前言……………………………………………………巫鴻（1）
Introduction…………………………………………Wu Hung
中國古代壁畫略說……………………………………楊泓（1）
An Overview of Ancient Chinese Murals………Yang Hong
亞洲視野中的秦兵馬俑……………………………倪剋魯（23）
The Qin Terra-cotta Army in a Pan-Asian Perspective
……………………………………………………Lukas Nickel
論漢代墓室壁畫的功能……………………………黃佩賢（41）
On the Function of Han Dynasty Tomb Murals
………………………………………………… Marianne Wong
引魂靈璧………………………………………………巫鴻（55）
The Bi-disk as a Conduit of the Soul………………Wu Hung
孔子師老子……………………………………………繆哲（65）
“Confucius Meets Laozi” in Han Art………………Miao Zhe
漢畫陰陽主神考…………………………………賀西林（121）
A Study of Principal Deities of Yin-Yang Forces
in Han Pictorial Art……………………………………He Xilin
中國中古時期墓葬中的天界錶象
——東亞的比較視野……………………………林聖智（131）
Representations of Celestial Spheres in Medieval
Chinese Tombs: A Comparative East Asian Approach
…………………………………………………Lin Sheng-chi
從沙嶺壁畫墓看北魏平城時期的喪葬美術……徐潤慶（163）
A Painted Tomb at Shaling and Northern Wei Funerary
Art of the Pingcheng Period…………………Seo Yunkyung
再論石材——以北朝墓葬為中心………………鄭如珀（191）
Rethinking Stone as Material with a Focus on Northern
Dynasties Tombs………………………………Bonnie Cheng
現實與理想之間
——安伽、史君墓石刻圖像的思考……………齊東方（205）
Between Reality and Ideal: A Reflection on the Stone
Carvings in the Tombs of An Qie and Master Shi
……………………………………………………Qi Dongfang
逝者的“麵具”
——再論北周康業墓石棺床畫像…………………鄭岩（219）
The “Masks” of the Dead: A Reexamination of the
Pictorial Carvings on the Stone Funerary Couch from
Kang Ye’s Tomb of the Northern Zhou…………Zheng Yan
隋唐墓葬藝術中的佛教文化因素
——以唐陵神道石柱為例………………………李星明（245）
Buddhist Elements in Sui and Tang Funerary Art as
Seen on the Stone Columns along the Spirit Paths
in Tang Mausoleums……………………………Li Xingming
唐代花鳥畫研究新視野
——墓葬材料引發的思考…………………………劉婕（271）
A New Vista in the Study of Tang Dynasty
Bird-and-Flower Paintings: Ideas Inspired
by Funerary Evidence…………………………………Liu Jie
圖像與儀式
——宋金仿木構磚雕壁畫墓圖像題材探析………鄧菲（285）
Images and Ceremonies: Decorative Motifs in
Painted Brick Tombs of the Song-Jin Period with
Imitation-Timber Structures………………………Deng Fei
勉世與娛情
——宋金墓葬壁畫中的一桌二椅到夫婦共坐……張鵬（313）
Moral Instruction and Entertainment: From the
One-Table/Two-Chairs Motif to the Joint Portraits
of Husband and Wife in Song-Jin Tomb Murals
……………………………………………………Zhang Peng
空間邏輯與視覺意味
——宋遼金墓“婦人啓門”圖新論……………李清泉（329）
Spatial Logic and Visual Significance:
Reinterpreting Images Representing Women in
Half-Open Doors in Song, Liao, and Jin Tombs
……………………………………………………Li Qingquan
濛元壁畫墓時代特徵初探
——兼論登封王上等壁畫墓的年代……………董新林（363）
A Preliminary Study of Period Characteristics
of Yuan-Dynasty Painted Tombs, with a Related
Discussion on the Dates of Painted Tombs at
Dengfeng, Wangshang, and Other Sites……Dong Xinlin
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