Miss Julie is Strindberg's masterpiece, written at the height of his powers as a dramatist. It treats sexuality and human struggle with a frank realism previously unknown in the theatre. This volume also includes Strindberg's Preface to the play. Helen Cooper's taut, contemporary stage version, which premiered in London in 1990 at the Greenwich Theatre, 'is fiercely faithful to the play's transfixing contradictions' (Independent) and 'marvellously brisk and demotic' (Time Out).
Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
评分Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
评分Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
评分Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
评分Authors often put true circumstances in their play to reflex themselves. August Strindberg mirrors his life in the play Miss Julie. Many people believe Strindberg is a “woman hater”, but he more likely is a “man hater”, due to his unsolved childhoo...
自序格外好,对为何创作以及缘何如此创作的方方面面都有比较详细的阐述,很有启发。
评分居然一早上看得惊心动魄
评分跨时代的序言,受益匪浅
评分读2019
评分斯特林堡很清楚自己要做的是什么,自序写得非常好。但剧本不知为何感觉进不去,可能是他太沉迷于人物的设定了,台词不够自然;也可能是独幕剧太紧凑,情节起伏太快。也许头脑“清醒”的人会过度关注自己看见的问题,反而是“迷迷糊糊”、“神叨叨”的写作显得更加生动
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