具体描述
The nine essays in "Sounding Out Pop" work together to map the myriad styles and genres of the pop-rock universe through detailed case studies that confront the music from a variety of engaging, thought-provoking perspectives---from historical to music-analytic, aesthetic to ethnographic, with several authors drawing liberally from ideas in other disciplines. The bands and artists covered are as vast and varied as the fifty-year history of popular music, from the Coasters and Roy Orbison to Marvin Gaye, Bob Dylan, Radiohead, Beck, Genesis, Tori Amos, and the Police. Together these diverse essays cover a broad spectrum of studies ideally suited for classroom use and for other readers interested in gaining a deeper knowledge of the way popular music works. Mark Spicer is Associate Professor and Director of Undergraduate Studies in Music at Hunter College and the Graduate Center, City University of New York. His writings have appeared in "Contemporary Music Review," "Gamut," "Music Theory Online," "twentieth-century music," and other scholarly journals and essay collections.John Covach is Professor of Music at the University of Rochester and Professor of Theory at the Eastman School of Music. He is the author of the college textbook "What's That Sound? An Introduction to Rock and Its History" and the coeditor of "Understanding Rock, American Rock and the Classical Music Tradition, and Traditions, Institutions, and American Popular Music."
作者简介
目录信息
Acknowledgments xi
1 Leiber and Stoller, the Coasters, and the "Dramatic AABA" Form John Covach 1
2 "Only the Lonely": Roy Orbison's Sweet West Texas Style Albin Zak 18
3 Ego and Alter Ego: Artistic Interaction between Bob Dylan and Roger McGuinn James Grier 42
4 Marvin Gaye as Vocal Composer Andrew Flory 63
5 A Study of Maximally Smooth Voice Leading in the Mid-1970s Music of Genesis Kevin Holm-Hudson 99
6 "Reggatta de Blanc": Analyzing Style in the Music of the Police Mark Spicer 124
7 Vocal Authority and Listener Engagement: Musical and Narrative Expressive Strategies in the Songs of Female Pop-Rock Artists, 1993-95 Lori Burns 154
8 Recombinant Style Topics: The Past and Future of Sampling Rebecca Leydon 193
9 "I'm Not Here, This Isn't Happening": The Vanishing Subject in Radiohead's Kid A Marianne Tatom Letts 214
Contributors 245
Index 249
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