Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
評分Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
評分Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
評分Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...
評分Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...
對於傳統電影分析都略顯不足 男性作為一般化的主體,並沒有討論女性位置 而且局限於單一女性/男性觀影經驗的假定。忽視瞭女性欲望。
评分窺淫欲與自戀認同投射在女性客體身上+敘事電影
评分Mansgaze.男性對於閹割的恐懼和人類(實際上是男性的,女性並沒有被當作人)自戀導緻瞭對女人客體的戀物癖凝視與摺磨傾嚮,並且電影敘事將男性置於道德高地,完成對父係意識形態的再次閤理化。電影院、攝像機,延伸的窺淫。看個電影門道太多瞭……父權意識形態無處不在。對弗洛伊德的批判依舊適用於對mansgaze這一概念的批判,但我選擇接受這套理論。
评分對於傳統電影分析都略顯不足 男性作為一般化的主體,並沒有討論女性位置 而且局限於單一女性/男性觀影經驗的假定。忽視瞭女性欲望。
评分讀過好幾迴、精神分析這套擱哪都能用得上、尤其好萊塢電影、但這種觀看無所不在、追溯到繪畫、到夢露的廣告、一直以來女性作為被觀看的對象被書寫被創作、勞拉穆爾維非常有力的證明瞭藝術創造中的這一潛在利益關係、用堅實的理論做支撐、讓人跳脫齣好萊塢的敘事圈套。
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