Encounter

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The Czech writer Milan Kundera, b. Apr. 1, 1929, has lived in France since 1975, persuaded to self-exile by the censoring or suppression of his work by the government of his native country. Kundera has long denied any political motivation in his writings, however. His work is always humorous, skeptical, and fundamentally pessimistic in describing the universal human condition, whether under Communism or elsewhere. The Book of Laughter and Forgetting (1979; Eng. trans., 1980) is his most celebrated novel. Other highly regarded works include The Joke (1967; Eng. trans., 1982); Laughable Loves, a collection of short stories originally published in the 1960s (Eng. trans., 1974); Life Is Elsewhere (1969; Eng. trans., 1974); and The Unbearable Lightness of Being (1984; Eng. trans., 1984). In The Art of the Novel (1988), a collection of essays, Kundera repeats his conviction that the novel must be "autonomous," created independent of any system of political belief.

出版者:Faber & Faber
作者:Milan Kundera
出品人:
页数:192
译者:Linda Asher
出版时间:2010-8-19
价格:GBP 12.99
装帧:Paperback
isbn号码:9780571250899
丛书系列:
图书标签:
  • Milan_Kundera 
  • 随笔 
  • 闲书 
  • 米兰・昆德拉 
  • 法國 
  • 昆德拉 
  • essay 
  • Yugoslavia-Serbia 
  •  
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Milan Kundera's new collection of essays is a passionate defence of art in an era that, he argues, no longer values art or beauty. With the same dazzling mix of emotion and idea that characterises his novels he illuminates the art and artists who remain important to him and whose work helps us better understand the world. An astute and brilliant reader of fiction, Kundera applies these same gifts to the reading of Francis Bacon's paintings, Leoš Janáček's music, the film of Federico Fellini, as well as to the novels of Philip Roth, Dostoevsky and Gabriel García Márquez, among others. He also takes up challenge of restoring to their rightful place the works of major writers such as Anatole France and Curzio Malaparte whohae fallen into obscurity.

Milan Kundera's signature themes of memory and forgetting , the expericence of exile, and his spirited championing of modernist art mark these essays. Art, he argues, is what we have to cleave to in the face of evil, against the expression of the darker side of human nature. Elegant, startlingly original and provocative, "Encounter" follows Kundera's essay Collections, "The Art of the Nove;", "Testaments Betrayed" and "The Curtain"

具体描述

读后感

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与昆德拉此前几部评论集一样,在《相遇》中,拉伯雷、雅纳切克、布洛赫等人依旧居于不可撼动的“一哥”位置,画家培根、布贺勒,作家法郎士、马拉帕尔泰等人则成为新贵,卡夫卡、乔伊斯、斯特拉文斯基、贡布罗维奇稍稍淡出,但仍不时显身。另有更多的作家进入客串名...  

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昆德拉的书已经到了这个程度:无论如何,总要买回来看看;即使不好看,也要给它在书架上留一个位子——总算是一种慰藉吧。这种“慰藉”不排除附庸风雅的成分——不管怎么说,与昆德拉相遇,似乎已经成了我们这个年代一部分人的“文化宿命”。说实话,我是连这个“附庸风雅”...  

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前些日子读美国作家菲利普·罗斯与其他名作家的对谈录,其中对关于米兰·昆德拉的文字印象很深。罗斯的对谈中涉及到昆德拉的文字有两篇,一篇是对其本人,另外一篇是与同为捷克作家的伊凡·克里玛的对谈,说来奇怪,我对昆德拉的兴趣反而是源于克里玛谈起的印象和对照。在我的...  

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1 这本《相遇》是昆德拉的第四本随笔集,与上三本一样,除了小说之外,里面也夹杂着相当一部分乐评,这里仍然有他最喜欢谈论的贝多芬、斯特拉文斯基、勋伯格和雅纳切克,他一如既往的谈论他们的美学和人格,并把这些谈论与小说理念相对比。他把音乐与小说评论结合起来。这既像...  

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这本书我没法正常地去写评语,因为这是一本关于书评的书。而书里大部分介绍的都是我没读过的小说。 这是为我自己去记录那些有趣的段落写得书评。为了告诉我往后这些有趣的书是一定要去读一下。 关于幽默感的分析:面对一个如此严肃的主题,能够抵挡近乎无可避免的夸张词汇。因...  

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Beautiful encounter

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Beautiful encounter

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怎么有些地方好像一稿多投

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Beautiful encounter

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Beautiful encounter

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