《尼加拉:十九世纪巴厘剧场国家》由格尔兹编著，《尼拉：十九世纪巴厘剧场国家》不仅具有自身的风格，也代表了具有同类特征的人类学认识论文化批评，格尔兹的关注点在于批评政治和国家的理念……它以一种繁美的手法，分析巴厘人的生活，描述了传统政治的戏剧性象征形式，通过描述分析，格尔兹试图阐明的一种为西方人所忽略和政治关系，为此他特别强调了展示性和表演性的政治模式，在西方，政治象征符号庆典，国徽以及宗教通常被当作意识形态来处理。
具体描述
读后感
A major statement against which is Geertz’s study geared might be “Ritual (symbolic) is a reflection of power relations (real) in a political state.” Against the dichotomy between ritual and power, Geertz holds that ritual itself is powerful with its pr...
评分A major statement against which is Geertz’s study geared might be “Ritual (symbolic) is a reflection of power relations (real) in a political state.” Against the dichotomy between ritual and power, Geertz holds that ritual itself is powerful with its pr...
评分A major statement against which is Geertz’s study geared might be “Ritual (symbolic) is a reflection of power relations (real) in a political state.” Against the dichotomy between ritual and power, Geertz holds that ritual itself is powerful with its pr...
评分A major statement against which is Geertz’s study geared might be “Ritual (symbolic) is a reflection of power relations (real) in a political state.” Against the dichotomy between ritual and power, Geertz holds that ritual itself is powerful with its pr...
评分A major statement against which is Geertz’s study geared might be “Ritual (symbolic) is a reflection of power relations (real) in a political state.” Against the dichotomy between ritual and power, Geertz holds that ritual itself is powerful with its pr...
用户评价
火葬与地位之争～
评分有联想，但描述细致而抽象，读得很懊恼。
评分还不是为了阿尔托才看的～值得一看！
评分分离主义的人类学表现法?不明所以 而且分析着分析着怎么就剥离出来了?!~
评分还不是为了阿尔托才看的～值得一看！
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