A collection of manifestos originally published in 1938, The Theater and Its Double is the fullest statement of the ideas of Antonin Artaud. We cannot go on prostituting the idea of the theater, the only value of which is in its excruciating, magical relation to reality and danger,” he wrote. He fought vigorously against an encroaching conventionalism he found anathema to the very concept of theater. He sought to use theater to transcend writing, to break through the language in order to touch life.”
说说阿尔托式的残酷戏剧中的演员该怎么演。 始自朱光潜《文艺心理学》第二第三章对于移情作用和Bullough的心理距离(psychical distance)的论述。其中提到德国美学家福莱因费尔斯把审美者分为“分享者”(participant)与“旁观者”(contemplator),朱光潜将之与尼采著名的...
虽然一个注重感官压迫,一个注重语言说教,但在cruelty这点而言,觉得Artaud和Brecht很多共通。
评分A waste of time...
评分4 章 on the balinese theater
评分虽然一个注重感官压迫,一个注重语言说教,但在cruelty这点而言,觉得Artaud和Brecht很多共通。
评分“Theatre used in the highest and most difficult sense has the power to affect the appearance and structure of things.”
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