Winner of the 2011 Man Booker Prize
By an acclaimed writer at the height of his powers, The Sense of an Ending extends a streak of extraordinary books that began with the best-selling Arthur & George and continued with Nothing to Be Frightened Of and, most recently, Pulse.
This intense new novel follows a middle-aged man as he contends with a past he has never much thought about—until his closest childhood friends return with a vengeance, one of them from the grave, another maddeningly present. Tony Webster thought he’d left all this behind as he built a life for himself, and by now his marriage and family and career have fallen into an amicable divorce and retirement. But he is then presented with a mysterious legacy that obliges him to reconsider a variety of things he thought he’d understood all along, and to revise his estimation of his own nature and place in the world.
A novel so compelling that it begs to be read in a single sitting, with stunning psychological and emotional depth and sophistication, The Sense of an Ending is a brilliant new chapter in Julian Barnes’s oeuvre.
Julian Patrick Barnes is a contemporary English writer of postmodernism in literature. He has been shortlisted three times for the Man Booker Prize--- Flaubert's Parrot (1984), England, England (1998), and Arthur & George (2005), and won the prize for The Sense of an Ending (2011). He has written crime fiction under the pseudonym Dan Kavanagh.
Following an education at the City of London School and Merton College, Oxford, he worked as a lexicographer for the Oxford English Dictionary. Subsequently, he worked as a literary editor and film critic. He now writes full-time. His brother, Jonathan Barnes, is a philosopher specialized in Ancient Philosophy.
He lived in London with his wife, the literary agent Pat Kavanagh, until her death on 20 October 2008.
我钦羡那些勇于做自己的人,因为这么做不容易,也不是谁都能做到。 接纳真实的自己一点都不简单,不是谁都愿意去碰自己潜意识的暗流,以及直面这种触碰带来的不安和恐惧。大多人都会选择一种更稳妥和容易的方式来“做自己”,比如美化记忆,不去想潜意识里的暗流。我也这么选择...
评分Short on emotional range, and the narrator is at best unconvincing: arid, willful, and at times shows too much alacrity to shift his "reevaluation" of the past (more so nearer the end of the novel); one also wonders if this meditation on ageing, death and ...
评分书摘: 这整个追究责任的行为难道不就是一种逃避吗?我们责备某个个人,目的就是为其余人开脱罪责。或者呢,我们归咎于历史进程,为一个个个体免责……在我看来,似乎有——或者曾经有——一条个体责任链,所有责任不可或缺,但此链并非无限之长,不然谁都可以轻率归咎于他人...
评分 评分以Tony为视角的叙事主要是在探讨时间因为记忆,或者“历史”,形成的回潮(也就是后来说的nolstalgia),以及这种回潮发掘出来的悲剧与救赎,作者觉得根源还是unrest。但是Adrian那边书里只说了冰山一角。
评分TAT竟然 竟然Adrian是因为Robson一样的原因自杀的.. 第一部的时候真的感觉就是一帮狂妄自大的少年 兼带着典型60年代的骚动 但是第二部的时候简直就像悬疑小说 = =解开A君自杀的谜底... 虽然V被描写的那么贱那么mysterious但其实她很可怜。
评分开篇让人惊叹,读起来却并不pleasant。叙事节奏:读到一半才到达故事简介的第一句话,最后两三页火速抵达真相然后完结。不可靠叙述者:原来前面常常提到一个家人,立即说“but she is not part of this story”,是蓄意为之;是他不想说的故事吧
评分重读
评分2666被人用这本书换走,挺不情愿的,但如果有人可以借此获得那样的阅读体验,也算是为世界做贡献了。
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