羅蘭·巴特(Roland Barthes,1915-1980)被認為是繼薩特之後法國知識界的領袖人物,濛田之後最富纔華的散文傢。他在符號、精神分析批評、釋義學、解構主義諸領域都有卓越建樹,對西方文化和文化研究影響深遠。
" "Mythologies"] illustrates the beautiful generosity of Barthes's progressive interest in the meaning (his word is signification) of practically everything around him, not only the books and paintings of high art, but also the slogans, trivia, toys, food, and popular rituals (cruises, striptease, eating, wrestling matches) of contemporary life . . . For Barthes, words and objects have in common the organized capacity to say something; at the same time, since they are signs, words and objects have the bad faith always to appear natural to their consumer, as if what they say is eternal, true, necessary, instead of arbitrary, made, contingent. "Mythologies" finds Barthes revealing the fashioned systems of ideas that make it possible, for example, for 'Einstein's brain' to stand for, be the myth of, 'a genius so lacking in magic that one speaks about his thought as a functional labor analogous to the mechanical making of sausages.' Each of the little essays in this book wrenches a definition out of a common but constructed object, making the object speak its hidden, but ever-so-present, reservoir of manufactured sense."--Edward W. Said
还是喜欢他老年的恋人絮语,少了现代主义文学的无法弯曲的思维。神话修辞术,批判,批判,后现代的鲁迅。对社会上的偶像崇拜和扫盲工作做了很多的贡献。 “《写作的零度》(1953)、《神话》(1957)、《符号学基础》(1965)、《批评与真理》(1966)、《S/Z》(1970)、《文本的...
評分【按】看了些解读巴特的文字,觉得这篇简单的解读文字也有必要贴出来,供大家批判。兼听则明。 该文收于:《文化与诗学》,第13卷,北京大学出版社,2011年版。 “神话学”:符号学分析与意识形态批判 ‘Mythology’: Semiological Analysis and Ideological Critique 摘...
評分《神话修辞学》绎读 今日之神话是什么?要揭示它,首先要解释何为神话。古希腊神话、中国远古神话,都被命名为“神话”,它们的涵义是否一样?一般认为,神话是由远古族群的人们集体创造的,反映人类原始时代或人类演化初期的故事,这些故事被当时人看作真实发生的事件。尽管在...
評分 評分罗兰·巴特的神话学充满了奇想色彩。这种感觉在科塔萨尔那些充满神经质的短篇小说以及莎士比亚那部“豆花、蛛网、芥子”都陷入狂欢的喜剧《仲夏夜之梦》中也能找到。巴特也许并不想创立某种垂范于世的理论模型,毕竟“尔曹身与名俱灭”,他要的,更接近于在疯狂的智力游戏中,...
看羅蘭巴特永遠是很愉快的經驗。
评分看羅蘭巴特永遠是很愉快的經驗。
评分看羅蘭巴特永遠是很愉快的經驗。
评分看羅蘭巴特永遠是很愉快的經驗。
评分看羅蘭巴特永遠是很愉快的經驗。
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