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戴维·霍普金斯（David Hopkins）　格拉斯哥大学艺术史和艺术理论教授。曾著有畅销书《现代艺术之后：1945—2000年》（2000年）。其他理论专著还有《马塞尔·杜尚和马克斯·恩斯特：分享新娘》（1988年）及《达达的男孩子们：杜尚之后的男性气质》（2008年）。

出版者:OUP Oxford

作者:David Hopkins

出品人:

页数:208

译者:

出版时间:2004-06-24

价格:GBP 7.99

装帧:Paperback

isbn号码:9780192802545

丛书系列:Very Short Introductions

图书标签:

艺术
VSI
Surrealism
Dada
HistoryofArt
AvantGarde
当代艺术
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The avant-garde movements of Dada and Surrealism continue to have a huge influence on cultural practice, especially in contemporary art, with its obsession with sexuality, fetishism, and shock tactics. In this new treatment of the subject, Hopkins focuses on the many debates surrounding these movements: the Marquis de Sade's Surrealist deification, issues of quality (How good is Dali?), the idea of the 'readymade', attitudes towards the city, the impact of Freud, attitudes to women, fetishism, and primitivism. The international nature of these movements is examined, covering the cities of Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recenlty discovered examples in Eastern Europe. Hopkins explores the huge range of media employed by both Dada and Surrealism (collage, painting, found objects, performance art, photography, film) , whilst at the same time establishing the aesthetic differences between the movements. He also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body.