Derek Jarman's Smiling in Slow Motion concludes the journey started in Modern Nature, these previously unpublished journals stretch from May 1991 until a fortnight before his death in February 1994. Part diary, part observation, part memoir, Jarman writes with his familiar honesty, wry humour and acuity. Friends, collaborators and enemies are catalogued as he races through his last year painting, film-making, gardening, and annoying his targets through his involvement in radical politics.

Writing from his Charing Cross Road flat, on his visits to international film festivals, his world famous garden at Dungeness in Kent, and finally from his bed in St Bartholomew's Hospital, Jarman illuminates an era which seems more ephemeral and out-of-grasp with each passing day.

Smiling in Slow Motion is not a document of illness, regret and resignation, but one of endeavour, remembrance and love.

Derek Jarman- painter, theatre designer and filmmaker- held his first one man show at the Lisson Gallery in 1969. He designed sets and costumes for the theatre (Jazz Calendar with Frederick Ashton and Don Giovanni at the Coliseum). He was production designer for Ken Russell's films The Devils and Savage Messiah, during which time he worked on his own films in Super 8 before making his features: Sebastiane (1975), Jubilee (1977) and The Tempest (1979). From 1980 he returned to painting (a show at the ICA) and design (The Rake's Progress with Ken Russell in Florence), and made the films Caravaggio (1986), The Last of England (1987), War Requiem (1988), The Garden (1990), Edward II (1991), Wittgenstein (1992) and Blue (1993). His books include: Dancing Ledge (1984), The Last of England (1987; now republished by Vintage under the title the author intended for it, Kicking the Pricks), Modern Nature (1991), At Your Own Risk (1992) and Chroma (1994). Derek Jarman died in February 1994.