的,科幻读...
评分我在想,1984年是个什么年代。 想象不出来。 因为神经漫游者这本书就像一个具有时间扭曲场效应的微电极,插在人的心里。 我的时间坐标系开始有点紊乱,唯一让我把这本书和现实联系起来的事件就是,PKD是1982年死的,而吉布森在三年后凭着神经漫游者拿了PKD奖。 PKD没看到过...
读完后,我最大的感受是这本书彻底改变了我对科幻小说类型边界的认知。它不仅是关于未来科技的想象,更是一次对语言本身的极限探索。作者的文风是如此的具有辨识度,他创造了一整套属于这个世界的俚语和独特的表达方式,这些词汇本身就构筑了一个密不透风的文化壁垒,迫使读者进入那个语境才能理解其深意。那些描述数据流动的段落,几乎达到了诗歌般的韵律感,尽管主题冰冷,但文字本身却燃烧着一种狂热的能量。它成功地将文学性、哲学思辨和硬核科技设定融为一炉,形成了一种前所未有的阅读体验。那种深入骨髓的、对权力结构和信息控制的质疑,直到合上书页很久之后,依然像电流一样在脑海中游走,让人无法轻易回归到“正常”的现实世界中去。这本书无疑是开创性的,它的影响力和深度是毋庸置疑的。
评分这本书的魅力在于它对“边缘人群”生存状态的刻画入木三分。那些生活在社会系统之外,依靠黑客技术、生物改造和非法交易维生的个体,他们的生存哲学是如此的残酷而真实。没有传统意义上的英雄主义,只有为了下一顿饭、下一剂兴奋剂,或者仅仅是为了维护自己那点可怜的自由而进行的无休止的斗争。我能感受到他们身体上的痛苦和精神上的麻木,那种被主流社会抛弃后的自我重塑——无论是通过冰冷的金属义肢,还是通过对精神世界的沉溺。作者对这种“反乌托邦美学”的运用达到了登峰造极的境界,它不是对美好未来的空洞幻想,而是对当下社会病态的极度夸张和投射。这种对底层挣扎的深刻同情,使得那些高科技的奇观也染上了一层苍凉的底色,让人在惊叹于技术进步的同时,也为人类的命运感到一丝悲哀。
评分我对这本书中对人类意识与人工智能边界的探讨深感震撼。它并非简单地描绘了一个机器人反抗人类的俗套故事,而是深入挖掘了“何以为人”的核心命题。书中对“幽灵”和“数字生命”的设定,极具哲学思辨的深度。作者巧妙地构建了一个个游走在虚拟与现实边缘的角色,他们的肉体或许衰败,但精神却在数字领域寻求永恒或更极致的解放。这种对存在的本质的追问,使得整部作品的格局远超一般的科幻冒险。我尤其欣赏作者在描绘高智能AI时的那种敬畏与恐惧并存的情感基调——它们强大、冷酷,却又似乎拥有某种难以捉摸的“灵魂”的雏形。文字的密度极高,充满了晦涩的行话和专业术语,这要求读者必须全神贯注,才能跟上那些穿梭于加密网络和非法交易中的复杂阴谋。这是一本需要反复阅读,每次都能挖掘出新层次含义的文本。
评分这本书的氛围营造简直是大师级的杰作,那种弥漫在赛博空间与底层世界之间的潮湿、霓虹闪烁的末世感,透过文字清晰地扑面而来。作者对未来都市的描绘是如此的细致入微,高耸入云的摩天大楼与肮脏不堪的街头巷尾形成了强烈的视觉冲击。你仿佛能闻到合成食物的怪味、听到义体改造手术室里传来的刺耳噪音,以及数据流在光缆中奔涌的无声轰鸣。角色们在道德的灰色地带游走,他们的动机复杂而扭曲,充满了对更高层次体验的渴望与对系统桎梏的无奈反抗。那种深入骨髓的疏离感和技术异化,让读者在沉浸于光怪陆离的未来景象时,也不禁反思我们自身与科技的关系。情节推进的节奏感把握得炉火纯青,高潮迭起,每一次信息的碎片化呈现都像一把手术刀,精准地切开迷雾,引人不断向下挖掘真相的深渊。读完后,那种挥之不去的阴郁和对科技乌托邦的幻灭感,久久萦绕心头,让人难以释怀。
评分从叙事结构的角度来看,这本书的叙事手法简直大胆到令人咋舌。它完全抛弃了传统的线性叙事,更像是一系列碎片化的记忆、黑市信息和梦魇般的闪回拼接而成。这种拼图式的阅读体验,起初会让人感到迷失和挫败,但一旦适应了那种非线性的节奏,你会发现这种结构恰恰完美地模拟了主角在信息超载环境中获取知识和执行任务的状态——混乱、断裂、充满危险的误导。那种信息流的混乱感,被作者用精炼而充满力量的句子精准地捕捉了下来。角色间的对话充满了黑色幽默和潜台词,每一次交流都充满了试探和欺骗的张力。这种叙事上的实验性,使得阅读过程本身变成了一种解谜和适应未来世界逻辑的挑战,而不是被动接受故事。它不是一本轻松的读物,它要求读者拿出极大的耐心和专注力来解码其中的密码。
评分补mark
评分后面才慢慢有了沉浸感,作为塑料英文使用者觉得这个风格还挺难读的。情节本身很充实,可是看着觉得角色们好累啊。
评分太尼玛难读了,但又太尼玛牛逼了。读完再看黑客帝国和盗梦空间,简直是小孩子过家家。
评分A favorite. A new kind of romance. ("He never saw Molly again.")
评分太尼玛难读了,但又太尼玛牛逼了。读完再看黑客帝国和盗梦空间,简直是小孩子过家家。
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