December 1937. The Japanese have taken Nanking. A group of terrified schoolgirls hides in the compound of an American church. Among them is Shujuan, through whose thirteen-year-old eyes we witness the shocking events that follow.
Run by Father Engelmann, an American priest who has been in China for many years, the church is supposedly neutral ground in the war between China and Japan. But it becomes clear the Japanese are not obeying international rules of engagement. As they pour through the streets of Nanking, raping and pillaging the civilian population, the girls are in increasing danger. And their safety is further compromised when prostitutes from the nearby brothel climb over the wall into the compound seeking refuge.
Short, powerful, vivid, this beautiful novel transports the reader to 1930s China. Full of wonderful characters, from the austere priest to the irreverent prostitutes, it is a story about how war upsets all prejudices and how love can flourish amidst death.
Geling Yan is an award-winning Chinese novelist and screenwriter. Born in Shanghai, she served with the People's Liberation Army during the Cultural Revolution, starting aged 12 as a dancer in an entertainment troupe. She published her first novel in 1985. Since then she has written numerous short stories, essays, scripts and novels including, in English, The Uninvited (published as The Banquet Bug in the US) and The Lost Daughter of Happiness. A collection of her short fiction originally written in Chinese was published in English as White Snake and Other Stories. Geling Yan's works have been translated into over a dozen languages, and several have been adapted for the screen, the latest being The Flowers of War. The film of this book, made by acclaimed Chinese director Zhang Yimou (Raise the Red Lantern, House of Flying Dangers) stars Christian Bale and is China's entry for the 2011 Academy Awards. Geling Yan holds a Master's in Fine Arts in Creative Writing from Columbia College Chicago. She currently divides her time between China and Berlin.
《金陵十二钗》是名著《红楼梦》的别名,“金陵十二钗”也是《红楼梦》里太虚幻境“薄命司”里记录的南京十二个最优秀的女子。 严歌苓写了金陵十三钗的故事,虽然与故名故人相去甚远,但我喜欢这个名字与文本精准的贴合。金陵十三钗不是经典名著里最优秀的女子,她们...
评分 评分如果把“侠/妓”作为一种写作模式来考察,那么在当下时代,它所携带的强烈性别救赎意味将不可避免地被解构。举一个例子:在《虬髯客传》中,红拂投奔李靖时曾慷慨陈词:“丝罗非独生,原托乔木,故来奔耳。”杜光庭无法想到,在一千多年之后,王小波竟以其对“消极自由”的信...
评分比电影丰富
评分悲剧的必然性。我们现在站在道德的制高点来评价决策正确与否,但是战争之中的决定哪有对错。幸存者踩着同胞的鲜血和骨肉活下来,他们的存活就变成了他们的原罪。生存和人道主义在战场上相悖,所谓正确的选择永远是无解,这就是战争的残酷性。我痛心于玉墨和她姐妹们的献身,我被巨大的无力感所吞噬。
评分悲剧的必然性。我们现在站在道德的制高点来评价决策正确与否,但是战争之中的决定哪有对错。幸存者踩着同胞的鲜血和骨肉活下来,他们的存活就变成了他们的原罪。生存和人道主义在战场上相悖,所谓正确的选择永远是无解,这就是战争的残酷性。我痛心于玉墨和她姐妹们的献身,我被巨大的无力感所吞噬。
评分最初的中篇比后来修订的长篇精妙,留下了悬念,令人浮想联翩
评分最初的中篇比后来修订的长篇精妙,留下了悬念,令人浮想联翩
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