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Julian Patrick Barnes is a contemporary English writer of postmodernism in literature. He has been shortlisted three times for the Man Booker Prize--- Flaubert's Parrot (1984), England, England (1998), and Arthur & George (2005), and won the prize for The Sense of an Ending (2011). He has written crime fiction under the pseudonym Dan Kavanagh.
Following an education at the City of London School and Merton College, Oxford, he worked as a lexicographer for the Oxford English Dictionary. Subsequently, he worked as a literary editor and film critic. He now writes full-time. His brother, Jonathan Barnes, is a philosopher specialized in Ancient Philosophy.
He lived in London with his wife, the literary agent Pat Kavanagh, until her death on 20 October 2008.
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- Julian-Barnes
Winner of the 2011 Man Booker Prize
By an acclaimed writer at the height of his powers, The Sense of an Ending extends a streak of extraordinary books that began with the best-selling Arthur & George and continued with Nothing to Be Frightened Of and, most recently, Pulse.
This intense new novel follows a middle-aged man as he contends with a past he has never much thought about—until his closest childhood friends return with a vengeance, one of them from the grave, another maddeningly present. Tony Webster thought he’d left all this behind as he built a life for himself, and by now his marriage and family and career have fallen into an amicable divorce and retirement. But he is then presented with a mysterious legacy that obliges him to reconsider a variety of things he thought he’d understood all along, and to revise his estimation of his own nature and place in the world.
A novel so compelling that it begs to be read in a single sitting, with stunning psychological and emotional depth and sophistication, The Sense of an Ending is a brilliant new chapter in Julian Barnes’s oeuvre.
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对于英国作家朱利安·巴恩斯(Julian Barnes)而言，2011年是收获颇丰的一年。他先是荣获了具有终身奖性质的“大卫·柯恩英国文学奖”，而后又凭借小说《终结感》(The Sense of an Ending)成功捧得布克奖。这部小说在市场上也有不俗的成绩，在英国问世的最初两个月间，就已经创下...
评分近三十年来具有全球影响力的英国作家似乎无论是在写作风格上、作品内容上还是在个人经历上都与我们传统印象里英国作家相去甚远。比如说“英国文坛移民三杰”，比如说政治倾向与女权主义倾向明显的多丽丝-莱辛，比如说自始至终喜欢剑走偏锋的麦克尤恩等等。相对于以上这些作...
评分besides others * Everyday is Sunday. 多好的墓志铭啊 * Automatically, I ate a chip. Then another. There wasn’t enough salt on them. That’s the disadvantage of fat chips. They have too much potatoey inside. With thin chips, not only is there more crispy o...
评分巴恩斯曾称布克奖是“一场高级的赌博”，是否能够得奖，完全取决于评委会的成员是谁，他们的喜好是什么，就像是否中彩票一样。但在得奖之后，巴恩斯表示他确实松了一口气。 首先，我要说，这本书真是一件可以放在书架上观赏的艺术品，即使你根本不想阅读，你也...
用户评价
I left because of us.
评分语言不错，叙事抓人，但格局略小（导致我电影不想看了）。把一个度过平庸人生的老年人的心理描写得很生动，和生命中两个女人的互动写得好精彩，男人啊，怎么一把年纪还能这么幼稚？结局震惊，但是太过戏剧化以至于影响了我对此书的评价。
评分2666被人用这本书换走，挺不情愿的，但如果有人可以借此获得那样的阅读体验，也算是为世界做贡献了。
评分有很多反思性的东西在里面。需要集中精力才能跟上作者在表达什么。情节性不强，但值得回过头再去仔细地读。
评分以Tony为视角的叙事主要是在探讨时间因为记忆，或者“历史”，形成的回潮（也就是后来说的nolstalgia），以及这种回潮发掘出来的悲剧与救赎，作者觉得根源还是unrest。但是Adrian那边书里只说了冰山一角。
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