Winner of the 2011 Man Booker Prize
By an acclaimed writer at the height of his powers, The Sense of an Ending extends a streak of extraordinary books that began with the best-selling Arthur & George and continued with Nothing to Be Frightened Of and, most recently, Pulse.
This intense new novel follows a middle-aged man as he contends with a past he has never much thought about—until his closest childhood friends return with a vengeance, one of them from the grave, another maddeningly present. Tony Webster thought he’d left all this behind as he built a life for himself, and by now his marriage and family and career have fallen into an amicable divorce and retirement. But he is then presented with a mysterious legacy that obliges him to reconsider a variety of things he thought he’d understood all along, and to revise his estimation of his own nature and place in the world.
A novel so compelling that it begs to be read in a single sitting, with stunning psychological and emotional depth and sophistication, The Sense of an Ending is a brilliant new chapter in Julian Barnes’s oeuvre.
Julian Patrick Barnes is a contemporary English writer of postmodernism in literature. He has been shortlisted three times for the Man Booker Prize--- Flaubert's Parrot (1984), England, England (1998), and Arthur & George (2005), and won the prize for The Sense of an Ending (2011). He has written crime fiction under the pseudonym Dan Kavanagh.
Following an education at the City of London School and Merton College, Oxford, he worked as a lexicographer for the Oxford English Dictionary. Subsequently, he worked as a literary editor and film critic. He now writes full-time. His brother, Jonathan Barnes, is a philosopher specialized in Ancient Philosophy.
He lived in London with his wife, the literary agent Pat Kavanagh, until her death on 20 October 2008.
对于英国作家朱利安·巴恩斯(Julian Barnes)而言,2011年是收获颇丰的一年。他先是荣获了具有终身奖性质的“大卫·柯恩英国文学奖”,而后又凭借小说《终结感》(The Sense of an Ending)成功捧得布克奖。这部小说在市场上也有不俗的成绩,在英国问世的最初两个月间,就已经创下...
评分我钦羡那些勇于做自己的人,因为这么做不容易,也不是谁都能做到。 接纳真实的自己一点都不简单,不是谁都愿意去碰自己潜意识的暗流,以及直面这种触碰带来的不安和恐惧。大多人都会选择一种更稳妥和容易的方式来“做自己”,比如美化记忆,不去想潜意识里的暗流。我也这么选择...
评分 评分刊于《经观书评》 “过去永远不会死,它甚至还没有过去。”美国小说家威廉·福克纳在《修女安魂曲》里的这句经常被引用的名言在朱利安·巴恩斯获得2011年布克奖的小说《终结的感觉》里找到了回应。这部200页都不到的短小作品远比它看上去有份量。《终结的感觉》是对时间(主...
评分Emmm…… 文字比较平实,容易读,有点絮絮叨叨,更多像是在灌鸡汤,格局很小,想写人生可是写得不是很合我心意。结局狗血。
评分普通吧
评分以Tony为视角的叙事主要是在探讨时间因为记忆,或者“历史”,形成的回潮(也就是后来说的nolstalgia),以及这种回潮发掘出来的悲剧与救赎,作者觉得根源还是unrest。但是Adrian那边书里只说了冰山一角。
评分他和天才以前是同學,屬經常在一起討論哲學問題。 他上學時談個女朋友。在分手時有了第一次。 天才上了劍橋。 女朋友甩了主人公,跟了天才。 天才自殺了。 主人公平庸地結婚、生子、離婚,到了六十多歲,成了一個禿頭老爺子。 他和前妻不時見面,計劃著旅行,但從沒有實施。 前妻是個明確的人,而前女友是個謎一般的人。 一天,一個福特夫人給了他五百美金的遺贈,並說要把天才的日記交給他。 他不認識這個福特夫人。後來才發現是前女友的媽媽。 他想拿到天才的日記。死纏爛打地向前女友發郵件。 但前女友回復都很粗略。最後寄回天才日記一頁的照片,另外一個是主人公年輕時罵他們的信件。 他繼續死纏爛打,約了前女友兩次。四十年沒見。 但每次見面她都很冷淡、憤懣。尤其是第二次見到路上由人看護的幾個人後。 他後來猜到,她和天才有一個兒子。而這是
评分开篇让人惊叹,读起来却并不pleasant。叙事节奏:读到一半才到达故事简介的第一句话,最后两三页火速抵达真相然后完结。不可靠叙述者:原来前面常常提到一个家人,立即说“but she is not part of this story”,是蓄意为之;是他不想说的故事吧
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