圖書標籤: 電影  女性主義  文化研究  藝術  影視研究  社會學  Film  電影研究   

喜歡 Laura Mulvey, Visual Pleasure and Narrative Cinema 的讀者還喜歡

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第三部分內容：女人作為影像，男人作為觀看的運動者（Bearer）讓我想到瞭《感官世界》：“女性作為為觀看的主動控製者——男人的凝視和享樂而被陳列、展示的圖像，卻經常讓男人感受到威脅，經常在他心中喚起它原初所意味的焦慮（指被閹割的焦慮）。個人覺得男性的“被閹割的焦慮”和女性的“陽具崇拜心理”在父權體製語境下同時存在實在是非常有意思的事情。

之前從周蕾阿姨那邊看的。部分觀點有點牽強，但確實很thought provoking

Foundation work with great influence

讀完後發現她根本不是馬剋思女性主義，我怎麼覺得是資本主義女性主義呢

兩種心理機製的矛盾性結構和欲望疏導的幻象；從被看性到景觀；劃分三種觀看結構，以分析傳統敘事電影的參與感到先鋒電影的真實性的視覺參與變化，後兩種觀看方式既製造瞭逼真效果又形成瞭戀物癖的反視。

Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...  

Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...

Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...

Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...

Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...