Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
評分Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...
評分Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
評分Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
評分Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...
把金虎和周傳基的譯文都讀瞭一遍,後者英文思維的長難句在某些段落給文本又增加一層難度。就我現階段的道行,真的很難進入精神分析的語境,不過完全能理解勞拉·穆爾維對主流好萊塢電影的批判訴求。論文的核心是“觀看”這個行為,對它的三重性做深入、細緻的拆解。分析視覺快感的部分看得雲山霧罩,對推演中的邏輯一知半解,但吸收到瞭兩個關鍵詞:觀看癖和自戀。到男性凝視的闡述章節,則非常激烈地提齣閹割情結,並引入具體的電影文本分析。總的來講,比戴錦華的文章難懂多瞭。作為女性主義電影批評理論的先驅,這篇論文更接近於一次初啼、一聲號角或者一個容器,召喚更多厭倦瞭傳統電影語法和規則的同行者。
评分male gaze無處不在
评分讀過好幾迴、精神分析這套擱哪都能用得上、尤其好萊塢電影、但這種觀看無所不在、追溯到繪畫、到夢露的廣告、一直以來女性作為被觀看的對象被書寫被創作、勞拉穆爾維非常有力的證明瞭藝術創造中的這一潛在利益關係、用堅實的理論做支撐、讓人跳脫齣好萊塢的敘事圈套。
评分Foundation work with great influence
评分paper也變成書啦
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