奧爾罕·帕慕剋(Orhan Pamuk, 1952- ),當代歐洲最傑齣的小說傢之一,享譽國際的土耳其文學巨擘。齣生於伊斯坦布爾,曾在伊斯坦布爾科技技大學主修建築。2006年獲諾貝文學奬,作品已經被譯為40多種語言齣版。
From the acclaimed author of My Name Is Red (“a sumptuous thriller”–John Updike; “chockful of sublimity and sin”– New York Times Book Review ), comes a spellbinding tale of disparate yearnings–for love, art, power, and God–set in a remote Turkish town, where stirrings of political Islamism threaten to unravel the secular order.
Following years of lonely political exile in Western Europe, Ka, a middle-aged poet, returns to Istanbul to attend his mother’s funeral. Only partly recognizing this place of his cultured, middle-class youth, he is even more disoriented by news of strange events in the wider country: a wave of suicides among girls forbidden to wear their head scarves at school. An apparent thaw of his writer’s curiosity–a frozen sea these many years–leads him to Kars, a far-off town near the Russian border and the epicenter of the suicides.
No sooner has he arrived, however, than we discover that Ka’s motivations are not purely journalistic; for in Kars, once a province of Ottoman and then Russian glory, now a cultural gray-zone of poverty and paralysis, there is also Ipek, a radiant friend of Ka’s youth, lately divorced, whom he has never forgotten. As a snowstorm, the fiercest in memory, descends on the town and seals it off from the modern, westernized world that has always been Ka’s frame of reference, he finds himself drawn in unexpected directions: not only headlong toward the unknowable Ipek and the desperate hope for love–or at least a wife–that she embodies, but also into the maelstrom of a military coup staged to restrain the local Islamist radicals, and even toward God, whose existence Ka has never before allowed himself to contemplate. In this surreal confluence of emotion and spectacle, Ka begins to tap his dormant creative powers, producing poem after poem in untimely, irresistible bursts of inspiration. But not until the snows have melted and the political violence has run its bloody course will Ka discover the fate of his bid to seize a last chance for happiness.
Blending profound sympathy and mischievous wit, Snow illuminates the contradictions gripping the individual and collective heart in many parts of the Muslim world. But even more, by its narrative brilliance and comprehension of the needs and duties
我觉得自己与他的书产生了奇妙的共振,仿佛每一个字符的跳动都与我的心跳一样,有着有趣的节奏。 可以说伊斯坦布尔的“呼愁”影响了他的写作,他总是在寻找那股忧伤的源泉,这在《雪》中也体现得淋漓尽致。雪是贯穿书的始终的线索,又是令人忧伤的美景,同样是打破人的心...
評分我一直在想象真正的生活。想象自己在扮演一出戏,剧里的主角不是自己,他的每一个举动都值得关注,他的每一个决定都有一个戏剧性的后果。哪怕他不是最终重逢凶化吉、以喜剧收场,他的悲剧总是被赋予意义。 但我们终归知道,至少在这一点上,生活远比肥皂剧无趣。很多时候,我...
評分我一直在想象真正的生活。想象自己在扮演一出戏,剧里的主角不是自己,他的每一个举动都值得关注,他的每一个决定都有一个戏剧性的后果。哪怕他不是最终重逢凶化吉、以喜剧收场,他的悲剧总是被赋予意义。 但我们终归知道,至少在这一点上,生活远比肥皂剧无趣。很多时候,我...
評分上海人民新出的《伊斯坦布尔》和《雪》最后介绍了作者奥尔罕.帕慕克的全部作品,后面日期应该是出版日期,最后一页《黑书》等几本后的“2006”应该是“2007”才对!
absorbing like most Pamuk novels... the female character, though, is a bit weak, like in most Pamuk novels.
评分講土耳其麵臨的中西文化衝突,在掙紮中尋求個體自我、民族的定位。穿雜宗教、政治,以文學小說的形式描寫政治,政治總是以宗教的旗號或非宗教的麵目齣現, 而犧牲的是無辜的戴或不戴頭巾的伊斯蘭教女性,看似是她們自己的選擇---信或不信“God”,甚至以死來錶明對神的衷心 ,實際上她們沒有任何選擇的自由。 “這個小鎮, 女性選擇自殺,男性投奔宗教”,而政治鬥爭,對權力的追求,是這一切的起源。
评分大傢果然是大傢。。。聽瞭rich people problem之後再聽這個纔知道什麼是語言文字帶來的質感
评分absorbing like most Pamuk novels... the female character, though, is a bit weak, like in most Pamuk novels.
评分I read one word~~ terror~~~in Islam
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