From Herodotus to The Mummy, Western civilization has long been fascinated with the exotic myths and legends of Ancient Egypt but they have often been misunderstood. Here acclaimed Egyptologist Joyce Tyldesley guides us through 3000 years of changing stories and, in retelling them, shows us what they mean. Gathered from pyramid friezes, archaological finds and contemporary documents, these vivid and strange stories explain everything from why the Nile flooded every year to their beliefs about what exactly happened after death and shed fascinating light on what life was like for both rich and poor.
.
Lavishly illustrated with colour pictures, maps and family trees, helpful glossaries explaining all the major gods and timelines of the Pharoahs and most importantly packed with unforgettable stories, this book offers the perfect introduction to Egyptian history and civilization.
Joyce Tyldesley is a British archaeologist and Egyptologist, academic, writer and broadcaster.
.
Tyldesley was born in Bolton, Lancashire and attended Bolton School. In 1981, she earned a first-class honours degree in archaeology from Liverpool University, and a doctorate in Prehistoric Archaeology from Oxford in 1986. In 2011 she was awarded an honorary doctorate by the University of Bolton. She is a Senior Lecturer in Egyptology at Manchester University where she is tutor and course organiser of the three-year distance learning (internet based) Certificate in Egyptology programme run from the KNH Centre for Biomedical Egyptology. She also devised, directs and teaches the on-line Short Courses in Egyptology.
.
She is an Honorary Research Fellow at the School of Archaeology, Classics, and Egyptology at Liverpool University, an ex-trustee of the Egypt Exploration Society, Chairperson of Bolton Archaeology and Egyptology Society, and a trustee of Chowbent Chapel, Atherton. She is also a part-qualified Chartered Accountant, and spent 17 years supporting her developing writing career by working as small business manager for Crossley and Davis Chartered Accountants in Bolton.
Tyldesley has extensive archaeological fieldwork experience, having excavated in Britain, Europe and Egypt.
In 2004 she established, with Steven Snape, Rutherford Press Limited, a publishing firm dedicated to publishing serious but accessible books on ancient Egypt while raising money for Egyptology field work. Donations from RPL have been made to Manchester Museum and the Egypt Exploration Society: currently all profits are donated to the ongoing Ramesside fieldwork at Zawiyet umm el-Rakham.
.
She has written a wide variety of academic and popular books, including books to accompany the television series Private Lives of the Pharaohs (Channel 4), Egypt's Golden Empire (Lion Television) and Egypt (BBC). In January 2008, her then most recent book, Cleopatra: Last Queen of Egypt, was the Book of the Week on BBC Radio 4. Her play for childern, The Lost Scroll, premiered at Kendal Museum in 2011.
评分
评分
评分
评分
翻开内页,我立刻被它那种严谨的学术态度和优美的叙事笔法所折服。作者显然是一位在埃及学领域深耕多年的专家,他没有陷入那种为了迎合大众而过度简化的俗套叙事中去。相反,他提供的是一种层次分明的解读,比如在讲述“欧西里斯神话”时,他不仅详细描述了神祇间的爱恨情仇与复仇过程,还深入探讨了该神话在古埃及不同历史时期,尤其是在“死者之书”和金字塔铭文中的不同版本和演变,这种对比阅读的体验是无价的。文字的密度很高,每一页都信息量爆炸,但又通过巧妙的章节划分和详尽的脚注系统,让读者保持追踪。我常常需要停下来,对照着附录中的地图和时间线,才能完全理解某个事件发生的地理背景和历史纵深。这绝对不是那种可以躺在沙发上随便翻阅的消遣读物,它要求你投入精力,像一名真正的探险家那样,去挖掘文字背后的深层含义,而最终的回报是巨大的知识满足感。
评分这本厚重的精装书一入手,我就被它封面那种古老而神秘的气息深深吸引了。那种略带磨砂质感的纸张,配上那种深沉的墨绿色调,仿佛直接把我拉回了尼罗河畔的烈日之下。我一直对古埃及文明抱有浓厚的兴趣,尤其是那些神祇、法老与神秘的来世观念。这本书的排版非常精美,大量的插图——那些精细的壁画复制品、神庙浮雕的拓片,甚至还有一些精心绘制的场景复原图——质量极高,色彩还原度令人赞叹。我尤其喜欢它在介绍某个神祇谱系或某个特定神话故事时,会穿插一些当时的文物照片和考古发现的细节,这使得阅读体验远超一般的神话故事集。它不仅仅是简单地罗列神祇的名字和他们的故事,而是试图构建一个完整的宇宙观,让你理解古埃及人是如何看待世界的运行、生命的意义以及死亡的终结。书中的行文流畅,即便是那些复杂的宗教仪式和祭祀流程,作者也处理得极为清晰易懂,让人在享受故事的同时,也能汲取到扎实的文化背景知识。
评分从装帧工艺上讲,这本书的实用性也值得称赞。虽然内容深奥,但它在设计上并未牺牲可读性。字体选择清晰易读,页边距留得恰到好处,方便我在阅读时进行批注和标记。最让我觉得贴心的是,随书附带的那份详细的“神祇索引”和“重要术语表”,这对于经常需要来回翻阅查证的读者来说,是极其重要的工具。我经常需要在阅读某一故事的中间,迅速确认某个次要角色与主要神祇的亲缘关系,有了这个索引,查询效率大大提高,避免了被打断阅读思路的窘境。这本书的重量和厚度,让我感觉手中握着的不仅仅是一本书,更像是一件考古发现的文物副本,它沉甸甸地承载着数千年的历史与智慧。每次合上书页,我都会有一种心满意足的疲惫感,那是一种精神被深度滋养后的状态,让人忍不住想立刻开始下一次的探索旅程。
评分我必须说,这本书在细节的处理上达到了令人发指的程度。很多其他相关的书籍只是草草带过那些法老王的名字和他们的大致事迹,但这本则像一个耐心的导师,会详细解释“‘荷鲁斯之名’的五重结构”究竟意味着什么,或者某一位不那么出名的神祇,比如“塞特”在不同王权时期的形象如何被政治化地重塑。我特别欣赏作者在涉及神庙建筑布局时所采用的精确描述——那种对轴线、方位和象征意义的层层剥开,让我仿佛能亲手触摸到卡纳克神庙的巨大石柱。而且,书中对“玛阿特”(Ma'at,宇宙秩序与正义)这一核心概念的阐述,可以说是迄今为止我读到过最透彻的。它不仅是正义,还是真理、和谐与宇宙平衡的总和,这本书成功地将这个抽象的概念植入了每一个神话故事的肌理之中,让读者不再是孤立地看待神祇的善恶,而是将其置于一个宏大的、需要不断维护的秩序体系内去理解。
评分这本书的阅读体验是分阶段的,初读时,你会为那些光怪陆离的想象力和史诗般的叙事所震撼;但真正让我爱不释手的是它那种近乎人类学研究的审慎态度。作者在引用原始文本时,总是会清晰地标注出其出处,并且会在不同译本之间进行审慎的权衡和比较,这对于一个对古埃及象形文字本身抱有一丝好奇的读者来说,简直是打开了新世界的大门。例如,当涉及到“阿蒙”神的兴起时,作者并未简单地将其描述为“诸神之王”,而是细致地追溯了底比斯地方神如何通过政治联姻和神权整合,一步步吸收了其他神祇的力量和属性,最终成为一个囊括万有的存在。这种对神权演化的剖析,极大地丰富了我对古代宗教政治的理解,远非教科书上的简单概括所能比拟。它让你意识到,神话不是一成不变的教条,而是活生生的、随着社会变迁而不断自我修正和壮大的文化载体。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.quotespace.org All Rights Reserved. 小美书屋 版权所有