大衛・波德威爾
大衛・波德威爾,威斯康辛大學麥迪遜分校教授,是當今世界一流的電影學者。他對香港電影情有獨鍾,到香港多次調查研究後再以其深厚學養寫成此書,對香港電影自20世紀70年代至今的藝術成就及其對國際影壇的貢獻分析入微。
Since the 1970s, Hong Kong has been home to arguably the world's most energetic, imaginative mass-market film industry. At its peak, it surpassed nearly all Western countries in number of films released, ruled the East Asian market, and produced movies (ranging from John Woo's action pictures to the comic adventures of Jackie Chan) that have thrilled global audiences and attained cult status in the West. This book offers a deeply informed and highly engaging look at how Hong Kong cinema has become one of the success stories of film history, and how it has influenced international film culture and the development of film as a medium. As sentimental and outrageous as Hong Kong films can be, David Bordwell demonstrates that they are not merely crowd-pleasing; they harbor remarkable inventiveness and careful craftsmanship and in many cases rise to the level of a rich and delightful art. Bordwell surveys the historical conditions that fueled the rise of this cinema: the high output, shrewd entrepreneurship, changing world tastes, and a unique skill in action genres that cross cultural boundaries. Considering both the movies themselves and the bigger picture, he moves from deft and detailed analyses of many classics of this tradition to a broader assessment of the basic strategies and impulses of mass entertainment.
一、 作者简介 大卫·波德维尔(1947),美国威斯康辛大学麦迪逊分校教授,著名的电影理论家,同时也是作家和导演。其研究方向包括:认知心理学、电影叙事学、新形式主义。著作有:《电影诗学》(2007)、《电影艺术:形式与风格》(2003)、《世界电影史》(2002)等。 二、 ...
評分 評分一、 作者简介 大卫·波德维尔(1947),美国威斯康辛大学麦迪逊分校教授,著名的电影理论家,同时也是作家和导演。其研究方向包括:认知心理学、电影叙事学、新形式主义。著作有:《电影诗学》(2007)、《电影艺术:形式与风格》(2003)、《世界电影史》(2002)等。 二、 ...
評分身为当下最具影响力和知名度的电影学者,大卫波德维尔始终缀笔耕耘,研究相当范围广泛,从好莱坞电影到欧洲电影,再到东亚电影都有所涉猎,同时对电影理论的研究也十分深入,并提出了“中间阶层”的研究方法和电影诗学的研究方法。不仅如此,波德维尔始终关注着学术知识的大众...
for the use of my term paper
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